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Return To Me
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Vous avez sélectionné:
Return To Me
Chorale SATB
Partitions à imprimer
54 partitions trouvées
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Return to Me: A Choral Service based on the Stations of the Cross (Choral Score)
Return to Me: A Choral Service based on the Stations of the Cross (Choral Score)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Taylor Scott Davis
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John 19:1-3
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Return to Me: A Choral Service
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MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
SATB choir, piano, cello - Medium - SKU: MQ.70-300-E Composed by Taylor Scott Davis. Lent, Triduum/Three Days. 72 pages. MorningStar Music Publishers - ...
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SATB choir, piano, cello - Medium - SKU: MQ.70-300-E Composed by Taylor Scott Davis. Lent, Triduum/Three Days. 72 pages. MorningStar Music Publishers - Digital Sheet Music #70-300-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.70-300-E). English. Luke 23:32-38; John 19:1-3; John 19:15-17; Luke 23:26; Matthew 11:28-30; Luke 23:27-28; Isaiah 53:10-12; Luke 23:44-46; Luke 23:50-56.A major choral work with original texts by Terry York and original music by Taylor Davis, Return to Me, takes us on a journey through the traditional Stations of the Cross. The combination of familiar scripture texts set with powerful new images creates a deeply spiritual experience for Holy Week. Duration: Approximately 40 minutesAs a companion to this work, an optional daily devotion guide for the season of Lent will enhance the congregational experience by coordinating with the texts sung by the choir in the Holy Week worship service. Preview Pak includes a choral score and CD recording.The Choral score (70-300) does not include the Lenten Devotional Guide. The Lenten Devotional Guide must be purchased separately and is available in a hardcopy booklet (70-300B) or as a digital download/PDF file for your e-reader (file_70-300B-E). If the Lenten Devotional Guide is to be used as pew booklets, you only need to purchase the number of Lenten Devotional Guides you wish to have available to your congregation.If your church intends to reproduce the Lenten Devotional Guide in your church bulletin, church websites, social media (e.g., Facebook), or email, you may report usage as follows:• If your church is a member of CCLI or OneLicense.net, you can report there.• If you church is not a member of CCLI or OneLicense.net, you may purchase one of our Congregation Edition Digital Reproduction Licenses, which cover emailing and printing the edition. A PDF of the Congregation Edition is included with the license. The fee for organizations with 0-200 average church attendance is $50.00 and for more than 200 average attendance the fee is $75.00.
$8.50 ≈
7.84€
Return To Me
Return To Me
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Chorale SATB
#
INTERMÉDIAIRE
#
Pop musique
#
Dean Martin
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Scott S
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Return To Me
#
Scott S. Stewart
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.955802 By Dean Martin. By Carmen Lombardo and Danny Di Minno. Arranged by Scott S. Stewart. Pop. Octavo. 5 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.955802 By Dean Martin. By Carmen Lombardo and Danny Di Minno. Arranged by Scott S. Stewart. Pop. Octavo. 5 pages. Scott S. Stewart #6062419. Published by Scott S. Stewart (A0.955802). Return to Me (Ritorna a me) is a popular Italian-American standard with multiple programming possibilities. It is especially well-liked at outdoor events, such as ethnic festivals, dinners, wine tastings, etc. It is arranged for 4-part SATB ensemble and piano, and uses both Italian and English lyrics. Performance time: 2:45. .
$1.99 ≈
1.84€
Gracious Spirit, Dwell with Me--SATB/Piano
Gracious Spirit, Dwell with Me--SATB/Piano
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Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
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Lyndell Leatherman
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Gracious Spirit, Dwell with Me
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Leatherman Music Services
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.829483 Composed by Lyndell Leatherman. Christian,Sacred. Octavo. 6 pages. Leatherman Music Services #6853163. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.829483 Composed by Lyndell Leatherman. Christian,Sacred. Octavo. 6 pages. Leatherman Music Services #6853163. Published by Leatherman Music Services (A0.829483). In 1983 John Ness Beck (co-founder of Beckenhorst Press) published my choral piece, Gracious Spirit, Dwell with Me. It was my first freelance arrangement and, interestingly, turned out to be the best-selling anthem that I've ever written. It's had a good run with Beckenhorst, but now the rights have been returned to me. And so it's my joy to introduce it to another generation of church musicians, with a companion orchestration now available (sold separately at https://www.sheetmusicplus.com/title/22237960 In addition, because of the many church choirs with fewer men than women, I have created an SAB edition, available separately at https://www.sheetmusicplus.com/title/22256390
$1.99 ≈
1.84€
What Return Shall I Make?
What Return Shall I Make?
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Chorale SATB
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FACILE
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Karen Beaumont
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What Return Shall I Make?
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Karen Beaumont
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1159607 Composed by Karen Beaumont. Christian,Contemporary. Octavo. 4 pages. Karen Beaumont #759871. Published b...
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Choral Choir (SATB) - Level 2 - SKU: A0.1159607 Composed by Karen Beaumont. Christian,Contemporary. Octavo. 4 pages. Karen Beaumont #759871. Published by Karen Beaumont (A0.1159607). Short, SATB a capella work based on Psalm 116.From Psalm 116“What return shall I make to the Lord forall the good He has done to me: The cupof Salvation I will raise up, and I will callupon the name of the Lord.â€.
$2.00 ≈
1.85€
Gospel Songs: Come and Go with Me to That Land (Downloadable Piano/Choral Score)
Gospel Songs: Come and Go with Me to That Land (Downloadable Piano/Choral Score)
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Chorale SATB
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FACILE
#
Gwyneth W
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Gospel Songs: Come and Go with
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
SATB choir, piano - Moderately Easy - SKU: MQ.8154-E Composed by Gwyneth W. Walker. 16 pages. E. C. Schirmer Music Company - Digital #8154-E. Published ...
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SATB choir, piano - Moderately Easy - SKU: MQ.8154-E Composed by Gwyneth W. Walker. 16 pages. E. C. Schirmer Music Company - Digital #8154-E. Published by E. C. Schirmer Music Company - Digital (MQ.8154-E). English.This new arrangement focuses on several, specific aspects of the lyrics, and of the journey. Envisioning that one is walking to that land, the piano introduction, in a swing rhythm, is marked At a strolling tempo. When the chorus enters, there is a bounce to their step, with the staccato dots coming each time on the word with- Come and go with me to that land...This is a jaunty expedition. One sees one's parents waiting in that land. Loving friends are there as well. A bit of scat singing and finger snapping adds to the energy.A slower middle section, in blues style, affirms that They'll be no slavery in that land. Shackles are thrown to the ground, and freedom breaks forth. This leads to a quick and energetic return to the gospel song, with a final refrain of They'll be singing in that land, voices ringing in that land!This is very American music, in a gospel, blues, and folk style.
$2.85 ≈
2.63€
Lead Me to Calvary
Lead Me to Calvary
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Chorale SATB
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Musique Sacrée
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Lloyd Larson
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Lead Me to Calvary
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Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
Solo voice, SATB choir a cappella - SKU: LX.10-5448L Arranged by Lloyd Larson. Sacred Anthem, Easter, Holy Week, Lent. Octavo. 8 pages. Lorenz Publishin...
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Solo voice, SATB choir a cappella - SKU: LX.10-5448L Arranged by Lloyd Larson. Sacred Anthem, Easter, Holy Week, Lent. Octavo. 8 pages. Lorenz Publishing - Digital Sheet Music #e10/5448L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5448L). ISBN 9780787769246.This delicate a cappella setting of “Lead Me to Calvary†is a reflection upon the significance of Calvary. Careful four-part voice leading helps choirs successfully execute a cappella singing. A rich choral background supports an expressive alto solo on the second verse, before the piece returns to homophonic texture and a soft, prayerful ending.
$2.40 ≈
2.21€
Come to the Savior Now - SATB and piano
Come to the Savior Now - SATB and piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
#
Andrew Duncan
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Come to the Savior Now - SATB
#
Andrew Duncan
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.764315 Composed by Andrew Duncan. Christian,Contemporary,Sacred. Octavo. 4 pages. Andrew Duncan #3222161. Publis...
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Choral Choir (SATB) - Level 4 - SKU: A0.764315 Composed by Andrew Duncan. Christian,Contemporary,Sacred. Octavo. 4 pages. Andrew Duncan #3222161. Published by Andrew Duncan (A0.764315). This setting of John Wigner's text (found in the Trinity Hymnal) uses a brand new tune with close contemporary choral texture and a graceful, pianistic accompaniment. Come to the Savior now, He gently calleth thee;In true repentance bow, before Him bend the knee;He waiteth to bestow salvation, peace and love,True joy on earth below, a home in heaven above.Come to the Savior now, ye who have wandered far;Renew your solemn vow, for His by right you are;Come, like poor wandering sheep returning to His fold;His arm will safely keep, His love will ne'er grow cold.Come to the Savior, all, whate'er your burdens be;Hear now His loving call, Cast all your care on me.Come, and for every grief in Jesus you will findA sure and safe relief, a loving Friend, and kind.Words by John M. Wigner, 1871
$1.99 ≈
1.84€
Lean On Me
Lean On Me
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Chorale SATB
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FACILE
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Club Nouveau
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Bronwyn Hendy
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Lean On Me
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Bronwyn Hendy
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.925758 By Club Nouveau. By Bill Withers. Arranged by Bronwyn Hendy. A Cappella. Octavo. 8 pages. Bronwyn Hendy #...
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Choral Choir (SATB) - Level 2 - SKU: A0.925758 By Club Nouveau. By Bill Withers. Arranged by Bronwyn Hendy. A Cappella. Octavo. 8 pages. Bronwyn Hendy #6234103. Published by Bronwyn Hendy (A0.925758). An accessible arrangement of this uplifting song, suitable for smaller community and high school choirs with limited numbers in harmony parts. It features very singable parts in accessible ranges. The arrangement begins with Tenor and Bass in unison, with Soprano and Alto entering at the chorus. The chorus interweaves unison and harmony sequences which are repeated through the song in order to aid learning and memorization. Short phrases of the bridge are sung a capella in unison, leaving room for movement or body percussion to feature, before returning to the familiar harmonies. .
$1.99 ≈
1.84€
Believe in Me
Believe in Me
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Music: David Lantz III and Wor
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Believe in Me
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Lantz Choral Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1245611 Composed by Music: David Lantz III and Words: Herb Frombach. Praise & Worship,Sacred. Octavo. 12 pages. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1245611 Composed by Music: David Lantz III and Words: Herb Frombach. Praise & Worship,Sacred. Octavo. 12 pages. Lantz Choral Publications #840491. Published by Lantz Choral Publications (A0.1245611). Intended use: General useThemes:Â Believe and receive peaceThis Celtic-style anthem's text, written by Herb Frombach, is based freely on John 12:44. Mostly upbeat, the contrasting a cappella middle section returns to the opening energy where the (optional) violin adds more Celtic flair. This anthem, usable throughout the year, is great fun to sing and appealing to the congregation. Parts for Violin or Flute, guitar, bass, and drum: LCP0078.
$2.55 ≈
2.35€
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 page...
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Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus?torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff?s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff?s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus? earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that?dshow healthy indifference;?
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women?s voices to paint thewords, ?Lesbia mi dicit semper male nec tacetumquam de me? (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men?s voices when Catullus says he does the same, ?quia sunt totidem mea: deprecor illamassidue? (?it?s the same with me: I?m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia?s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, ?My love for you is so great thatno other woman could possibly even know what love is.? This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99 ≈
4.60€
O Sleep, Why Dost Thou Leave Me? (Semele)
O Sleep, Why Dost Thou Leave Me? (Semele)
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Scott S
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O Sleep, Why Dost Thou Leave M
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1260597 Composed by George Frideric Handel. Arranged by Scott S. Stewart. A Cappella,Baroque,Classical,Opera. Oc...
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Choral Choir (SATB) - Level 3 - SKU: A0.1260597 Composed by George Frideric Handel. Arranged by Scott S. Stewart. A Cappella,Baroque,Classical,Opera. Octavo. 4 pages. Scott S. Stewart #853790. Published by Scott S. Stewart (A0.1260597). “O Sleep, Why Dost Thou Leave Me?â€, from Georg Friedrich Händel’s oratorio/opera Semele (1743), is sung by the lovely, yet vain and ambitious princess, Semele of Thebes.  She awakens and regrets that the dream she was having has ended, and calls upon Sleep to return and restore her peaceful vision. (This aria is often suggested listening to those suffering from insomnia.)  This arrangement is for 4-part SATB ensemble to be performed a cappella.  It’s purpose is twofold: to serve as an introduction to Händel and English Baroque music, while at the same time teaching young sopranos a performable aria for their solo repertoire. Performance time: 2:15+-.
$2.99 ≈
2.76€
Even Now, Return to Me
Even Now, Return to Me
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Chorale SATB
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FACILE
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Musique Sacrée
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Judith Snowdon
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Even Now, Return to Me
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Judith E. Snowdon
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.878055 Composed by Judith Snowdon. Christian,Sacred. Octavo. 7 pages. Judith E. Snowdon #18617. Published by Ju...
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Choral Choir (Mixed) - Level 2 - SKU: A0.878055 Composed by Judith Snowdon. Christian,Sacred. Octavo. 7 pages. Judith E. Snowdon #18617. Published by Judith E. Snowdon (A0.878055). Two-Part, Mixed Sacred Choral Anthem Suitable for Lent, Communion Sunday, General A beautiful lyrical melody set over a flowing piano accompaniment Simple voice parts for the small church choir.
$2.99 ≈
2.76€
To Us This Night Is Born a Child
To Us This Night Is Born a Child
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Chorale SATB
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way of introduction of the pie
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Ernest Brandon
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To Us This Night Is Born a Chi
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Imagine Music - Digital
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SheetMusicPlus
SATB Chorus & Piano - SKU: IZ.VMW227 Composed by Ernest Brandon. Octavo. 8 pages. Imagine Music - Digital #VMW227. Published by Imagine Music - Digital ...
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SATB Chorus & Piano - SKU: IZ.VMW227 Composed by Ernest Brandon. Octavo. 8 pages. Imagine Music - Digital #VMW227. Published by Imagine Music - Digital (IZ.VMW227). 9 x 12 inches.“Paris Without You is a piece for solo tenor saxophonist and orchestra with jazz quartet accompaniment. By way of introduction of the piece, in 2012, I met my wife, and very early on we had different trips planned. I was going to visit family and Cindy was going back to Paris, a place she had visited many times. So it was that we were almost literally a world apart. Upon both our returns, Cindy shared her many photos of Paris with me, a place I have never been. These photos were but a few that really made an impression on me and made me feel almost as I were there, even though Cindy was there (in one of the most romantic places in the world) as musicians would say, “solo. So the title of this piece suggests a telling of the story in pictures from her perspective.In performing this piece, it is preferable to have a tenor saxophonist who is equally comfortable in an orchestral setting as in a jazz quintet setting. Though all the jazz quintet parts are very specifically written, with either chord voicings and suggested solos, there is room for improvisation in these parts, but using a keen ear and direction to know when to align properly with the orchestra.In my recording of this piece, Maynard Ferguson Band alumni, Andy Weinzler is the featured tenor saxophonist. Many Western New York musicians came together to record this piece, and I thank them all for their incredible musicianship and willingness to perform this piece.
$2.00 ≈
1.85€
Peace Flows into Me from For a Breath of Ecstasy (Downloadable Choral Score)
Peace Flows into Me from For a Breath of Ecstasy (Downloadable Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Michael John Trotta
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Peace Flows into Me from For a
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir, oboe, and string quartet or piano - Medium - SKU: MQ.1.3525-E Composed by Michael John Trotta. Instrument parts. 9 pages. Duration 4 minutes...
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SATB choir, oboe, and string quartet or piano - Medium - SKU: MQ.1.3525-E Composed by Michael John Trotta. Instrument parts. 9 pages. Duration 4 minutes, 44 seconds. Galaxy Music Corporation - Digital #1.3525-E. Published by Galaxy Music Corporation - Digital (MQ.1.3525-E). English.This second movement from For a Breath of Ecstasy, is a cappella except for a short introduction and coda. The texture is SATB with a soprano descant in the first and last sections. The middle section (piu mosso) is underlayed with a rhythmic motive in the men's parts which pulses below the more flowing women's parts. After the middle section builds to a strong emotional declamation (they are all fulfilled in you,) The beginning material returns. Duration: 4:44 Oboe part included.
$2.65 ≈
2.44€
And His Kingdom Will Have No End
And His Kingdom Will Have No End
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Kevin Longley
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Kevin Longley
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And His Kingdom Will Have No E
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Kevin Longley
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise & Worship,Religious,Sacred. 10 pages. Kevin Longley #711630. Published by Kevin Longley (A0.1109087). Inspiration While I have recited the Nicene Creed countless times, in July 2021 something changed. The church had cleared the return of the choir, post pandemic, and it was my first Sunday of singing in well over a year. That Sunday as I recited the creed something happened when I reached the line “And His Kingdom Will Have No Endâ€. Was it louder? Was it spoken with greater conviction? Something was different! Maybe it was just me. I'm not sure but all I know is that every Sunday thereafter it had the same impact on me. Within a few weeks I decided to compose a choral piece about that very line. I had to! The Music For the most part the harmony and structure are traditional but do contain harmonic structures with a contemporary flair. The arrangement is refrain, verse, refrain, verse, bridge and then refrain. The first and 3rd refrains are highly similar while the second refrain contains a soprano section descant while featuring the bass's carrying the main melody. The overall intent of the music is that on every return to the refrain, it is louder than the previous refrain. This signifies the singers confidence growing, in the existence of God's Kingdom, after each verse. With that said the piece starts quietly, almost being heard from a distance. The refrain lyrics speak to the hope that we carry for God's kingdom while the verses speak to God and Jesus in a more intimate way. The bridge speaks to the strength of the Kingdom and then leads back to the opening refrain, now in double forte. The high point in the piece is reached where volume, emotion and a significant ritard occur at the phrase “we'll be togetherâ€. From there the piece decreases in volume ending in a quiet confidence repeating “No end, no end, no endâ€.
$1.99 ≈
1.84€
One Quiet Night (An Advent Song)
One Quiet Night (An Advent Song)
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Chorale SATB
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INTERMÉDIAIRE
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Richard Joseph Barber
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One Quiet Night
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Barber Music Company
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.915687 Composed by Richard Joseph Barber. A Cappella,Christmas,Contemporary. Octavo. 7 pages. Barber Music Compa...
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Choral Choir (SATB) - Level 3 - SKU: A0.915687 Composed by Richard Joseph Barber. A Cappella,Christmas,Contemporary. Octavo. 7 pages. Barber Music Company #3692331. Published by Barber Music Company (A0.915687). SATB, a cappella. A good high school choir should be able to perform this piece well. Although harmonies are traditional, good intonation may be difficult at first, but should come with familiarity. The sopranos will sing three high a's, but beyond that, range should not be a challenge. The song is fast paced and worshipful. It tells the story of the angels' visit to the shepherds, the shepherds' haste to the stable to worship the new born King, and their return to tell their friends and neighbors the good news. Let me know what you think of it, and don't be shy about contacting me with performance questions. Dick Barber, aspiringtunerrjb@sbcglobal.net.
$2.20 ≈
2.03€
Rock - a Roger Jones musical
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99 ≈
9.22€
The Mystery (Downloadable)
The Mystery (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Stephen Chatman
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The Mystery
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.8804-E Composed by Stephen Chatman. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #8804-E. Pu...
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SATB choir and Piano - Medium - SKU: MQ.8804-E Composed by Stephen Chatman. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #8804-E. Published by E. C. Schirmer Music Company - Digital (MQ.8804-E). English.Sara Teasdale’s poem, The Mystery, depicts deep lasting love - “Your eyes drink of me†and “We have long been loversâ€. It also raises a question - “Can I ever know you / Or you know me?†Stephen Chatman’s expressive setting begins with a unison melody, supported by modulating harmonies in the piano accompaniment, and evolves toward four-part voices. The middle section, featuring rising vocal lines in imitative counterpoint, precedes a return to the initial melody. One of a set of six of Teasdale's love songs.
$2.65 ≈
2.44€
Where Is Jesus
Where Is Jesus
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin Longley
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Where Is Jesus
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Kevin Longley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1019372 Composed by Kevin Longley. Christian,Easter,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #65...
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Choral Choir (SATB) - Level 4 - SKU: A0.1019372 Composed by Kevin Longley. Christian,Easter,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6550433. Published by Kevin Longley (A0.1019372). Where Is JesusInspiration January 1st, 2021 was the start of my official retirement from a wonderful company that I had been employed at for 40+ years, Cirtronics Corporation. Where Is Jesus was my first retirement music so to speak. A 2 measure musical idea came to me in early January. Several weeks later I had the overall structure completed and started inputting the score into my music program. At this point I had no lyrical ideas, however with Easter approaching it occurred to me that the musics dramatic content leaned heavily towards Good Friday, in spirit. As I pondered that, I couldn't help but wonder what the disciples thought when Jesus was taken. Certainly they would question where he was, question what had happened. Thus was born Where is Jesus with the lyrical content asking and then answering. The Music The music is comprised of an A section which begins with the Tenors and Altos singing Where Is Jesus. The choir then responds (in chronological order, as recorded in the Gospels ) with lyrics that describe the brutality that Jesus endured. Here the weight of what has occurred is felt with the lyrics and music evoking great emotion. The B section follows; a retrospective look back sung by the soloist, stating that all had transpired as foretold, or as stated, by Jesus and the prophets. A C section is then introduced which contains the hope then, and the crux now, of our faith deaths chain cannot have its reign, he will rise, he will rise. After a short piano interlude we are returned to the A section, now modulated to a higher key; here the most emotional section of the music is felt with the raw truth of what has happened. He is nailed to the cross, he has died, we are lost. The piece then ends as it started Where Is Jesus, to be answered three days later.
$4.99 ≈
4.60€
Gagarin (Beyond Blue Sky)
Gagarin (Beyond Blue Sky)
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Glyn Lehmann
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Gagarin
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.510169 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). Contemporary. Octavo. 14 pages. Glyn Lehmann #3...
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Choral Choir (SATB) - Level 3 - SKU: A0.510169 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). Contemporary. Octavo. 14 pages. Glyn Lehmann #3542449. Published by Glyn Lehmann (A0.510169). The opening song from the SPACE RACE song cycle, celebrating the 50th anniversary of the Apollo 11 moon landing, July 1969. Words by Phil Cummings, music by Glyn Lehmann. Other songs are Space Race (To Every Question), The Children of the World (July 1969) and Apollo 11 (Homecoming).In 1961 Russian cosmonaut Yuri Gagarin was the first human to enter space and orbit the Earth. The song ebbs and flows as the story of Gagarin's life unfolds; from humble beginnings to his historic journey into space. More information at songlibrary.net/Space-Racehttps://youtu.be/kV-xs9P9LiwGagarin (Beyond Blue Sky) words by Phil Cummings, music by Glyn LehmannBack in April nineteen sixty oneYuri Gagarin was the chosen oneTo climb through a cold silver doorAnd go where no one had gone beforeA farmer’s son, a humble man Childhood memories of dirt on his handsStanding and gazing at the starry skiesWorlds of wonder there behind his eyesThe first to fly beyond air The first to fly beyond blueTo drift in endless dark spaceThat surrounds me and youThe first to take a breathWhere none can ever breathe To live a dream, a powerful dreamAnd make a world believe… in endless possibilitiesAround the world humanity stoodAll waiting, wondering if he couldSurvive the flames of wild fireAs the rattling rocket roared higher and higherVostok soared beyond atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityChorusGagarin returned to EarthTo the water, the air, the dirt To a world that began to dreamTo work, to imagine, to schemeTo ponder, to study, to striveFor the conquest beyond blue skyVostok soared beyond the atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityIn vast darkness blacker than the nightA fragile planet bathed in lightThe land, the rivers and the seaEarth spins … precariouslyLyrics © 2018 Phil Cummings
$2.50 ≈
2.31€
Of time you would make a stream
Of time you would make a stream
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Chorale SATB
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Sven Hagvil
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Of time you would make a strea
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus a cappella - SKU: BJ.1462 Composed by Sven Hagvil. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1462. Published by Bo Ejeby Forlag - Digital...
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SATB chorus a cappella - SKU: BJ.1462 Composed by Sven Hagvil. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1462. Published by Bo Ejeby Forlag - Digital (BJ.1462). 8.27 x 11.7 inches.Winner of the 2nd prize in Bo Ejeby Förlag’s composition award 2021.The Lebanese American philosopher and poet Khalil Gibran’s book The Prophet has accompanied me for a long time, ever since I was first introduced to it by a friend, a Lebanese refugee, many years ago. I’ve returned to it often, to read and to make use of passages in compositions. The Prophet is a wondrous treasure trove of amazing poetry – covering life, death, and everything in between: love, friendship, children, work, power. And time.I always focus carefully on any texts I wish to use, read and rhythmize them in different ways they could be read and interpreted, and choose words and sentences that deserve to be emphasized, to stop and ponder on, or simply let go and flow. So too in this, in my opinion, magnificent poem. Sometimes there’s very little movement, sometimes it courses on in a mighty and unfathomable manner. Never predictable. I hope I managed to bring out the timelessness. – Sven Hagvil.
$4.00 ≈
3.69€
Agnus Dei from Reconciliation
Agnus Dei from Reconciliation
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Chorale SATB
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Tyler Merideth
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Agnus Dei from Reconciliation
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Tyler Merideth
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.782530 Composed by Tyler Merideth. Christian,Contemporary,Easter,Sacred,Spiritual. Octavo. 7 pages. Tyler Meride...
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Choral Choir (SATB) - Level 3 - SKU: A0.782530 Composed by Tyler Merideth. Christian,Contemporary,Easter,Sacred,Spiritual. Octavo. 7 pages. Tyler Merideth #4810437. Published by Tyler Merideth (A0.782530). Agnus Dei is the tenth movement from a larger work entitled Reconciliation, a set of 12 Latin prayers. Each movement takes it's inspiration from individual postcards containing pictures of St. Michael's Cathedral in Coventry, England. When performed in sequence, Reconciliation can serve as a worship service however, the individual movements also can stand alone. Although the tenth movement in Reconciliation, Agnus Dei was the initial small seed catalyst that grew into the idea to write a 12 movement work. The idea came to me when I first visited Coventry Cathedral and saw a statue entitled Reconciliation by Josefina de Vasconcellos. The statue depicts two figures kneeling in an embrace. What makes this statue so powerful is that the placement of the statue is among the ruins of the original Cathedral after the bombing by German Aircraft in WWII. I immediately sketched an idea for this movement on the bus after my college choir rehearsed in the cathedral. When I returned to the United States, I wrote a rough vocal line and string orchestra accompaniment. The composition then lay dormant for more than a decade with no major changes. It was only this past week (almost fifteen years later) that I rewrote the accompaniment for piano and cleaned up the choral part. The opening unison vocal line can be timeshared among the voice parts. Since it covers a wide range, let the lower voices sing what range they sing well and the higher voices reciprocate. Please feel free to vary the tempo with rubato throughout the piece to allow for proper breath support. Do not be shy leaning into the dissonances found in the suspensions as the ultimate resolution in the grant us peace
$3.99 ≈
3.68€
All Creatures of Our God and King
All Creatures of Our God and King
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Geistliche Kirchengesäng, J
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Jason Waggoner
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All Creatures of Our God and K
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Jason Waggoner
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1029449 Composed by Geistliche Kirchengesäng, Jason Waggoner. Arranged by Jason Waggoner. Christian,Sacred. O...
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Choral Choir (SATB) - Level 3 - SKU: A0.1029449 Composed by Geistliche Kirchengesäng, Jason Waggoner. Arranged by Jason Waggoner. Christian,Sacred. Octavo. 7 pages. Jason Waggoner #5313697. Published by Jason Waggoner (A0.1029449). This is a high-energy, syncopated arrangement of a beloved ancient hymn. Written for SATB and piano, It is perfect for a small or large church or college choral ensemble.The contrasting middle section features original music in a text-driven modulatory setting that culminates with a majestic final stanza in a new key, while returning to the syncopated mood that characterizes this arrangement.I invite you to check out more of my compositions and arrangements at jasonwaggonermusic.com.Follow me on FB: Jason Waggoner Music
$2.75 ≈
2.54€
The Trinity Service - Magnificat & Nunc dimittis
The Trinity Service - Magnificat & Nunc dimittis
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Ivo Antognini
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The Trinity Service - Magnific
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Ivo Antognini
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1211209 Composed by Ivo Antognini. A Cappella,Contemporary,Latin,Sacred. Octavo. 24 pages. Ivo Antognini ...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1211209 Composed by Ivo Antognini. A Cappella,Contemporary,Latin,Sacred. Octavo. 24 pages. Ivo Antognini #808911. Published by Ivo Antognini (A0.1211209). In this Trinity Service (2021) I used the text of the Magnificat as if it were the storyboard of a film. I tried to describe in the utmost detail the emotion the words conveyed to me and the images they suggested. In this composition I have used word-painting, attempting to colour as many words, phrases and situations as possible; hence the score is full of expression markings such as ‘majestic’, ‘with vigour’, ‘lively’, ‘intense’, ‘with affection’ and ‘with verve’. The result is a piece that changes texture rather quickly, and its noble opening theme (‘My soul doth magnify the Lord’) returns only once in abbreviated form (‘He hath filled the hungry with good things’). The following Nunc dimittis has a much more meditative and intimate character with a sparser texture. There are some references to the themes presented in the Magnificat. A motif from the Magnificat, ‘Glory be to the Father, and to the Son’, recurs in almost the same form towards the close of the Nunc dimittis, but in a quieter vein and in 4 rather than the 43 of the Magnificat. The Magnificat and the Nunc dimittis may be performed individually.
$3.99 ≈
3.68€
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