Partitions Numériques de Strings by the Sea pour Chorale SATB

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Strings by the Sea
Non classifié 20

Piano & claviers
Piano seul 1
2 Pianos, 4 mains 1
Piano Trio: piano, violon, violoncelle 1

Guitares

Voix
Chorale SATB 2

Vents
Flûte traversière 2
Hautbois (partie séparée) 2
Cor Anglais 1
Quintette de Saxophone: 5 saxophones 1
Clarinette 1

Piccolo 1

+ 1 instrumentations

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Cuivres
Cor 4
Cor Anglais 1
Trombone et Piano 1
Trompette 1
Tuba 1

Trombone (partie séparée) 1

+ 1 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 5
Violon, Guitare (duo) 3
Violon 2
Alto seul 1
Trio à Cordes: 2 violons, violoncelle 1

Harpe 1
Violon et Piano 1
Violoncelle (partie séparée) 1
Contre Basse 1

+ 4 instrumentations

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Percussions & orchestre
Orchestre 13
Orchestre de chambre 7
Orchestre à Cordes 6
Ensemble Jazz 1
Orchestre d'harmonie 1

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Strings by the Sea

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Chorale SATB

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2 partitions trouvées

The City In the Sea: Choral Tone Poem

The City In the Sea: Choral Tone Poem #Chorale SATB #AVANCÉ #Contemporain #Stanley M Hoffman #The City In the Sea: Choral To #stanleymhoffman.com #SheetMusicPlus

Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...(+)

Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809â€“1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term â€œtwelve-tone tonalityâ€ to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.

$5.60 ≈ 5.14€

Dona Nobis Pacem (SATB)

Dona Nobis Pacem (SATB) #Chorale SATB #AVANCÉ #Curtis Hanson #Dona Nobis Pacem #Curtis Hanson #SheetMusicPlus

Choral Choir (SATB) - Level 5 - SKU: A0.719511 Composed by Curtis Hanson. Sacred,World. Octavo. 12 pages. Curtis Hanson #2032679. Published by Curtis Ha...(+)

Choral Choir (SATB) - Level 5 - SKU: A0.719511 Composed by Curtis Hanson. Sacred,World. Octavo. 12 pages. Curtis Hanson #2032679. Published by Curtis Hanson (A0.719511). September 11, 2001 has had a profound affect on many people, not the least of which is the composer of this work. Written the month following the tragic events of 9/11, it is a reflection of the chaotic times in which we live. Dona Nobis Pacem (Grant Us Peace) is a prayer for peace to the loving God who is the God (or Allah, or Yahweh) of all people, that out of our current discord peace and harmony may come to all humanity. The work is in three sections (ABA) with a coda. The only text in the first three sections is a wailing Oh intoned by the choir. Throughout these sections the melody wanders in search of a harmonious resting point. In the B section the choir and strings part ways and resonate increased dissonance. The second A section exactly duplicates the first. The work concludes in the coda with the phrase Dona nobis pacem and an ever-increasing sense of harmonious repose. The listener may hear occasional reflections of Samuel Barberâ€™s Adagio for Strings or Pavane for a Dead Princess by Maurice Ravel. Dona Nobis Pacem was premiered in May 2003 by the combined choirs of the John Duss Music Conservatory, Duluth MN, and Pilgrim Lutheran Church, Superior WI, under the direction of the composer. It is purely coincidental that there are 191 measures in the work......the numbers in the date of 9/11.

$2.50 ≈ 2.29€

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