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Vous avez sélectionné:
Why I Love You
intermédiaire
Chorale SATB
Partitions à imprimer
5 partitions trouvées
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1
But I Do (i Don't Know Why)
But I Do (i Don't Know Why)
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Chorale SATB
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INTERMÉDIAIRE
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The Jewels
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Cathy Stamegna
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Key of Bb (original key)
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But I Do
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Cathy Stamegna
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.780678 By The Jewels. By Paul Gayten, Robert C Guidry, and Robert C. Guidry. Arranged by Cathy Stamegna. Blues,C...
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Choral Choir (SATB) - Level 3 - SKU: A0.780678 By The Jewels. By Paul Gayten, Robert C Guidry, and Robert C. Guidry. Arranged by Cathy Stamegna. Blues,Contemporary,Pop,Rock,Wedding. Octavo. 6 pages. Cathy Stamegna #5214389. Published by Cathy Stamegna (A0.780678). (I Don’t Know Why I Love You) But I Do (SATB Choir, Piano Accompaniment). This popular, singable melody was recorded by Clarence Frogman Henry. Key of Bb (original key). A fun, SATB addition to your program. Other vocal/instrumental arrangements available. Performance Time: 2:25.
$2.50 ≈
2.30€
Swallow Love Song
Swallow Love Song
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Chorale SATB
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INTERMÉDIAIRE
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Johnson Gaoo
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Swallow Love Song
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Johnson Gao
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.1007063 Composed by Johnson Gaoo. Concert,Contemporary,World. Octavo. 5 pages. Johnson Gao #6707159. Published ...
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Choral Choir (Mixed) - Level 3 - SKU: A0.1007063 Composed by Johnson Gaoo. Concert,Contemporary,World. Octavo. 5 pages. Johnson Gao #6707159. Published by Johnson Gao (A0.1007063). 燕之戀Johnson Gao今天為2022å¹´2月6æ—¥, 農曆æ£æœˆåˆå…。寫æ¤ä¸ƒå¾‹ä»¥å¥‰åŽ»å¹´ä¸€ç¶²å‹ç‚ºæˆ‘çš„ <ç®èˆ‡æŒä¹‹æ›²> 寫的幾首燕æ¸ä¾†è©©ã€‚ 殘瓴簷下燕營巢; 飛來飛去啣泥è‰ã€‚我å•ç‡•å…’為何故,åæ„›æ¤å±‹ä¼¼ç ´å»Ÿ?(燕兒唧唧回語é“;哲å¸ä¸æ·±æ„境高:)摩天大樓看似好; çŽ»ç’ƒæ»´æ»‘æ‚²é¢¨ç¹žã€‚å¯Œéº—å ‚ç…Œé›£å®‰çª©; 奪我春光雛å°é³¥ã€‚ Swallow's Love SongJohnson GaoToday is February 6, 2022, the sixth day of the first lunar month. I wrote this seven by eight word poem as a feedback to several poems written by a netizen last year for my Melody of the Arrow and the Song.Swallows make their nests under the eaves of an old house;They are flying around carried with mud and hay.I asked swallows why you are prejudice to select that house,Which looks like a broken temple?(Swallow chirps back to me,although its philosophy is not deep, the artistic conception is high :)Skyscrapers look splendid;However, its glass is slippy and it catches fierce wind all around.The shiny and magnificent halls are difficult to build a nest;How could we waste spring time for nursing our chicks?
$1.99 ≈
1.83€
Lesbia mi dicit semper male
Lesbia mi dicit semper male
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Lesbia mi dicit semper male
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Mark Templeton Choral Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #...
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Choral Choir (SATB) - Level 3 - SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441). Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says: Lesbia keeps insulting me in front of her husband:this fills the fatuous idiot with delight. Mule, do you perceive nothing? If she shut up and ignored me that’d show healthy indifference;… In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.
$2.00 ≈
1.84€
Wonder
Wonder
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Amy Morales
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Wonder
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Amy J Morales
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.963826 Composed by Amy Morales. Christian,Concert,Sacred,Standards. Octavo. 10 pages. Amy J Morales #4407528. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.963826 Composed by Amy Morales. Christian,Concert,Sacred,Standards. Octavo. 10 pages. Amy J Morales #4407528. Published by Amy J Morales (A0.963826). Wonder is a sacred SATB piece that exemplifies the majesty of God's creation. Near the end of the piece, the text shows the amazement in having a personal relationship with the Almighty Creator.Great for a scared recital or church setting. Cover design by Christy Ash (christyashportfolio.weebly.com) Wonder - Lyrics by Amy MoralesI walked along a winding road in search of finding truth untold;And there Your greatness I behold. I am amazed and wonder to myself of Your story. I see the crystal clear, still river. The streams speak soft in tranquil whisper. Yet strong, ne'er ceases to astound me. I am amazed and wonder to myself of Your beauty.As the sun gives forth her light to shine, the Heavens sing of power divine. A song within the earth I find. I am amazed and wonder to myself of Your glory.The budding of the garden lily. The setting of the Morning Star.No mind can fathom who You are. I stand amazed and wonder to myself, You are mighty.Myself, I find so weak and needy, so small compared to this great beauty,then ponder why You'd reach way down to touch me. I stand amazed and wonder to myself why You'd love me.
$2.50 ≈
2.30€
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 page...
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Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus?torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff?s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff?s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus? earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that?dshow healthy indifference;?
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women?s voices to paint thewords, ?Lesbia mi dicit semper male nec tacetumquam de me? (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men?s voices when Catullus says he does the same, ?quia sunt totidem mea: deprecor illamassidue? (?it?s the same with me: I?m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia?s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, ?My love for you is so great thatno other woman could possibly even know what love is.? This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
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