Partitions Numériques de All I Do pour 2 Trompettes (duo)

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All I Do
Non classifié 714

Piano & claviers
Instruments en Do 648
Piano seul 415
Piano, Voix et Guitare 216
Piano, Voix 114
Piano Facile 85

Orgue 34
2 Pianos, 4 mains 27
Piano grosses notes 17
Accordéon 5
Accompagnement Piano 4
1 Piano, 4 mains 2
Piano (partie séparée) 2
Piano Quatuor: piano, 2 violons, violoncelle 1
2 Pianos, 8 mains 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Piano Quatuor: piano, violon, alto, violoncelle 1
2 Accordéons 1

+ 12 instrumentations

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Guitares
Guitare notes et tablatures 65
Guitare 33
Ligne De Mélodie, (Paroles) et Accords 32
Basse electrique 29
Paroles et Accords 17

Ukulele 9
4 Guitares (Quatuor) 5
Guitare (partie séparée) 2
Basse électrique (partie séparée) 2
Piano, Guitare (duo) 2
Mandoline 1
2 Dulcimers (duo) 1
Banjo 1
2 Guitares (duo) 1

+ 9 instrumentations

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Voix
Chorale SATB 157
Chorale TTBB 48
Chorale 3 parties 41
Chorale 2 parties 39
Chorale SSAA 31

Voix seule 21
Voix duo 13
Chorale Unison 11
Voix Soprano, Piano 8
Voix duo, Piano 7
Voix haute 2
Voix Alto, Piano 1
Soli, choeur mixte et accompagnement 1
Voix Tenor 1
Chorale SSAATTBB 1
Chorale 1
Chorale SAATB A Cappella 1

+ 12 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 33
Flûte traversière 27
Saxophone (partie séparée) 21
Clarinette 17
Flûte traversière et Piano 17

Hautbois, Piano (duo) 15
Flûte, Hautbois, Clarinette, Basson 12
Saxophone Alto 12
Saxophone Tenor et Piano 10
Ensemble de Clarinettes 10
Quatuor de Clarinettes: 4 clarinettes 10
Clarinette et Piano 10
Quintette de Saxophone: 5 saxophones 9
Saxophone Alto et Piano 9
Ensemble de Flûtes 9
Hautbois (partie séparée) 9
Quatuor de Saxophones: 4 saxophones 9
2 Saxophones (duo) 7
Flûte et Guitare 7
Quintette de Clarinettes: 5 clarinettes 7
Ensemble de saxophones 6
3 Clarinettes (trio) 6
Flûte à Bec 5
Quintette de Flûte : 5 flûtes 5
Clarinette (partie séparée) 4
Quatuor de Flûtes : 4 flûtes 4
Clarinette, Guitare (duo) 4
Flute (partie séparée) 4
2 Flûtes traversières (duo) 4
3 Saxophones (trio) 4
Hautbois 3
Flûte, Violon et Violoncelle 3
Cor anglais, Guitare (duo) 3
Saxophone Soprano et Piano 3
Cor anglais, Piano 2
Quatuor de Flûtes à bec 2
Hautbois, Guitare (duo) 2
Saxophone Tenor 2
2 Clarinettes (duo) 2
Clarinette, Alto et Piano (trio) 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Flûte, Hautbois, Clarinette (trio) 1
Flûte, trombone et piano 1
Ensemble De Flûte à bec 1
Saxophone Baryton, Piano 1
Flûte, Clarinette, Piano (trio) 1
Clarinette, Violon (duo) 1
Flûte, Violon, Piano 1
Flûte, Alto et Piano 1
Saxophone 1
2 Hautbois (duo) 1
Flûte, Hautbois, Basson 1
Flûte à bec Soprano 1
5 Flûtes à bec 1
Flûte, Basson et Piano 1

+ 50 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 28
Trompette 26
Quatuor de Cuivres 18
Trombone 12
Quatuor de Cuivres : 2 trompettes, trombone, tuba 12

Cor 11
Trompette (partie séparée) 10
Trombone et Piano 8
Trombone (partie séparée) 8
Trompette, Piano 8
Cor et Piano 6
Ensemble de Trompettes 5
Euphonium 5
Ensemble de Trombones 5
Quatuor de Cuivres: 2 trompettes, Cor, trombone 5
Tuba 4
Cor (partie séparée) 4
Ensemble de Cors 3
Tuba (partie séparée) 3
2 Trombones (duo) 3
Quatuor de cuivres: 4 trombones 3
Cor anglais, Guitare (duo) 3
Cor anglais, Piano 2
Trompette, Trombone (duo) 2
Tuba et Piano 2
2 Trompettes (duo) 2

Trompette, Euphonium (duo) 1
Trio de Cuivres 1
Quatuor de cuivres: 4 cors 1
Bass Clef Instruments 1

+ 25 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 116
Violon 36
Violon et Piano 25
Harpe 17
Violoncelle (partie séparée) 17

Violoncelle 14
Trio à Cordes: violon, alto, violoncelle 13
Alto, Piano 13
Violon, Violoncelle (duo) 13
Quintette à cordes: 2 violons, alto, violoncelle, basse 12
Violoncelle, Piano 9
Alto seul 9
2 Violons (duo) 6
2 Violoncelles (duo) 3
Violoncelle , Guitare (duo) 3
Contre Basse 3
Violoncelle, Contrebasse (duo) 3
Ensemble de Violons 3
Alto (partie séparée) 2
Violon (partie séparée) 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 2
4 Violoncelles 2
2 Harpes (duo) 2
Alto, Violoncelle (duo) 2
Ensemble d'Altos 2
Trio à Cordes: 2 violons, violoncelle 2
Harpe, Violon (duo) 2
Trio à cordes: 3 violins 1
2 Altos (duo) 1
Contrebasse (partie séparée) 1
Harpe, Voix 1
Quatuor à cordes: 4 violons 1
Contrebasse, Piano (duo) 1
Harpe et Piano 1
Violon, Alto (duo) 1
Alto et Harpe 1
Harpe, Flûte (duo) 1

+ 32 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 89
Orchestre à Cordes 73
Orchestre 68
Fanfare 27
Ensemble de cuivres 26

Ensemble Jazz 21
Orchestre de chambre 15
Jazz combo 11
Ensemble de Percussions 10
Batterie (partie séparée) 9
Batterie 8
Percussion (partie séparée) 4
Cloches 2
Piano et Orchestre 2
Quintette de Cuivres: autres combinaisons 1
Xylophone ou Marimba ou Vibraphone 1
Percussion 1
Timbales 1

+ 13 instrumentations

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All I Do

2 Trompettes (duo)

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2 partitions trouvées

Joy, Joy, Everyone Is Flying - Easy Trumpet Duet

Joy, Joy, Everyone Is Flying - Easy Trumpet Duet #2 Trompettes (duo) #FACILE #including more of the modern d #Eddie Lewis #Joy, Joy, Everyone Is Flying - #Tiger Music #SheetMusicPlus

Trumpet Duet Trumpet - Level 2 - SKU: A0.1088949 Composed by Eddie Lewis. Classical,Contemporary,Instructional. Score. 4 pages. Tiger Music #693161. Pub...(+)

Trumpet Duet Trumpet - Level 2 - SKU: A0.1088949 Composed by Eddie Lewis. Classical,Contemporary,Instructional. Score. 4 pages. Tiger Music #693161. Published by Tiger Music (A0.1088949). Give your students something modern to work on. Joy, Joy, Everyone Is Flying trumpet duet uses a modern compositional technique. Joy, Joy Everyone Is Flying trumpet duet is actually part of my recent modern composition series. The idea was to see if I could write one of those compositions for trumpet duet with Trumpet Tyro limitations. Being composed from a nontraditional technique, Joy, Joy, Everyone Is Flying does not sound like the typical â€œdo re miâ€ beginner band music. As an educational piece, it serves as a wonderful opportunity to expose the students to exotic sounds. The piece begins like a traditional imitative piece, but you soon hear a non-traditional modality. That modality is emphasized in the B section with grace notes that give it an eastern hint. Joy, Joy, Everyone Is Flying is a short duet, lasting under a minute. This is because it is written for students who were beginners only months ago. Other Duet Books I have published similar duets to this one in my two other duet books for this level. The first and most popular is Celebrations which has trumpet duets for all skill levels. The second, which has some of the Celebrations duets, is called Twenty Trumpet Tyro Duets. In the trumpet community we use duets as educational tools. They are a wonderful way to expose students to counterpoint, different harmonies and different rhythmic ideas. By including more of the modern duets in the easier duet books, the younger students have an opportunity to experience non-traditional music in what is essentially a chamber music environment. The Experimental Music Series Iâ€™ve published a number of these experimental works for trumpet and brass instrumentations. The newer ones were in response to the popularity of the fishing suites. I had gone years without writing any of these compositions and wanted to apply the techniques to trumpet trio. The fishing suites are a suite of suites, each suite being dedicated to a different composition technique. Of those three suites, Catch Suite is the one that uses the same technique as Joy, Joy, Everyone Is Flying. Other compositions utilizing this compositional technique include The Lotus Eater and Voice of the Prophets. SKILL LEVEL The skill level for Joy, Joy, Everyone Is Flying is Trumpet Tyro. Trumpet Tyro is the second of seven levels in our system. This is music for trumpet students with a range up to fourth space E. The music in this level is limited to three flats or sharps. We almost bumped this piece up into the Trumpet Player level because of all the accidentals, but eventually decided to keep it in the Trumpet Tyro level. Technically, the accidentals all fall within acceptable keys for this level, so we kept it at the lower level. That said, because it is non-traditional, it will take a little longer to learn. The melodic sounds will not come as readily as the traditional â€œdo re miâ€ stuff. Practice Recommendations Listening to the recording is a very important part of learning something with new sounds. You want to be able to hear those sounds. Hereâ€™s an interesting bit of trivia for youâ€¦ When I am using one of these original compositional techniques, I know when Iâ€™ve made a mistake because I can hear that it sounds different. I believe this is the sign of a technique that works. If thereâ€™s a mistake, the composer should be able to hear that thereâ€™s something wrong. Well, performing music that utilizes these sorts of non-traditional techniques goes far better when the performers can also hear the music that way.

$4.99 ≈ 4.64€

Trumpet Hymn Duets eBook by Eddie Lewis

Trumpet Hymn Duets eBook by Eddie Lewis #2 Trompettes (duo) #INTERMÉDIAIRE #Musique Sacrée #Various #Trumpet Hymn Duets eBook by Ed #Tiger Music #SheetMusicPlus

Trumpet Duet - Intermediate - Composed by Various. Arranged by Eddie Lewis. Christian, Sacred, General Worship, Christmas, Easter. Score. 69 pages. ...(+)

Trumpet Duet - Intermediate - Composed by Various. Arranged by Eddie Lewis. Christian, Sacred, General Worship, Christmas, Easter. Score. 69 pages. Published by Tiger Music
Trumpet Pro Pentatonic Tonalization
Introduction
Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series.

Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a "jazz thing." Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians.

That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let's look at the C pentatonic as an example:

E - A - D - G - C

Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale:

C - D - E - G - A

For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale.

Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales.

Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.

$19.95 ≈ 18.55€

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