Partitions Numériques de Mary L pour Clarinette et Piano

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Mary L
Non classifié 176

Piano & claviers
Piano seul 90
Piano Facile 8
Orgue 6
Accompagnement Piano 3
Piano, Voix et Guitare 3

Piano, Voix 3
1 Piano, 4 mains 1
Piano Trio: piano, violon, violoncelle 1

+ 3 instrumentations

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Guitares
Guitare 14
Ensemble de Ukulélés 5
Basse electrique 4
Guitare notes et tablatures 2
Ukulele 1

2 Guitares (duo) 1

+ 1 instrumentations

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Voix
Chorale 2 parties 80
Chorale 3 parties 36
Chorale 24
Chorale SATB 15
Voix seule 12

Voix basse, Piano 8
Chorale Unison 2
Voix duo, Piano 2

+ 3 instrumentations

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Vents
Saxophone 48
Clarinette 24
Flûte traversière 17
Flûte à Bec 16
Hautbois 10

Saxophone Alto 6
Flûte traversière et Piano 6
Saxophone Tenor 5
Ensemble de Flûtes 5
Saxophone Soprano 4
Hautbois, Piano (duo) 4
Ensemble de Clarinettes 3
Trio de Flûtes: 3 flûtes 2
Saxophone Alto et Piano 2
Clarinette et Piano 2

Saxophone Tenor et Piano 2
Quatuor de Clarinettes: 4 clarinettes 2
Flûte, Hautbois, Clarinette, Basson 1
Cor anglais, Piano 1
3 Saxophones (trio) 1
3 Clarinettes (trio) 1
Saxophone Baryton, Piano 1
Flûte traversière, Orgue (duo) 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Flûte et Guitare 1
2 Flûte à bec (duo) 1

+ 21 instrumentations

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Cuivres
Trompette 22
Trombone 17
Cor 8
Euphonium 8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 5

Tuba 4
Trompette, Piano 2
Quatuor de Cuivres 2
Quatuor de cuivres: 4 cors 1
Cor anglais, Piano 1
Euphonium, Piano (duo) 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Trombone et Piano 1

+ 8 instrumentations

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Cordes
Violon 8
Alto seul 5
Violoncelle 4
Alto, Piano 4
Violon et Piano 3

2 Violons (duo) 2
2 Altos (duo) 2
2 Violoncelles (duo) 2
Violoncelle, Piano 2
Trio à Cordes: 2 violons, violoncelle 1
Quatuor à cordes: 2 violons, alto, violoncelle 1

+ 6 instrumentations

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Percussions & orchestre
Batterie 41
Orchestre 3
Cloches 2
Orchestre à Cordes 1
Orchestre de chambre 1

Fanfare 1

+ 1 instrumentations

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Autres
Formation musicale - Solfège 21

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Artistes :
• Mary Mary
• Blige, Mary J.
• Black, Mary

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Mary L

Clarinette et Piano

Partitions à imprimer

2 partitions trouvées

Mary's Lullaby, or Maria Wiegenlied - Clarinet and Piano

Mary's Lullaby, or Maria Wiegenlied - Clarinet and Piano #Clarinette et Piano #INTERMÉDIAIRE #Max Reger #Mary's Lullaby, or Maria Wiege #Music-Scores.com #SheetMusicPlus

Clarinet,Piano - Level 3 - SKU: A0.720992 Composed by Max Reger. Arranged by Anne L Christopherson GRSM ARCM. 20th Century,Christmas,Concert,Sacred. Sco...(+)

Clarinet,Piano - Level 3 - SKU: A0.720992 Composed by Max Reger. Arranged by Anne L Christopherson GRSM ARCM. 20th Century,Christmas,Concert,Sacred. Score and part. 3 pages. Music-Scores.com #3866265. Published by Music-Scores.com (A0.720992). Op.76, No.52. The Virgin's Slumber Song, Mary's Lullaby, or Maria Wiegenlied, is a gentle Christmas lullaby. Tree tops swaying and birds singing: Ah, baby, sleep dear one, slumber now. This arrangement is for Clarinet and Piano - Concert pitch F majorPlaying time about 1 minute 30 seconds.Arranged by Anne Christopherson at https://www.music-scores.com

$5.95 ≈ 5.46€

Bach-Gounod: Ave Maria for Clarinet and Piano

Bach-Gounod: Ave Maria for Clarinet and Piano #Clarinette et Piano #FACILE #Classique #J #Colin Kirkpatrick #Bach-Gounod: Ave Maria for Cla #Colin Kirkpatrick Publications #SheetMusicPlus

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction...(+)

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the ?combined? piece was M�ditation sur le Premier Pr�lude de Piano de S. Bach. Gounod?s original arrangement transposed Bach?s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-L�opold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a ?harmonic weakness? (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.

$7.95 ≈ 7.29€

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