Partitions Numériques de How Long Has It Been pour Cor et Piano

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How Long Has It Been
Non classifié 129

Piano & claviers
Piano seul 38
Piano, Voix 29
Piano, Voix et Guitare 20
Piano Facile 12
Instruments en Do 3

Piano Trio: piano, violon, violoncelle 1
Piano Quatuor: piano, 2 violons, violoncelle 1
1 Piano, 4 mains 1
Piano (partie séparée) 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1
2 Pianos, 4 mains 1

+ 6 instrumentations

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Guitares
Ukulele 16
Guitare 6
2 Guitares (duo) 3
Guitare (partie séparée) 2
Guitare notes et tablatures 2

Ligne De Mélodie, (Paroles) et Accords 1
3 Guitares (trio) 1
Basse electrique 1
Mandoline 1

+ 4 instrumentations

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Voix
Chorale SATB 18
Chorale 3 parties 5
Chorale SSAA 3
Chorale 2 parties 3
Chorale TTBB 2

Voix duo 1
Voix Alto, Piano 1
Voix Soprano, Piano 1

+ 3 instrumentations

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Vents
Ensemble de saxophones 23
2 Flûtes traversières (duo) 15
Quintette de Saxophone: 5 saxophones 14
Quatuor de Saxophones: 4 saxophones 14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 10

Hautbois (partie séparée) 9
Clarinette 8
Ensemble de Clarinettes 6
3 Saxophones (trio) 6
Flûte traversière et Piano 6
Saxophone (partie séparée) 5
Flûte, Hautbois, Clarinette, Basson 5
Ensemble de Flûtes 5
2 Saxophones (duo) 4
Saxophone Soprano et Piano 3
Hautbois, Piano (duo) 3
Clarinette et Piano 3
Quintette de Flûte : 5 flûtes 3
Saxophone Alto et Piano 2
Quatuor de Clarinettes: 4 clarinettes 2
Quintette de Clarinettes: 5 clarinettes 2
3 Clarinettes (trio) 2
Saxophone Baryton, Piano 1
Flûte, Hautbois, Clarinette (trio) 1
2 Clarinettes (duo) 1
Flûte à bec Soprano, Piano 1
2 Hautbois (duo) 1
Quatuor de Flûtes à bec 1
Trio de Flûtes: 3 flûtes 1
Clarinette Basse 1
Saxophone Tenor et Piano 1
Ensemble de Hautbois 1

+ 27 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 14
Quatuor de Cuivres 10
Ensemble de Trompettes 4
Trompette (partie séparée) 4
Ensemble de Trombones 4

Euphonium, Piano (duo) 4
Trombone et Piano 4
Ensemble de Cors 3
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3
Trombone (partie séparée) 3
Trompette, Piano 3
Cor et Piano 2

2 Tubas (duo) 1
Quatuor de cuivres: 4 cors 1
Ensemble de Tubas 1
2 Cors (duo) 1
Tuba et Piano 1
Bass Clef Instruments 1
2 Trompettes (duo) 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
2 Trombones (duo) 1

+ 16 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 11
Violon, Violoncelle (duo) 8
2 Violons (duo) 7
Violon et Piano 6
Alto, Piano 5

2 Violoncelles (duo) 4
Violoncelle, Piano 3
Violon 3
Trio à Cordes: 2 violons, violoncelle 3
2 Altos (duo) 2
Trio à Cordes: violon, alto, violoncelle 2
Violon, Alto (duo) 2
Violon (partie séparée) 2
Harpe 2
Violoncelle (partie séparée) 1
Contrebasse (partie séparée) 1
Contrebasse, Piano (duo) 1
2 Contrebasses (duo) 1

+ 13 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 13
Ensemble Jazz 7
Orchestre de chambre 7
Jazz combo 5
Orchestre 5

Ensemble de cuivres 5
Batterie (partie séparée) 1
Piano et Orchestre 1
Orchestre à Cordes 1
Batterie 1

+ 5 instrumentations

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How Long Has It Been

Cor et Piano

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2 partitions trouvées

Wichita Lineman

Wichita Lineman #Cor et Piano #INTERMÉDIAIRE #Glen Campbell #James M #Wichita Lineman #jmsgu3 #SheetMusicPlus

French Horn,Piano - Level 3 - SKU: A0.1078459 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score a...(+)

French Horn,Piano - Level 3 - SKU: A0.1078459 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682659. Published by jmsgu3 (A0.1078459). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.

$149.95 ≈ £117.12

Saint-Saëns: The Swan for French Horn & Piano

Saint-Saëns: The Swan for French Horn & Piano #Cor et Piano #INTERMÉDIAIRE #Classique #Camille Saint-Saens #James M #Saint-Saëns: The Swan for #jmsgu3 #SheetMusicPlus

French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...(+)

French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 ≈ £25.74

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