Partitions Numériques de Music Jam Project pour Trompette, Piano

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Music Jam Project
Non classifié 37

Piano & claviers
Piano seul 176
Piano, Voix 98
Piano, Voix et Guitare 4
Piano Facile 3
Orgue 2

Guitares
Guitare 1
Guitare notes et tablatures 1

Voix
Chorale SATB 25
Chorale TTBB 5
Chorale SSAA 4
Voix duo 1

Vents
Quatuor de Saxophones: 4 saxophones 13
Flûte, Hautbois, Clarinette, Basson 11
Saxophone Alto et Piano 4
Flûte traversière et Piano 3
Clarinette Basse, Piano 2

Cor anglais, Piano 2
Saxophone Baryton, Piano 2
Saxophone Tenor et Piano 2
Hautbois, Piano (duo) 2
Flûte traversière 1
Quatuor de Flûtes : 4 flûtes 1
Clarinette et Piano 1
Quatuor de Clarinettes: 4 clarinettes 1
Clarinette 1
Flûte à bec Soprano 1
Saxophone Soprano et Piano 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Piccolo, Piano 1

+ 13 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 8
Quatuor de Cuivres 5
Cor et Piano 3
Euphonium, Piano (duo) 3
Cor anglais, Piano 2

Trompette, Piano 2

Trompette 1
Trombone et Piano 1

+ 3 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 11
Violon et Piano 2
Violoncelle, Piano 2
Alto, Piano 2
Harpe 1

Violon 1

+ 1 instrumentations

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Percussions & orchestre
Ensemble Jazz 3
Orchestre d'harmonie 3
Orchestre 2
Orchestre à Cordes 1

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Music Jam Project

Trompette, Piano

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2 partitions trouvées

Praise You Anywhere

Praise You Anywhere #Trompette, Piano #FACILE #Musique Sacrée #Brandon Lake #Jeff Tincher #Praise You Anywhere #Jeff Tincher #SheetMusicPlus

B-Flat Trumpet,Piano - Level 2 - SKU: A0.1359103 By Brandon Lake. By Benjamin Fielding, Brandon Lake, Hank Bentley, and Jacob Scooter. Arranged by Jeff ...(+)

B-Flat Trumpet,Piano - Level 2 - SKU: A0.1359103 By Brandon Lake. By Benjamin Fielding, Brandon Lake, Hank Bentley, and Jacob Scooter. Arranged by Jeff Tincher. Christian,Contemporary,Pop,Praise & Worship,Sacred. Score and part. 13 pages. Jeff Tincher #943549. Published by Jeff Tincher (A0.1359103). If you are into Praise and Worship music, this one should be in your library. This is a lively song by Brandon Lake from his Coat Of Many Colors project. This arrangement is taken from his Song Edition video because it's in an easier key to perform in. Duration = 3:23. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

$5.99 ≈ 5.51€

Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano

Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano #Trompette, Piano #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...(+)

B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ 18.36€

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