Partitions Numériques de Antonio Caldara pour Orchestre à Cordes

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Antonio Caldara
Non classifié 32

Piano & claviers
Piano, Voix 85
Piano Facile 1
Piano seul 1

Guitares
Guitare 1

Voix
Voix seule 33
Chorale Unison 2
Voix haute 2
Chorale 3 parties 1
Voix moyenne, Piano 1

Vents
Flûte traversière et Piano 6
Clarinette et Piano 3
Hautbois, Piano (duo) 1
Saxophone Soprano et Piano 1
Cor anglais, Piano 1

Clarinette 1
Saxophone Alto et Piano 1

+ 2 instrumentations

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Cuivres
Trompette 1
Tuba et Piano 1
Cor anglais, Piano 1
Trompette, Piano 1
Cor et Piano 1

Trombone et Piano 1

+ 1 instrumentations

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Cordes
Violon et Piano 8
Violoncelle, Piano 6
Alto, Piano 5
2 Violons et Basse continue 2
Contrebasse, Piano (duo) 2

Violon 1

+ 1 instrumentations

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Percussions & orchestre
Orchestre à Cordes 2

Orchestre 1
Orchestre de chambre 1

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Artistes :
• Flores, Antonio
• Vega, Antonio
• Carlos Jobim, Antonio

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Antonio Caldara

Orchestre à Cordes

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2 partitions trouvées

Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725

Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725 #Orchestre à Cordes #INTERMÉDIAIRE/AVANCÉ #Classique #Antonio Vivaldi #Snakewood Editions #Vivaldi – Sinfonia for s #Sneakwood Editions #SheetMusicPlus

String Orchestra - Level 4 - SKU: A0.1266223 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. Score and Parts. 14 pages. ...(+)

String Orchestra - Level 4 - SKU: A0.1266223 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. Score and Parts. 14 pages. Sneakwood Editions #858970. Published by Sneakwood Editions (A0.1266223). Vivaldi â€“ Sinfonia (first Allegro) for strings and continuo from Lâ€™Olimpiade RV 725. Preface + Score + Parts (PDF) Preface and Notes Score Parts (Violin I, Violin II, Viola and Basso) Vivaldi â€“ Sinfonia for strings and continuo from Lâ€™Olimpiade RV 725LÂ´Olimpiade. Dramma per Musica, is an opera in three acts based on a libretto by Pietro Metastasio composed by Vivaldi and premiered at the Teatro Santâ€™Angelo on February 17, 1734, during the carnival. There is an earlier version based on the same libretto but written by Antonio Caldara in 1733. There are more than 50 later versions written by various authors, including Pergolesi (1735).Vivaldiâ€™s opera begins with a Sinfonia for strings (Allegro) followed by two instrumental movements: Andante in cut time, and Allegro in 3/8 time. This edition includes just the first Allegro.There is an autograph copy in score format contained in the manuscript I-Tn, FoÃ 39, Bl. 1-140. The present edition is based on this manuscript.It is very interesting to mention that there is a violin concerto based on this same symphony (or perhaps the thematic transfer was from the concerto to the symphony). It is the violin concerto in C major rv 177.There are several sources for this concerto: Vivaldiâ€™s autograph contained in the manuscript I-Tn, FoÃ 31, Bl. 14-25, in score format, and two sources in Dresden, the manuscript D-Dl, Mus. 2389-O-83 (score) and D-Dl, Mus. 2389-O-83a.The concerto includes some changes from the Sinfonia. Although these are different works, the connection between the two pieces seems obvious and the annotations that we find in the violin concerto could complement the information that appears in the Sinfonia. For this reason, it is interesting to mention these changes in this edition.

$16.00 ≈ 14.68€

Vivaldi – Sinfonia al Santo Sepolcro RV 169

Vivaldi – Sinfonia al Santo Sepolcro RV 169 #Orchestre à Cordes #INTERMÉDIAIRE #Classique #Antonio Vivaldi #Snakewood Editions #Vivaldi – Sinfonia al Sa #Sneakwood Editions #SheetMusicPlus

String Orchestra - Level 3 - SKU: A0.1266273 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. Score and Parts. 12 pages. ...(+)

String Orchestra - Level 3 - SKU: A0.1266273 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. Score and Parts. 12 pages. Sneakwood Editions #859004. Published by Sneakwood Editions (A0.1266273). The autograph is held in the Biblioteca Nazionale Universitaria di Torino (I-Tn, Giordano 34, Bl. 100-102). It is the only known copy of this work. The work was surely composed between 1725 and 1734.[2] Â It is copied in full score format.In the known catalog of Vivaldiâ€™s works we find another piece that shares the same title, it is the Sonata Ã 4 al Santo Sepolcro (Sonata in E flat major RV 130). Both pieces feature a similar structure: a slow introduction and a fugal movement.Sepolcri, or oratorios for the sepulchre, were a kind of composition that was performed at the Viennese courts during Holy Week. These were semi-staged oratorios. The examples that survive by Caldara or Fux show how the introductions of these oratorios always had the same scheme: a slow introduction followed by a fugal movement, just like the RV 169 and RV 130.These compositions are undoubtedly inspired by the Viennese, although it seems unlikely that Vivaldi wrote them as a commissioned work. However, it is possible that they were composed to support his application to the Viennese court.It is also quite probable that these pieces were intended to accompany some of the liturgical actions that were celebrated between Holy Thursday and Holy Saturday, such as the visit to the Sepulchers in Venetian churches.

$10.00 ≈ 9.18€

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