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Spanish Dance for Piano and Orchestra
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Vous avez sélectionné:
Spanish Dance for Piano and Orchestra
Partitions à imprimer
16 partitions trouvées
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1
Spanish Dance for Piano and Orchestra
Spanish Dance for Piano and Orchestra
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Piano et Orchestre
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Contemporain
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Joseph Hull
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Spanish Dance for Piano and Or
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Genesis
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SheetMusicPlus
Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Trombone,Trumpet,Tuba,Viola,Violin - SKU: A0.1069110 Composed by Joseph Hull. Contemporary. F...
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Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Trombone,Trumpet,Tuba,Viola,Violin - SKU: A0.1069110 Composed by Joseph Hull. Contemporary. Full Performance. Duration 234. Genesis #3017735. Published by Genesis (A0.1069110).
$3.99 ≈
3.72€
Spanish Dance for Piano and Orchestra
Spanish Dance for Piano and Orchestra
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Joseph Hull
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Spanish Dance for Piano and Or
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Genesis
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - SKU: A0.983241 Composed b...
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - SKU: A0.983241 Composed by Joseph Hull. Contemporary. Score and parts. 20 pages. Genesis #3017725. Published by Genesis (A0.983241). This piece for Piano and orchestra captures the rhythms and flavors of Spain. It is 3 min. 52 secondsin length. The piece was originally written for piano solo. .
$7.73 ≈
7.21€
Spanish Dance for Piano and Orchestra
Spanish Dance for Piano and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Joseph Hull
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Spanish Dance for Piano and Or
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Joseph Hull
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1037063 Composed by Joseph Hull. Contemporary. Score and parts. 20 pages. Joseph Hull #3034117. Published by Joseph H...
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Full Orchestra - Level 5 - SKU: A0.1037063 Composed by Joseph Hull. Contemporary. Score and parts. 20 pages. Joseph Hull #3034117. Published by Joseph Hull (A0.1037063). A lively dance that evokes images of Spain.
$10.00 ≈
9.33€
K.Korchmarev "Spanish Dance" for violin and string orchestra
K.Korchmarev "Spanish Dance" for violin and string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Enfant
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K
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Seva Youdenitch
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K.Korchmarev "Spanish Dan
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Razamanta
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.980627 Composed by K.Korchmarev. Arranged by Seva Youdenitch. Children. Score and parts. 13 pages. Razamanta #60211...
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String Orchestra - Level 3 - SKU: A0.980627 Composed by K.Korchmarev. Arranged by Seva Youdenitch. Children. Score and parts. 13 pages. Razamanta #6021189. Published by Razamanta (A0.980627). I arranged/orchestrated piano accompaniment to string orchestra.Attached mp3 with performance of child (approx. 13 y.o) with string orchestra.
$10.00 ≈
9.33€
Bailen, Canten Que Noche Bonita! For SATB Chorus and Orchestestra From the opera "On the Wings of t
Bailen, Canten Que Noche Bonita! For SATB Chorus and Orchestestra From the opera "On the Wings of t
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Chorale SATB
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FACILE
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James Nathaniel Holland
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Bailen, Canten Que Noche Bonit
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.730402 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. Octavo. 46 pages. ...
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Choral Choir (SATB) - Level 2 - SKU: A0.730402 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. Octavo. 46 pages. James Nathaniel Holland #3216671. Published by James Nathaniel Holland (A0.730402). Use this rousing piece for a grand, happy opening with Spanish flare with Soloists, SATB Chorus, and full orchestra by American Costa Rican composer James Nathaniel Holland. Text is 90% in Spanish and 10% in English. Opening chorus is from Act III of the American opera, On the Wings of the Scarlet Messenger. Easy level and simple to produce. Use this piece as the first movement in combination with the Dances from On the Wings of the Scarlet Messenger. for full orchestra. Soloists needed: (2 tenors, 1 baritone bass, 1 mezzo soprano) and SATB chorusInstrumentation: pic, 2fl, 2ob, eh, 12cl, bcl, tensax, 2bsn, 4 hrns, 2 tpt, trmb, btrm, tim, per (hand cym, castanets, ride cym, bd), hrp (or pno), stringsFull score in concert pitch, individual instrumental and vocal parts included.Piano vocal score and full opera vocal score sold separately.Duration 2:02 minutes. YouTube video presentation with dances: https://youtu.be/QHzyUfKLI9MComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html****Tengan esta cancion de alegria para una apertura grande con sabor del Espana con Soloistas, SATB Coro, y orquestra completa por compositor Americano-Costarricense James Nathaniel Holland. Letras estan en 90% espanol y 10% en ingles. Coro para el principio de Acto III de la opera Americana, On the Wings of the Scarlet Messenger. Abilidad facil y facil para presentar. Usa este como el movimiento primero y en combinacion con los Dances from On the Wings of the Scarlet Messenger. para orquestra completa. Por solistas: (2 tenores, 1 baso baritono, 1 mezzo soprano) y SATB coroInstrumentacion: pic, 2fl, 2b, eh, saxten, 2fag, 4 trmbdellaves, 2 trmpt, trmb, btrm, tim, per (plat mano, castanuelas, plat, tambaso), hrp (o pno), cuerdasPartitura para orquestra en tono del concierto, partitura individuales y de voces incluidos.Partitura de piano y voz y opera completa (en ingles) ofrecido aparte.Duracion 2:02 minutos. Sitio del compositor: http://lacoronadelossantos.net/jamesnathanielholland.htmlo en espanol: https://www.facebook.com/jamesnathanielholland/
$15.95 ≈
14.89€
Dances from the Opera "On the Wings of the Scarlet Messenger" Suite for Orchestra
Dances from the Opera "On the Wings of the Scarlet Messenger" Suite for Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Dances from the Opera "On
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730404 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 160 pages. Jame...
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Full Orchestra - Level 4 - SKU: A0.730404 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 160 pages. James Nathaniel Holland #3218589. Published by James Nathaniel Holland (A0.730404). A suite in four movements for orchestra taken from the contemporary opera On the Wings of the Scarlet Messenger by American Costa Rican composer James Nathaniel Holland. The first, Dance of the Spirits is a percussionists dream evoking Southeast Asian flavor and energy. The second movement The Party: Intermezzo is a popular dance type of driving beat. The suite slows with the third movement with the haunting The Party: Art Imitates Life and a recap of the Spanish chorus here arranged for orchestra Bailen, Canten, Que Noche Bonita Perfect for New Year's Eve or New Year's Day concert. Use with the arrangement Bailen, Canten Que Noche Bonita with chorus or any of the stand alone arias from the opera. YouTube video presentation: https://youtu.be/QHzyUfKLI9MDuration 14:02 minutes.Instrumentation: picc, 12fl, 12ob, eh, 12cl, bcl, ts, 12bsn, 1234 hrn, 12 trp, trmb, btrmb, tim, perc( snare, hand cym, bd, ride cym with mallets, large gong, sm. gong, claves, castanets, tam., mid tom, tri., high hat) hrp, and stringsFull score in concert pitch with individual parts included. Full opera orchestral score and piano vocal score sold separately.Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html .
$21.95 ≈
20.49€
Bailen, Canten Que Noche Bonita! For SATB Chorus and Piano From the opera "On the Wings of the Scar
Bailen, Canten Que Noche Bonita! For SATB Chorus and Piano From the opera "On the Wings of the Scar
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Chorale SATB
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FACILE
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James Nathaniel Holland
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Bailen, Canten Que Noche Bonit
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.730403 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Octavo. 16 pages. James Nat...
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Choral Choir (SATB) - Level 2 - SKU: A0.730403 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Octavo. 16 pages. James Nathaniel Holland #3218129. Published by James Nathaniel Holland (A0.730403). Use this rousing piece for a grand, happy opening with Spanish flare with Soloists, SATB Chorus, piano and guitar chords by American Costa Rican composer James Nathaniel Holland. Text is 90% in Spanish and 10% in English. Opening chorus is from Act III of the American opera, On the Wings of the Scarlet Messenger. Easy level to learn. Duration 2:02 minutes. Soloists needed: (2 tenors, 1 baritone bass, 1 mezzo soprano) and SATB chorusUse this piece as the first movement in combination with the Dances from On the Wings of the Scarlet Messenger. for full orchestra. Full orchestral accompaniment with full score in concert pitch, individual instrumental and vocal parts included sold separately. Full opera piano vocal score sold separately.YouTube Video presentation (with dances): https://youtu.be/QHzyUfKLI9MComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html ****Tengan esta cancion de alegria para una apertura grande con sabor del Espana con Soloistas, SATB Coro, piano y acordes para guitara por compositor Americano-Costarricense James Nathaniel Holland. Letras estan en 90% espanol y 10% en ingles. Coro para el principio de Acto III de la opera Americana, On the Wings of the Scarlet Messenger. Abilidad facil y facil para presentar. Para solistas: (2 tenores, 1 baso baritono, 1 mezzo soprano) y SATB coroDuracion 2:02 minutos. Usa este como el movimiento primero y en combinacion con los Dances from On the Wings of the Scarlet Messenger. para orquestra completa (ofrecido aparte). Partitura para orquestra en tono del concierto, partitura individuales y de voces incluidos ofrecido aparte. Partitura de piano y voz y opera completa (en ingles) ofrecido aparte.Sitio del compositor: http://lacoronadelossantos.net/jamesnathanielholland.htmlo en espanol: https://www.facebook.com/jamesnathanielholland/
$4.00 ≈
3.73€
GRANADOS Aragonesa (Jota)(Spanish Dance Op.37 No.6)
GRANADOS Aragonesa (Jota)(Spanish Dance Op.37 No.6)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Enrique Granados
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I
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GRANADOS Aragonesa
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Ian Butterworth
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963709 Composed by Enrique Granados. Arranged by I. 20th Century. Score and Parts. 23 pages. Ian Butterworth #59554...
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String Orchestra - Level 4 - SKU: A0.963709 Composed by Enrique Granados. Arranged by I. 20th Century. Score and Parts. 23 pages. Ian Butterworth #5955489. Published by Ian Butterworth (A0.963709). A lively Spanish dance, originally for piano, admirably suitable for strings.  Copying of individual parts for sole use by the purchaser is permitted. A companion piece is Andaluza (Spanish Dance Op.37 No.5) which is also available in an arrangement for strings. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$11.99 ≈
11.19€
ALBENIZ Asturias (Spanish Dance Op.47 No.5) for string orchestra
ALBENIZ Asturias (Spanish Dance Op.47 No.5) for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Isaac Albeniz
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Ian Butterworth
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ALBENIZ Asturias
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Ian Butterworth
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963666 Composed by Isaac Albeniz. Arranged by Ian Butterworth. Concert. Score and parts. 19 pages. Ian Butterworth ...
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String Orchestra - Level 4 - SKU: A0.963666 Composed by Isaac Albeniz. Arranged by Ian Butterworth. Concert. Score and parts. 19 pages. Ian Butterworth #5790341. Published by Ian Butterworth (A0.963666). Originally for solo piano this piece is effectively arranged for string orchestra with interesting parts for all players. Through the experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have proved their suitability for youth and amateur players. www.ianbutterworthmusic.co.uk
$9.99 ≈
9.32€
Introduction and Tarantella - Pablo de Sarasate - Clarinet and Piano
Introduction and Tarantella - Pablo de Sarasate - Clarinet and Piano
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Clarinette et Piano
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AVANCÉ
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Pablo de Sarasate
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Raymond Fenech
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Introduction and Tarantella -
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Raymond Fenech
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 5 - SKU: A0.1096206 Composed by Pablo de Sarasate. Arranged by Raymond Fenech. 19th Century,Contest,Festival,Instructional...
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B-Flat Clarinet,Piano - Level 5 - SKU: A0.1096206 Composed by Pablo de Sarasate. Arranged by Raymond Fenech. 19th Century,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and part. 29 pages. Raymond Fenech #700079. Published by Raymond Fenech (A0.1096206). Pablo de Sarasate (1844-1908), undoubtedly, is one of the most important and most successful violin virtuosos of the second half of the 19th century and has become immortal through his virtuoso and highly expressive bravura pieces in the world of violin playing. In 1899 Sarasate composed one of his most popular, non-Spanish pieces, 'Introduction & Tarantella' Op. 43, which was published in the following year, even in a version with orchestra accompaniment. The tarantella, a folk dance in 6/8 metre, comes from southern Italy and has developed from dance tunes played in Apulia for people suffering from tarantism. According to popular belief, the bite of a tarantula caused tarantism which was supposed to be cured by wild dancing. The duration of this is 5.18 minutes and it is a difficult level piece.
$6.99 ≈
6.52€
Moritz Moszkovski Spanish Dance No. 2 "Moderato" from Opus 12 Flute Duet Woodwind Ensemble
Moritz Moszkovski Spanish Dance No. 2 "Moderato" from Opus 12 Flute Duet Woodwind Ensemble
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Karin Leitner
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Glenn Martin
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Moritz Moszkovski Spanish Danc
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Cornelius edition
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SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.1227572 By Karin Leitner. By Moritz Moszkowski. Arranged by Glenn Martin. 19th Century,20th Century,Holiday,Instruc...
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Flute Duet Flute - Level 3 - SKU: A0.1227572 By Karin Leitner. By Moritz Moszkowski. Arranged by Glenn Martin. 19th Century,20th Century,Holiday,Instructional,Romantic Period. Score. 4 pages. Cornelius edition #823527. Published by Cornelius edition (A0.1227572). Moszkowski was prolific; composing over two hundred small-scale piano pieces, which brought him much popularity in Berlin, Paris and London. He later rearranged his set of Spanish Dances Op. 12 (Piano 4 hands), for solo piano, and also for orchestra.This Edition:Spanish Dance Op. 12 no 2 Moderato for Flute Duet.Duration:Â 2.30
$2.99 ≈
2.79€
Sarasate Playera Op. 23 No. 1 for Violin and String Orchestra
Sarasate Playera Op. 23 No. 1 for Violin and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Pablo de Sarasate
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Paul Wood
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Sarasate Playera Op. 23 No. 1
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1129363 Composed by Pablo de Sarasate. Arranged by Paul Wood. Romantic Period. Score and parts. 21 pages. MyMusicSc...
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String Orchestra - Level 4 - SKU: A0.1129363 Composed by Pablo de Sarasate. Arranged by Paul Wood. Romantic Period. Score and parts. 21 pages. MyMusicScores.com #729868. Published by MyMusicScores.com (A0.1129363). Playera for violin and piano Op. 23 No. 1 is from Sarasate's 3rd book of Spanish Dances, composed in 1880. Here is an arrangement for violin and string orchestra. The PDF file contains the score and all instrumental parts.
$14.99 ≈
13.99€
Sway (Quien Sera)
Sway (Quien Sera)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Dean Martin
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Timothy Stapay
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Sway
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1397433 By Dean Martin. By Luis Demetrio Traconis Molina, Norman Gimbel, and Pablo Beltran Ruiz. Arranged by Timothy Stap...
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Piano Solo - Level 4 - SKU: A0.1397433 By Dean Martin. By Luis Demetrio Traconis Molina, Norman Gimbel, and Pablo Beltran Ruiz. Arranged by Timothy Stapay. Film/TV,Jazz,Latin,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #980759. Published by Timothy Stapay (A0.1397433). Sway is arranged in a bolero-mambo song style. The song was written by Mexican composers Luis Demetrio and Pablo Beltrán Ruiz. Beltrán recorded the song for the first time with his orchestra in 1953. Pedro Infante, for whom the song was written, recorded it in 1954.Norman Gimbel took the song, removed the somewhat melancholy Spanish lyrics about a man wondering if he shall ever love again, and wrote brand-new English lyrics about a man praising his dancing partner's ability to affect his heart with how she sways when they dance. This new song, titled Sway, has become a standard in the pop repertoire. The first version to achieve considerable success in the United States was recorded by singer Dean Martin with the Dick Stabile orchestra in 1954.This song is about dancing, and being infatuated with your dance partner - Martin sings that when they sway together on the dance floor she is all he sees.
$6.99 ≈
6.52€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.42€
Introduction et Tarantelle
Introduction et Tarantelle
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Violon et Piano
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AVANCÉ
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Martin Meliton Pablo de Sarasa
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Introduction et Tarantelle
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - advanced - SKU: S9.Q20941 Composed by Martin Meliton Pablo de Sarasate y Navascuez. This edition: Sheet music. Violin Library. Downlo...
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Violin and piano - advanced - SKU: S9.Q20941 Composed by Martin Meliton Pablo de Sarasate y Navascuez. This edition: Sheet music. Violin Library. Downloadable. Op. 43. Schott Music - Digital #Q20941. Published by Schott Music - Digital (S9.Q20941). Pablo de Sarasate (1844-1908), undoubtedly, is one of the most important and most successful violin virtuosos of the second half of the 19th century and has become immortal through his virtuoso and highly expressive bravura pieces in the world of violin playing. His concert programme mostly consisted of his own compositions, even if quite a few works had been dedicated to him by fellow composers and tailor-made for him: for example, 'Symphonie espagnole' by Lalo, 'Scottish Fantasia' by Bruch and violin works by Saint-Saëns and Wieniawski. In 1899 Sarasate composed one of his most popular, non-Spanish pieces, 'Introduction & Tarantella' Op. 43, which was published in the following year, even in a version with orchestra accompaniment. The tarantella, a folk dance in 6/8 metre, comes from southern Italy and has developed from dance tunes played in Apulia for people suffering from tarantism. According to popular belief, the bite of a tarantula caused tarantism which was supposed to be cured by wild dancing. Go and try if Sarasate's salon piece really has medicinal properties!
$11.99 ≈
11.19€
Le Pas Espagnole from Dolly Suite Op.56
Le Pas Espagnole from Dolly Suite Op.56
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Classique
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Gabriel Faure
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Stephen Tanner
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Le Pas Espagnole from Dolly Su
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stephentannermusic
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SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.1163487 Composed by Gabriel Faure. Arranged by Stephen Tanner. 19th Century,Chamber,Cl...
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Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.1163487 Composed by Gabriel Faure. Arranged by Stephen Tanner. 19th Century,Chamber,Classical,Romantic Period. 30 pages. Stephentannermusic #763823. Published by stephentannermusic (A0.1163487). Le Pas Espagnol, arranged here for a Woodwind Sextet of 2 flutes, oboe, 2 clarinets in B flat and bassoon is taken from Gabriel Fauré’s set of piano duets,  known as the Dolly Suite which was composed between 1893-96. Each duet marks the birthdays, anniversaries and other occasions in the life of the daughter of Fauré’s mistress, Emma Bardac. The daughter, Régina-Hélène Bardac, was known as Dolly to her family. Fauré often went back and tinkered with this suite, and in 1906 Henri Rabaud created an orchestra version although Fauré’s original piano duets remained more popular. The Suite is in six short movements, with Fauré giving them descriptive and rather whimsical names. Le Pas Espagnol (The Spanish Step) is the final movement, a Spanish dance and the most exciting of the suite offering a lively and picturesque piece of scene painting.The pdf contains both score and parts. Another movement from Dolly Suite, Berceuse, is available for 2 flutes, 2 clarinets and 2 bass clarinets
$14.99 ≈
13.99€
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