Partitions Numériques de Verge pour Violon et Piano

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Verge
Non classifié 71

Piano & claviers
Piano, Voix 144
Piano, Voix et Guitare 69
Piano seul 25
Piano Facile 10
Accordéon 1

Piano Quatuor: piano, violon, alto, violoncelle 1
Instruments en Do 1

+ 2 instrumentations

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Guitares
Guitare notes et tablatures 7
Ligne De Mélodie, (Paroles) et Accords 2

Voix
Chorale SATB 20
Chorale 3 parties 5
Voix seule 4
Chorale TTBB 4
Chorale SSAA 3

Voix Baryton, Piano 2
Chorale Unison 2
Chorale 2 parties 2
Chorale SSAATTBB 1
Voix haute, Piano 1

+ 5 instrumentations

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Vents
3 Saxophones (trio) 6
2 Saxophones (duo) 6
2 Clarinettes (duo) 5
Saxophone (partie séparée) 5
Clarinette (partie séparée) 3

Clarinette 3
Saxophone Alto et Piano 3
Clarinette, Quatuor à cordes et Piano 3
Hautbois, Basson (duo) 3
Quatuor de Saxophones: 4 saxophones 2
Saxophone Baryton, Piano 2
Flûte traversière et Piano 2
Hautbois, Piano (duo) 2
Hautbois (partie séparée) 2
Flûte, Hautbois, Basson 1
Quatuor de Flûtes : 4 flûtes 1
Flûte traversière, Basse continue 1
Flute (partie séparée) 1
Clarinette Basse, Piano 1
Saxophone Alto 1
Trio de Flûtes: 3 flûtes 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Flûte, Hautbois, Clarinette (trio) 1
Flûte traversière 1
Flûte, Hautbois, Clarinette, Basson 1
3 Clarinettes (trio) 1
Saxophone Tenor et Piano 1
2 Hautbois (duo) 1
Hautbois, Flûte 1
Hautbois, Violoncelle 1
Saxophone Soprano et Piano 1
Clarinette et Piano 1
Cor anglais, Piano 1
Quatuor de Clarinettes: 4 clarinettes 1
Quintette de Saxophone: 5 saxophones 1
2 Flûtes traversières (duo) 1
3 Hautbois 1

+ 32 instrumentations

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Cuivres
Trombone (partie séparée) 2
Trompette 2
Quatuor de Cuivres 2
Euphonium, Piano (duo) 2
Cor (partie séparée) 1

Trombone 1
Tuba (partie séparée) 1
Trombone et Piano 1
Cor 1
Cor anglais, Piano 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Trompette, Basson (duo) 1
Trompette (partie séparée) 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1

+ 9 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 6
Violon (partie séparée) 4
Violoncelle, Piano 4
Violon 4
Violoncelle (partie séparée) 4

Alto (partie séparée) 3
Violon et Piano 3

Violoncelle 2
Violon, Violoncelle (duo) 2
Trio à Cordes: 2 violons, alto 1
2 Altos (duo) 1
2 Violons (duo) 1
2 Contrebasses (duo) 1
Piano Trio: Violon, Alto, Piano 1
Trio à Cordes: 3 violoncelles 1
Alto, Violoncelle (duo) 1
Violon, Guitare (duo) 1
Trio à Cordes: violon, alto, violoncelle 1
Trio à Cordes: 2 violons, violoncelle 1
2 Violoncelles (duo) 1
Violon, Alto (duo) 1

+ 16 instrumentations

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Percussions & orchestre
Orchestre à Cordes 12
Orchestre d'harmonie 11
Orchestre 11
Ensemble de cuivres 10
Ensemble Jazz 3

Orchestre de chambre 2
Percussion (partie séparée) 2
Jazz combo 1
Fanfare 1
Timbales (partie séparée) 1
Percussion 1

+ 6 instrumentations

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Verge

Violon et Piano

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3 partitions trouvées

Mendelssohn: Song Without Words Op. 109 for Violin & Piano

Mendelssohn: Song Without Words Op. 109 for Violin & Piano #Violon et Piano #INTERMÉDIAIRE #Felix Mendelssohn #James M #Mendelssohn: Song Without Word #jmsgu3 #SheetMusicPlus

Piano,Violin - Level 3 - SKU: A0.549485 Composed by Felix Mendelssohn (1809 â€“1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic P...(+)

Piano,Violin - Level 3 - SKU: A0.549485 Composed by Felix Mendelssohn (1809 â€“1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 20 pages. Jmsgu3 #3500555. Published by jmsgu3 (A0.549485). VIOLIN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.Â Artistic Standing Â Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitismÂ brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.

$32.95 ≈ 30.36€

"Intermezzo" for violin & piano Op. 18 (score)

"Intermezzo" for violin & piano Op. 18 (score) #Violon et Piano #AVANCÉ #Gary Noland #"Intermezzo" for vio #Freeland Publications #SheetMusicPlus

Piano,Violin - Level 5 - SKU: A0.980419 Composed by Gary Noland. 20th Century,Concert,Contemporary,Standards. 28 pages. Freeland Publications #3238257. ...(+)

Piano,Violin - Level 5 - SKU: A0.980419 Composed by Gary Noland. 20th Century,Concert,Contemporary,Standards. 28 pages. Freeland Publications #3238257. Published by Freeland Publications (A0.980419). Duration: ca. 6 minutes. Lush harmonic style. Beautifully melodic. Romantic in character.Review: ...My dictionary gives three definitions of 'Intermezzo,' also the name of a world premiere for violin and piano, Reiko Nishioka on violin and the composer, Gary Noland, on piano. Included are the words 'light character.' If so, the piece has intercalary intermezzos of its own smoothly segued between sections of sophisticated sobriety-or vice-versa. It's a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else's, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it's intelligent, pleasurable and convincing.-Rocky Leplin, The Berkeley Voice

$10.00 ≈ 9.21€

You, Me, Us

You, Me, Us #Violon et Piano #FACILE #Mariage/Ballade #Oliver Franklin #You, Me, Us #Oliver George Franklin #SheetMusicPlus

Piano,Violin - Level 2 - SKU: A0.933764 Composed by Oliver Franklin. Wedding. 6 pages. Oliver George Franklin #2960953. Published by Oliver George Frank...(+)

Piano,Violin - Level 2 - SKU: A0.933764 Composed by Oliver Franklin. Wedding. 6 pages. Oliver George Franklin #2960953. Published by Oliver George Franklin (A0.933764). Composition for piano and solo violin. Piano line very basic, string line features double stops. Ideal for weddings or other church occasions. Good for violin students or pianists learning to accompany. Piece may be used for church services, weddings or other public performances and recorded for free. For use in film or other multimedia please contact composer to obtain permission)Dedicated to Stephen Clifford. Composed on 27/7/2016.Contact composer on olivergeorgefranklinmusic@gmail.com .

$5.99 ≈ 5.52€

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