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Vous avez sélectionné:
Rita Ora
Violon et Piano
Partitions à imprimer
5 partitions trouvées
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1
Sang Yeo (A Hearse)
Sang Yeo (A Hearse)
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Violon et Piano
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AVANCÉ
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Yoonjee Kim
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Sang Yeo
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Yoonjee Kim
#
SheetMusicPlus
Small Ensemble Piano Accompaniment,Violin - Level 5 - SKU: A0.1022806 Composed by Yoonjee Kim. Contemporary,Standards,World. Score and parts. 16 pages. ...
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Small Ensemble Piano Accompaniment,Violin - Level 5 - SKU: A0.1022806 Composed by Yoonjee Kim. Contemporary,Standards,World. Score and parts. 16 pages. Yoonjee Kim #3417615. Published by Yoonjee Kim (A0.1022806). Sang Yeo (A Hearse) is a programmatic work based on a Korean traditional funeral. The Korean funeral is rather a ceremony with a brilliantly decorated coffin and a group of choruses singing a traditional funeral tune throughout the entire process. The piece consists of three sections: The first section represents the scene where the coffin is brought to the burial site. The opening chord in the piano symbolizes the head of the mourning parade who rings a small bell while the casket is carried to its final resting place. The mood of the first section is heaving sounding by employing the lowest register of the piano and using triple stops in the violin while maintaining a slow tempo. The second section characterizes the process of burying the coffin. It implies an irritating, aggressive and desperate atmosphere of the people who cannot face the death and the separation of the recently deceased. The minor second interval, staccatos on the fast passage scales and the constant banging rhythm support the ambiance of this section. The last section corresponds to the return of the parade. It resembles the first section mostly with the grief, regrets and sighs. The high pitch glissando in the violin and the figure in the piano’s low register express the distance between the soul and the human.
$10.00 ≈
9.33€
Mendelssohn: Song Without Words Op. 109 for Violin & Piano
Mendelssohn: Song Without Words Op. 109 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic P...
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Piano,Violin - Level 3 - SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 20 pages. Jmsgu3 #3500555. Published by jmsgu3 (A0.549485). VIOLIN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.75€
El Triste
El Triste
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Violon et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Roberto Cantoral
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Hugo Andrés Cuartas Henao
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El Triste
#
Andrew Music
#
SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1097718 Composed by Roberto Cantoral. Arranged by Hugo Andrés Cuartas Henao. Early Music. 5 pages. Andrew Music #701...
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Piano,Violin - Level 4 - SKU: A0.1097718 Composed by Roberto Cantoral. Arranged by Hugo Andrés Cuartas Henao. Early Music. 5 pages. Andrew Music #701649. Published by Andrew Music (A0.1097718). El Triste en Eb. Una Canción Que Es De Gusto De Muchos, Y En Lo Personal Mi Favorita. Incluà Flauta Dulce Violines Y Piano Definitivamente Se Las Recomiendo Será De Todo Su Agrado. Roberto Cantoral Un Gran Compositor Y José José Un Gran Cantante.
$14.99 ≈
13.99€
Kiss the Maid Behind the Bier
Kiss the Maid Behind the Bier
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Violon et Piano
#
DÉBUTANT
#
Traditional Fiddle Tunes
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Heather M Music
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Kiss the Maid Behind the Bier
#
Heather Mueller Music
#
SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1397602 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This e...
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Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1397602 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 36. Heather Mueller Music #41RzLw3VKIND9ejnyEuK9m. Published by Heather Mueller Music (A0.1397602). Key: G major.Title: Kiss the Maid Behind the Bier Type/Genre: Traditional Fiddle Tune - Jig (Irish, Scottish) Availability: Sheet Music for Sale Immerse yourself in the lively rhythms of Celtic tradition with Kiss the Maid Behind the Bier, a spirited jig that transcends the boundaries of Irish and Scottish musical heritage. Key Features: Interactive Sheet Music: Customize tempo and key adjustments using interactive sheet music, allowing for personalized renditions of Kiss the Maid Behind the Bier. Tailor the tune to suit your playing style, facilitating enjoyable practice sessions and confident performances. Versatile Addition: Kiss the Maid Behind the Bier is a versatile addition to any fiddler's repertoire, seamlessly fitting into collections and anthologies of traditional tunes from both Irish and Scottish traditions. Whether you're expanding your musical library or preparing resources for teaching and performance, this jig promises to captivate audiences with its cross-cultural appeal. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by Kiss the Maid Behind the Bier. Explore scales, bowing techniques, and rhythmic patterns derived from this spirited melody, enhancing your mastery of Celtic fiddling techniques. Creative Playground: Embrace the rich tapestry of Celtic music as you explore Kiss the Maid Behind the Bier. Add your unique embellishments and variations to infuse the tune with your individual style, drawing inspiration from both Irish and Scottish musical traditions. Let your creativity flow freely, celebrating the shared heritage and cultural exchange reflected in this vibrant jig. Whether you're a seasoned performer or a newcomer to Celtic music, Kiss the Maid Behind the Bier offers an invigorating musical experience that transcends borders and invites you to join in the celebration of cross-cultural connections. Dive into the lively rhythms of this jig and let the music carry you across the landscapes of Irish and Scottish tradition.
$2.99 ≈
2.79€
Claude Debussy: Sérénade for violin and piano
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
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