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Vous avez sélectionné:
Charles Camille Saint Saëns
Violon et Piano
Partitions à imprimer
3 partitions trouvées
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The Swan (Carnival of the Animals) - Charles-Camille Saint-Saëns for Violin and Piano
The Swan (Carnival of the Animals) - Charles-Camille Saint-Saëns for Violin and Piano
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Violon et Piano
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Classique
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Charles-Camille Saint-Saëns
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Len Rhodes
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The Swan
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Len Rhodes Music Inc
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SheetMusicPlus
Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Easter, Mother's Day, Wedding, Funeral. Score, Sheet Music Single, Solo Part....
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Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Easter, Mother's Day, Wedding, Funeral. Score, Sheet Music Single, Solo Part. 5 pages. Published by Len Rhodes Music Inc (S0.212159). - Score,Sheet Music Single,Solo Part - Romantic Period,Easter,Mother's Day,Wedding,Funeral - Len Rhodes Music Inc
$5.99 ≈
$8.20
Saint-Saens: The Swan for Violin and Piano
Saint-Saens: The Swan for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,His...
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Piano,Violin - Level 3 - SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95 ≈
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Clémence de Grandval : Two pieces for violin and piano
Clémence de Grandval : Two pieces for violin and piano
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Violon et Piano
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Classique
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Clémence de Grandval
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Paul Wehage (édition)
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Clémence de Grandval :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - SKU: A0.1366622 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Romantic Period. 29 pages. Musik Fabrik Music ...
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Piano,Violin - SKU: A0.1366622 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Romantic Period. 29 pages. Musik Fabrik Music Publishing #950961. Published by Musik Fabrik Music Publishing (A0.1366622). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother,Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarriedwith an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, MichelCarré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe. This work was written for Paul Viardot, the son of Pauline and a well-known violin virtuoso during La Belle époque.1. Andantino2. Danse Bohêmienne.
$15.95 ≈
$21.84
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