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Vous avez sélectionné:
Joerg Widmann
Partitions à imprimer
57 partitions trouvées
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Fantasie
Fantasie
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Clarinette
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AVANCÉ
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Contemporain
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Fantasie
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Schott Music - Digital
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SheetMusicPlus
Clarinet in Bb - difficult - For Clarinet solo. Composed by Joerg Widmann. This edition: Sheet music. Contemporary music, Clarinet, Solo. Clarinet L...
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Clarinet in Bb - difficult - For Clarinet solo. Composed by Joerg Widmann. This edition: Sheet music. Contemporary music, Clarinet, Solo. Clarinet Library. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6195. Published by Schott Music - Digital
Jorg Widmann, an internationally sought-after soloist and professor of clarinet at the Freiburg Musikhochschule, displays the exquisite refinement of contemporary clarinet sound in 'Funf Bruchstucke' (already published) for clarinet and piano (KLB 54) and in the present 'Fantasie' for solo clarinet. While noise, as a means of expression, is given much attention in 'Funf Bruchstucke', 'Fantasie' is largely based on the usual Romantic melodious sound, though this time with ironic side trips into dance, klezmer and jazz music, the clarinet's equivalent of light music.
'Fantasie' for solo clarinet is my first real piece for my own instrument, the clarinet. With its eccentric virtuosity and its cheerful, ironic fundamental character, it reflects the experience with Stravinsky's 3 Pieces for solo clarinet of 1919 and the tonal innovations which did not appear in music before Carl Maria von Weber's notation for the clarinet, and takes them further in a new way. It is a little imaginary scene uniting the dialogues of different people in close proximity in the spirit of the commedia dell'arte.
- Jorg Widmann
$11.99 ≈
11.12€
Con brio
Con brio
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Joerg Widmann
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Con brio
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Schott Music - Digital
#
SheetMusicPlus
2 (2. auch Picc.) · 2 · 2 · 2 - 2 · 2 · 0 · 0 - P. - Str. (14 · 12 · 10 · 8 · 6) orchestra - SKU: S9.Q18766 Konzertouve...
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2 (2. auch Picc.) · 2 · 2 · 2 - 2 · 2 · 0 · 0 - P. - Str. (14 · 12 · 10 · 8 · 6) orchestra - SKU: S9.Q18766 Konzertouvertüre für Orchester. Composed by Joerg Widmann. This edition: study score. Music Of Our Time. ...a wonderful 12 minutes of magic and humour, brilliantly scored... (Ivan Hewett / The Telegraph, 2009). Downloadable, Study score. Duration 12 minutes. Schott Music - Digital #Q18766. Published by Schott Music - Digital (S9.Q18766). It was at the suggestion of the conductor of the World Première, Mariss Jansons, that Jörg Widmann refers to musical characteristics of Beethoven’s 7th and 8th Symphony. His starting points primarily are specific fast types of movement in the Beethoven works which he translates into his tonal language. Widmann has chosen the same instrumentation as the Beethoven symphonies and takes on the task of causing a similar ‘stir and rhythmic pressure’ (Widmann) with these economical means.
$45.99 ≈
42.65€
Paraphrase
Paraphrase
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Violon
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AVANCÉ
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Joerg Widmann
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Paraphrase
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Schott Music - Digital
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SheetMusicPlus
Violin solo - difficult - SKU: S9.Q50465 On Mendelssohn's Wedding March. Composed by Joerg Widmann. This edition: single sheet. Violin Library. E...
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Violin solo - difficult - SKU: S9.Q50465 On Mendelssohn's Wedding March. Composed by Joerg Widmann. This edition: single sheet. Violin Library. Ein Stück über Mendelssohns Hochzeitsmarsch. Downloadable, Separate edition. Duration 5 minutes. Schott Music - Digital #Q50465. Published by Schott Music - Digital (S9.Q50465). Jörg Widmann paraphrases Mendelssohn's famous wedding march from the Midsummer Night's Dream solo in this piece for violin solo. The paraphrase was actually written for a wedding that took place in Rome in 2016 and for which Jörg Widmann's sister, Carolin Widmann, performed the work for the first time.
$12.99 ≈
12.05€
Intermezzi
Intermezzi
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Piano seul
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AVANCÉ
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Joerg Widmann
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Intermezzi
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q11727 For piano. Composed by Joerg Widmann. This edition: Sheet music. Downloadable. Duration 19 minutes. Schott Mus...
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Piano - difficult - SKU: S9.Q11727 For piano. Composed by Joerg Widmann. This edition: Sheet music. Downloadable. Duration 19 minutes. Schott Music - Digital #Q11727. Published by Schott Music - Digital (S9.Q11727). Widmann's Intermezzi are influenced by the famous cycles of Johannes Brahms (Op. 116 - Op. 119) which are cited quite frequently. In the preface of the edition, Widmann hints at its 'unsettling reduction and succinct brevity': 'Latently menacing structures of melancholy beauty emerge from almost nothing here. I wish to listen to this tone of the later Brahms in my own Intermezzi which are naturally (and with regard to their age) totally different. And thus pay tribute to Brahms, the love of my youth, who was then overshadowed by Schumann for a long time but is now flaring up anew. The secret after the sound, even the anticipating pre-sound, the space of the in-between is what, to me, constitutes the essence of music. Therefore: Intermezzi.'.
$23.99 ≈
22.25€
Free Pieces
Free Pieces
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Joerg Widmann
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II: Chin
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Free Pieces
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Schott Music - Digital
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SheetMusicPlus
Ensemble (or chamber orchestra) - SKU: S9.Q19866 For ensemble (or chamber orchestra). Composed by Joerg Widmann. This edition: study score. Music...
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Ensemble (or chamber orchestra) - SKU: S9.Q19866 For ensemble (or chamber orchestra). Composed by Joerg Widmann. This edition: study score. Music Of Our Time. Downloadable, study score. Duration 25 minutes. Schott Music - Digital #Q19866. Published by Schott Music - Digital (S9.Q19866). Jörg Widmann dedicated 'Freie Stücke' to his teacher Wolfgang Rihm on his fiftieth birthday in 2002. The ten pieces for mixed ensemble or orchestra are 'inspired by the wish for concentration and reduction. Each piece focusses on one sound phenomenon (pulse, shaking ground, noise, monophony, overtone structures, etc.). All parts are locked together, however. The ending of each piece is the beginning of the next one. Thus, something disparate becomes something continuously narrated.' (Jörg Widmann)2 (2. auch Picc.) · 1 (auch Engl. Hr.) · 2 (1. auch Bassklar., 2. auch Kb-Klar., beide auch Pedalp.) · 1 (auch Kfg. und Lotosfl.) - 1 · 1 (auch Lotosfl.) · 1 · 0 – S. (I: Crot. · Lotosfl. · Wassergong [kl. Tamt.] · Wassergong [c']· Tamt. · Xylorimba · gr. Tr. · Beck. · Glsp. · 5 Woodbl. · 2 Peking-Oper-Gongs · Trillerpf. · hohes Tomt. · 2 hohe Tamb. · Steel Drum · Rototoms [chrom.] · Buckelgongs; II: Chin. Beck. · 5 Woodbl. · Lotosfl. · Pedalpauke [auch m. schwerem 20-Zoll-Ride-Beck. m. Kuppe aufgelegt] · 5 Beck. · Xylorimba · Peitsche · gr. Tr. · Crot. · Trgl. · Glsp · Flex. · Guiro · Peking-Oper-Gong · Trillerpf. · Röhrengl.) (2 Spieler) - Str. (1 · 1 · 1 · 1 · 1 [Kb. mit 5. Saite H], oder chorisch).
$47.99 ≈
44.50€
Flûte en suite
Flûte en suite
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Flûte traversière et Piano
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AVANCÉ
#
Joerg Widmann
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Flûte en suite
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Schott Music - Digital
#
SheetMusicPlus
Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with s...
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Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99 ≈
51.92€
Teiresias
Teiresias
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Joerg Widmann
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Teiresias
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Schott Music - Digital
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SheetMusicPlus
6 double basses - difficult - SKU: S9.Q11701 Composed by Joerg Widmann. This edition: score and parts. Double-Bass Library. Downloadable, score and part...
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6 double basses - difficult - SKU: S9.Q11701 Composed by Joerg Widmann. This edition: score and parts. Double-Bass Library. Downloadable, score and parts. Duration 14 minutes. Schott Music - Digital #Q11701. Published by Schott Music - Digital (S9.Q11701). 'Ein Orakelspruch für sechs Kontrabässe' (An oracle for six double-basses) – this is how Widmann calls his composition which he wrote upon commission of the Berlin Philharmonic Orchestra on the occasion of the 75th birthday of the conductor Claudio Abbado. The subtle theme seems to be the saga of Teiresias, the blind prophet, from Greek mythology. According to Widmann himself, he imagined a sound for the unusual instrumentation of six double-basses that 'is both blind and seeing' in its enigmatic whispering.
$35.99 ≈
33.37€
Quintet
Quintet
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Joerg Widmann
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Quintet
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Schott Music - Digital
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SheetMusicPlus
Oboe, clarinet in A, bassoon, horn and piano - difficult - SKU: S9.Q6559 For oboe, clarinet in A, horn, bassoon and piano. Composed by Joerg Widm...
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Oboe, clarinet in A, bassoon, horn and piano - difficult - SKU: S9.Q6559 For oboe, clarinet in A, horn, bassoon and piano. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 22 minutes. Schott Music - Digital #Q6559. Published by Schott Music - Digital (S9.Q6559). Widmann's Quintet is a deliberate tribute to Mozart's work for the same instrumentation (KV 452), both of which can be easily combined. In contrast to Mozart's classical forms of movements, Widmann composed 18 short miniatures some of which bear evocative titles while others bear musical-theoretical titles (e.g. 'Verwunschener Garten' (Enchanted Garden) or 'Kontrapunktische Studie' (Contrapuntal Study]). Traditional and contemporary playing techniques alternate in the musical texture. Therefore, in conjunction with the pointed style, this piece is also suitable for demanding educational purposes.
$57.99 ≈
53.77€
Clarinet quintet
Clarinet quintet
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Joerg Widmann
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Clarinet quintet
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Schott Music - Digital
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SheetMusicPlus
Clarinet, zwei violins, viola and cello - difficult - SKU: S9.Q50447 Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and p...
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Clarinet, zwei violins, viola and cello - difficult - SKU: S9.Q50447 Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 40 minutes. Schott Music - Digital #Q50447. Published by Schott Music - Digital (S9.Q50447). As a clarinetist frequently performing with string quartets, the clarinet quintet is a strange omission from Jörg Widmann’s catalogue of works. Up until now, his quintet programmes have included works primarily by Mozart, Brahms, Weber, and – in slightly altered or extended instrumentation – Messiaen’s Quatuor pour la fin du temps, alongside Widmann’s own sextet Fieberfantasie. This gap in his oeuvre is now finally filled with his first Clarinet Quintet which is sure to become a regular part of chamber music repertoire in the future.
$83.99 ≈
77.88€
Violin Concerto
Violin Concerto
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Violon et Piano
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AVANCÉ
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Joerg Widmann
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Violin Concerto
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Schott Music - Digital
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SheetMusicPlus
Violin and orchestra - difficult - SKU: S9.Q20006 Composed by Joerg Widmann. This edition: piano reduction with solo part. Downloadable, piano reduction...
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Violin and orchestra - difficult - SKU: S9.Q20006 Composed by Joerg Widmann. This edition: piano reduction with solo part. Downloadable, piano reduction with solo part. Duration 27 minutes. Schott Music - Digital #Q20006. Published by Schott Music - Digital (S9.Q20006). Jörg Widmann treats the violon at first as a vocal instrument, just in the tradition of the great violin concertos of the 19th century through to Alban Berg. But from the cantabile lines, often written 'sul tasto' and 'flautando', emerges again and again a virtuosity which is just as important to the genre and which, based on contemporary playing techniques, causes enticing problems for every player. As the orchestra is reduced to a demanding, yet rather accompanying function during the almost 30 minutes' duration, the piano reduction, already tried in Hamburg by the world premiere performer Christian Tetzlaff with Jörg Widmann on the piano, offers more than ever an opportunity for concert performances off the major stages.2 (2. auch Picc.) · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 4 · 0 · 0 · 0 - P. S. (Glsp. · Crot. [2 zwei-oktavige Sets] · 3 Beck. [h./m./t.] · Tamt. [m.] · gr. Tr. · Vibraslap) (2 Spieler) - Hfe. · Cel. (auch 2. gr. Tr.) - Str. (14 · 12 · 10 · 8 · 6 [alle mit 5. Saite H]).
$47.99 ≈
44.50€
Petite Suite
Petite Suite
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Joerg Widmann
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Petite Suite
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Schott Music - Digital
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SheetMusicPlus
Flute (with obligatoryer bassflute and gong) - advanced - SKU: S9.Q46991 For flute (with bass flute obbligato and gong). Composed by Joerg Widman...
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Flute (with obligatoryer bassflute and gong) - advanced - SKU: S9.Q46991 For flute (with bass flute obbligato and gong). Composed by Joerg Widmann. This edition: single sheet. Il Flauto traverso. Downloadable, Separate edition. Duration 7 minutes. Schott Music - Digital #Q46991. Published by Schott Music - Digital (S9.Q46991). Jörg Widmann composed the three-movement work in 2016 in memory of the Swiss flautist Aurèle Nicolet. The world premiere took place as part of a concert in Freiburg which was dedicated to Nicolet who had died shortly before; the interpreter was Emmanuel Pahud, one of his pupils. The versatility of the work shows, for example, in its obbligato instrumentation of bass flute and bossed gong – both instruments require only one additional player.
$7.99 ≈
7.41€
Cadenzas
Cadenzas
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Joerg Widmann
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Cadenzas
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Schott Music - Digital
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SheetMusicPlus
Violin - difficult - SKU: S9.Q46796 Concerto for violin and orchestra no. 3 in G major KV 216 by W. A. Mozart. Composed by Joerg Widmann. This ed...
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Violin - difficult - SKU: S9.Q46796 Concerto for violin and orchestra no. 3 in G major KV 216 by W. A. Mozart. Composed by Joerg Widmann. This edition: single sheet. Cadenza. Downloadable, Separate edition. Op. 12. Duration 2 minutes. Schott Music - Digital #Q46796. Published by Schott Music - Digital (S9.Q46796). In 2006, Jörg Widmann composed these noble, deliberately simple cadenzas for Mozart's Violin Concerto as a commission from the Schleswig-Holstein Music Festival and violinist Isabelle van Keulen. In this series, unique in classical music literature, cadenzas are presented of well-known classical and romantic instrumental concertos, written by important composers and soloists of our time.
$11.99 ≈
11.12€
Signals
Signals
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Joerg Widmann
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Signals
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Schott Music - Digital
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SheetMusicPlus
6 voices (Soprano, Mezzo-soprano, Countertenor, Tenor, Baritone, Bass) - difficult - SKU: S9.Q47177 For 6 voices (SMezCtTBarB). Composed by Joerg...
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6 voices (Soprano, Mezzo-soprano, Countertenor, Tenor, Baritone, Bass) - difficult - SKU: S9.Q47177 For 6 voices (SMezCtTBarB). Composed by Joerg Widmann. This edition: Sheet music. Schott Chamber Choir. Downloadable. Duration 18 minutes. Schott Music - Digital #Q47177. Published by Schott Music - Digital (S9.Q47177). Vocalises.Jörg Widmann komponierte die Signale für sechs Stimmen anlässlich der Wittener Tage für neue Kammermusik 2003 ohne die Verwendung eines konkreten Textes. Die einzelnen Stimmen behandeln rein phonetisches Material. Allerdings tritt das quasi theatrale Moment einer fast rituellen Zusammenkunft der sechs Vokalisten hinzu: Zunächst objektive Zeichen, Signale wie Amplituden-, Linienverläufe, Frequenzen, weißes Rauschen werden zu Alarm-, und Sirenensignalen, zu Morsezeichen, Störgeräuschen sowie existenziellen Schreien.
$12.99 ≈
12.05€
Three Shadow Dances
Three Shadow Dances
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Clarinette
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AVANCÉ
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Joerg Widmann
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Three Shadow Dances
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Schott Music - Digital
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SheetMusicPlus
Clarinet - difficult - SKU: S9.Q19083 For clarinet. Composed by Joerg Widmann. This edition: Sheet music. Clarinet Library. Downloadable. Duratio...
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Clarinet - difficult - SKU: S9.Q19083 For clarinet. Composed by Joerg Widmann. This edition: Sheet music. Clarinet Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q19083. Published by Schott Music - Digital (S9.Q19083). Widmann views in his “Three Shadow Dances†again the clarinet from a completely different perspective and thereby encourages young clarinetists to develop an enthusiastic and playful approach to microtones, multiphonics, key click sounds, shadowy notes and other new playing techniques.
$15.99 ≈
14.83€
Five Fragments
Five Fragments
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Clarinette
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AVANCÉ
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Joerg Widmann
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Five Fragments
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Schott Music - Digital
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SheetMusicPlus
Clarinet (in A and B) and piano - difficult - SKU: S9.Q6109 Composed by Joerg Widmann. This edition: Sheet music. Clarinet Library. Downloadable. Durati...
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Clarinet (in A and B) and piano - difficult - SKU: S9.Q6109 Composed by Joerg Widmann. This edition: Sheet music. Clarinet Library. Downloadable. Duration 8 minutes. Schott Music - Digital #Q6109. Published by Schott Music - Digital (S9.Q6109). Nach mehreren Stücken, in denen es um Fluss und Bewältigung einer Großform ging, faszinierte mich 1997 die Idee von Bruch-Stücken: Reduktion, Verknappung, Konzentration. Die mir liebgewordenen Instrumente Klarinette und Klavier mussten mir dazu wieder fremd werden; es ist eine andere Vertrautheit geworden. - Jörg Widmann.
$22.99 ≈
21.32€
Tears of the Muses
Tears of the Muses
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Joerg Widmann
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Tears of the Muses
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Schott Music - Digital
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SheetMusicPlus
Clarinet in Bb, violin and piano - advanced - SKU: S9.Q42483 Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Du...
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Clarinet in Bb, violin and piano - advanced - SKU: S9.Q42483 Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 12 minutes. Schott Music - Digital #Q42483. Published by Schott Music - Digital (S9.Q42483). 'Should muses be silent while the guns speak?' asks Jörg Widmann, who was only 20 years old when composing this piece, with his Trio for Clarinet in B flat, violin and piano, a musical essay on three tones.
$29.99 ≈
27.81€
Armonica
Armonica
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Orchestre
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Joerg Widmann
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II: Glsp
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Armonica
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Schott Music - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q23760 For Orchestra. Composed by Joerg Widmann. This edition: study score. Music Of Our Time. Downloadable, Study score. Dur...
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Orchestra - SKU: S9.Q23760 For Orchestra. Composed by Joerg Widmann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 14 minutes. Schott Music - Digital #Q23760. Published by Schott Music - Digital (S9.Q23760). Mit seinem Orchesterwerk Armonica begibt sich Jörg Widmann auf die Suche nach der Harmonie. Klänge wie von einer Glasharmonika bestimmen Anfang und Ende des Stücks. In seinem Verlauf weitet sich das Werk Hinsichtlich der rhythmische, melodischen und dynamischen Differenzierung, als stelle es eine einzige, riesige Atembewegung dar oder: das Ein- und Ausatmen einer Ziehharmonika.1 · 2 · 2 · 2 - 2 · 2 · 0 · 0 - P. S. (I: Crot. · Beck. · Watergong · 2 Tamt.; II: Glsp. · Beck. · Watergong · 2 Tamt.; III: Vibr. · Beck. · chin. Beck. · Watergong · 2 Tamt. · Trgl.) - Glasharm. · Hfe. · Cel. · Akk. · Klav. - Str. (12 · 10 · 8 · 6 · 6).
$29.99 ≈
27.81€
Choral Quartet
Choral Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Joerg Widmann
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Choral Quartet
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Schott Music - Digital
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SheetMusicPlus
String Quartet - difficult - SKU: S9.Q6173 2nd string quartet. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and ...
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String Quartet - difficult - SKU: S9.Q6173 2nd string quartet. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 16 minutes. Schott Music - Digital #Q6173. Published by Schott Music - Digital (S9.Q6173). My 2nd string quartet is one single slow movement. The piece does not directly reflect Joseph Haydn's Seven Last Words but I would not have been able to write it without knowing that work. The movements in Haydn's quartets (except the final earthquake) are slow movements of shocking forcefulness. What makes the work even more unsettling for me is the relaxed and cheerful acceptance of death (the 'smile' of the A major pizzicato thirds!). When I made myself familiar with the subject matter of crucifixion I discovered that terms like 'walking' and 'the last walk' were most important to me. My piece starts at the final stage of this experience. It contains a number of lost sounds, phrases of futility which come from nowhere and lead to nowhere. The horrifying rubbing and sanding of skin and wood become the 'theme’ of the piece which is combined with tonal, choral-like melodies. I am interested in how to make noises no longer symbolize desolation and tonal phrases no longer represent confidence. - Jörg Widmann.
$35.99 ≈
33.37€
Wandrers Nachtlied
Wandrers Nachtlied
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Joerg Widmann
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Wandrers Nachtlied
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Schott Music - Digital
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SheetMusicPlus
Picc. (auch Bassfl), Klar. in A (auch Bassklar. in B), Vl. (mit Eisendämpfer), S. (24 Crotales [chrom. c'''-c''''']), Klav. (mit 5 Schrauben und Metallbolzen...
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Picc. (auch Bassfl), Klar. in A (auch Bassklar. in B), Vl. (mit Eisendämpfer), S. (24 Crotales [chrom. c'''-c''''']), Klav. (mit 5 Schrauben und Metallbolzen präpariert) soprano and 5 instruments - difficult - SKU: S9.Q47142 Für Sopran und fünf Instrumente. Composed by Joerg Widmann. This edition: score and parts. Downloadable, score and parts. Duration 9 minutes. Schott Music - Digital #Q47142. Published by Schott Music - Digital (S9.Q47142). Vocalise.Widmann's chamber music-filled work from 1999 was commissioned by the Siemens Cultural Program. As the title suggests, this early work refers to the famous poems of Goethe, but the vocal part is restricted to vocalises and reflects the poetic text without directly quoting it. Experimental and intense sound constellations as well as the expressive vocalises characterize this early composition.
$36.99 ≈
34.30€
180 beats per minute
180 beats per minute
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Joerg Widmann
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180 beats per minute
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Schott Music - Digital
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SheetMusicPlus
2 Vl. · 2 Va. · 2 Vc. oder 2 Vl. · Va. · 3 Vc. string sextet - difficult - SKU: S9.Q18283 For string sextet. Composed by Joerg Widman...
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2 Vl. · 2 Va. · 2 Vc. oder 2 Vl. · Va. · 3 Vc. string sextet - difficult - SKU: S9.Q18283 For string sextet. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 6 minutes. Schott Music - Digital #Q18283. Published by Schott Music - Digital (S9.Q18283). 180 Beats per minute entstand 1993, kurz nach meiner Schulzeit. Die damals sehr angesagten „Techno-Nights inspirierten mich zu diesem Stück. Ein rhythmischer Drive und ein permanenter Wechsel des Pulses jagen in Höchstgeschwindigkeit (180 Schläge pro Minute) vorüber. Die Struktur verdichtet sich zu einer Studie über einen Akkord, der im Prinzip das gesamte Stück hindurch variiert, aber in seinem Tonmaterial unverändert bleibt. Bis sich schließlich das Stück verdichtet zu einem sechs-stimmigen Kanon, der von der ersten Violine bis zum dritten Violoncello wandert und dabei zwischen Dur- und Moll-Terz pendelt. Das Werk will nicht mehr sein, als es ist – pure Lust am Rhythmus selbst. - Jörg Widmann, August 2012.
$41.99 ≈
38.94€
Das heiße Herz
Das heiße Herz
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Voix Baryton, Piano
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AVANCÉ
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Joerg Widmann
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Das heiße Herz
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Schott Music - Digital
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SheetMusicPlus
Baritone voice and piano - difficult - SKU: S9.Q42376 Liederzyklus für Bariton und Klavier. Composed by Joerg Widmann. This edition: score. Do...
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Baritone voice and piano - difficult - SKU: S9.Q42376 Liederzyklus für Bariton und Klavier. Composed by Joerg Widmann. This edition: score. Downloadable, Score. Duration 40 minutes. Schott Music - Digital #Q42376. Published by Schott Music - Digital (S9.Q42376). German.Over the years, I have periodically composed a number of (unpublished) lieder, but have only now created my first ‘official’ lieder cycle for Christian Gerhaher and his accompanist Gerold Huber. Unfamiliar poetry from the collection Des Knaben Wunderhorn [The Boy’s Magic Horn] together with poems by Klabund, Brentano and Härtling form an essential element of this work – radically simple and genuine texts, profoundly touching the heart. Jörg Widmann.
$45.99 ≈
42.65€
Fever Fantasy
Fever Fantasy
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Joerg Widmann
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Fever Fantasy
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Schott Music - Digital
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SheetMusicPlus
Piano, string quartet and clarinet in Bb (bassclarinet in Bb) - difficult - SKU: S9.Q6168 Composed by Joerg Widmann. This edition: score and parts. Down...
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Piano, string quartet and clarinet in Bb (bassclarinet in Bb) - difficult - SKU: S9.Q6168 Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 13 minutes. Schott Music - Digital #Q6168. Published by Schott Music - Digital (S9.Q6168). With the title of this composition, Fever Fantasy, Jörg Widmann refers to its musical air: ‘I often feel Robert Schumann‘s melodic shape to be like the amplitude of a temperature curve: nervous, flickering, feverish, an infinite number of small and large wave crests and troughs within the principal line.’ The composer approaches this sound phenomenon with a setting for acoustic instruments. Nevertheless, he succeeds in conjuring up very unusual sound spectrums. Over long sections, the notation of this score mirrors the musical progressions, containing no concrete pitches but detailed performance instructions instead. Slowly, individual tones emerge from ascending pizzicato lines, colourless sound surfaces, sounds of harmonics roughened by tremolos, and virtuoso clarinet scales, tones that do not reveal their origin until the work ends: C - F - E - D sharp, the beginning of Schumann’s first violin sonata.
$55.99 ≈
51.92€
Sieben Abgesänge auf eine tote Linde
Sieben Abgesänge auf eine tote Linde
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Joerg Widmann
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Sieben Abgesänge auf eine
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Schott Music - Digital
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SheetMusicPlus
Soprano, clarinet (in A and B), violin and piano - SKU: S9.Q6718 On poems by Diana Kempff. Composed by Joerg Widmann. This edition: score and par...
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Soprano, clarinet (in A and B), violin and piano - SKU: S9.Q6718 On poems by Diana Kempff. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 18 minutes. Schott Music - Digital #Q6718. Published by Schott Music - Digital (S9.Q6718). German.Es war 1996, als mir Christoph Poppen, der damalige Leiter des Münchener Kammerorchesters, von einem kuriosen Konzert in Münsing (Ammerland) erzählte: während eines seiner Konzerte mit dem Orchester in der dortigen Kirche gab es, für alle hör- und sichtbar, eines der größten Unwetter, das die Region je gesehen hatte. Dabei schlug der Blitz ein in eine Art Wahrzeichen des Ortes, eine mehrere Jahrhunderte alte Linde. Unter den Zuhörern damals: die dort lebende Dichterin und Schriftstellerin Diana Kempff. Sie war unmittelbar erschüttert vom Tod der Linde und schrieb unter diesem Eindruck einige Gedichte. Christoph Poppen wiederum war – wie in vielen anderen Zusammenhängen auch – genialer Vermittler und stellte alsbald den Kontakt zu mir her. Die Idee: am Ort des Geschehens, in der Münsinger Kirche, solle ein Jahr später die Uraufführung einer Art Requiem für diesen Baum, der so vieles „gesehen“ hatte, erklingen. Im Rahmen der Holzhauser Musiktagen mit den Texten von Diana Kempff und meiner (noch zu schreibenden) Musik. Es gab bald eine wunderbare, sehr intensive Begegnung von Diana Kempff und mir, bei der sie etwas für Schriftsteller nicht gerade Typisches tat: sie stellte mir frei, aus den vorliegenden Gedichten nach Belieben lediglich Teile, sogar nur Zeilenfragmente zu verwenden und auch die Reihenfolge nach meinen Bedürfnissen anzuordnen und zu gestalten. Sie begriff sofort (und wünschte!), dass durch die Musik ohnehin etwas Drittes, etwas ganz Anderes entstehen würde. Die Tatsache, dass wir Monate später eine sichtlich bewegte Diana Kempff auf die Bühne holen durfte, freute uns alle besonders. Ihre Lyrik ist Ausdruck einer offenkundig zutiefst gequälten Seele und kommt uns oft wunderlich-versponnen entgegen. Einer zerbrechlichen Zartheit steht eine bisweilen fast brutale Härte unversöhnlich gegenüber. Das Schubert’sche „Fremd bin ich eingezogen“ gilt für sie in besonderer Weise und äußert sich in ihren Versen in einer Nähe zu allem Fremden (trotz des gleichzeitigen manischen Umkreisens des Eigenen und der eigenen Erinnerung), Abseitigen und auch (bei aller gleichzeitigen Skepsis) Übernatürlichen. Dieses geisterhaft-spukige Element versuchte ich durch meine Textauswahl und mit musikalischen Mitteln in diesen nun „Sieben Abgesängen“ zu verdeutlichen. Das erste Stück ist eine karge Studie über das Verrinnen der Zeit, das Nichts; das Zweite beschwört den Regen (den heilbringenden) herbei, der dann später – wenngleich mit entsetzlicher Wirkung – auch kommt. Den dritten Abgesang habe ich „Tanz der toten Seelen“ betitelt; es ist ein Zwiefacher, der jedoch durch seine düster-halbseidene „Wiener“ Chromatik alles Liebenswürdig-Oberbayerische längst verloren hat. Das klanglich vielleicht avancierteste und dichteste Stück ist der vierte Abgesang, der ganz aus der Perspektive der Linde selbst erzählt wird. Der fünfte Abgesang zu den Worten „Und wenn der Tod so kommen mag“ ist im Stile einer traurigen Volksweise bewusst schlicht gehalten. Während der sechste Satz in seinem expressionistischen Gestus nicht ungefährlich das Monodram streift, ist es schließlich die Seele (die ausgehauchte, die weiterexistierende?), die wörtlich den letzten Abgesang über die Bäume und die Seelen prägt. Diana Kempffs Gedichte, der Enthusiasmus Christoph Poppens, die phantastischen Uraufführungs-Interpreten, allen voran die Sängerin Juliane Banse, haben mich zur Komposition dieser „Sieben Abgesänge auf eine tote Linde“ angeregt. Die „Sieben Abgesänge“ sind nunmehr auch eine Erinnerung an die erst jüngst verstorbene Diana Kempff. Jörg Widmann, im Juni 2008.
$57.99 ≈
53.77€
Nightpiece
Nightpiece
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Violoncelle, Piano
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AVANCÉ
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Joerg Widmann
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Nightpiece
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Schott Music - Digital
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SheetMusicPlus
Clarinet in A, cello and piano - difficult - SKU: S9.Q18645 Composed by Joerg Widmann. This edition: score and parts. Downloadable, score and parts. Dur...
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Clarinet in A, cello and piano - difficult - SKU: S9.Q18645 Composed by Joerg Widmann. This edition: score and parts. Downloadable, score and parts. Duration 9 minutes. Schott Music - Digital #Q18645. Published by Schott Music - Digital (S9.Q18645). This is one of the early works by which the clarinettest Jörg Widmann also made himself a name as a composer. The form develops from the – at first only tentative – interaction of the three instruments. Sound-sensitive and eruptive moments alternate unexpectedly. Between 'jazzy-secco' and the 'Spieluhr' solo, the piano announces the passage of time: '12 Glockenschläge Mitternacht'.
$23.99 ≈
22.25€
Passacaglia
Passacaglia
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Violoncelle, Piano
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AVANCÉ
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Joerg Widmann
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Passacaglia
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Schott Music - Digital
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SheetMusicPlus
Violin, cello and piano - difficult - SKU: S9.Q6048 Composed by Joerg Widmann. This edition: score and parts. Downloadable, score and parts. Duration 30...
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Violin, cello and piano - difficult - SKU: S9.Q6048 Composed by Joerg Widmann. This edition: score and parts. Downloadable, score and parts. Duration 30 minutes. Schott Music - Digital #Q6048. Published by Schott Music - Digital (S9.Q6048). This Piano Trio Passacaglia is the “junior†companion piece to my Cello Concerto Dunkle Saiten [Dark Strings], or more precisely to the concerto’s large-dimensional introductory section with the indication “Feierlich, schreitend†[solemnly, striding]. What in the Cello concerto then inescapably culminates in a catastrophe remains in this composition ostensibly largely conflict-free. This is in fact perhaps one of my most peaceful and conflict-free compositions; it consists of half an hour of almost exclusively tonal progressions. Here, passacaglia (stepping dance!) is taken literally: the step progressions themselves become the subject of the work. This also includes pausing, not being able to progress, feeling one’s way, stumbling and taking compulsive steps forward.As familiar as the harmonic surface of the structure appears, for me the natural adaptation of the musical flow was new to a similar degree. This is my attempt to produce a linear tonal band (a horizontal) exclusively with the aid of harmonic – i.e. vertical – progressions.- Jörg Widmann.
$23.99 ≈
22.25€
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