Partitions Numériques de Come So Far pour Ensemble Jazz

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Come So Far
Non classifié 131

Piano & claviers
Piano seul 179
Piano, Voix 25
Orgue 15
Piano, Voix et Guitare 6
Piano Facile 5

Instruments en Do 4
Orgue, Piano (duo) 4
2 Pianos, 4 mains 2
Piano Quatuor: piano, violon, alto, violoncelle 1
Piano Trio: piano, violon, violoncelle 1

+ 5 instrumentations

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Guitares
Piano, Guitare (duo) 106
Guitare 10
Guitare notes et tablatures 4
Basse electrique 1
3 Guitares (trio) 1

Guitare (partie séparée) 1

+ 1 instrumentations

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Voix
Chorale SATB 25
Chorale 3 parties 7
Chorale TTBB 4
Chorale Unison 2
Chorale SSAA 2

Chorale 2
Chorale 2 parties 1
Voix duo, Piano 1
Voix seule 1

+ 4 instrumentations

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Vents
Hautbois, Piano (duo) 187
Flûte traversière et Piano 152
Clarinette 125
Saxophone Alto et Piano 119
Saxophone Tenor et Piano 118

Clarinette et Piano 50
2 Saxophones (duo) 32
Hautbois (partie séparée) 14
Flûte traversière 13
3 Saxophones (trio) 4
Quintette de Saxophone: 5 saxophones 4
Quatuor de Saxophones: 4 saxophones 4
Saxophone Baryton, Piano 4
Flûte, Hautbois, Clarinette, Basson 3
Saxophone (partie séparée) 2
Quatuor de Clarinettes: 4 clarinettes 1
Clarinette, Basson (duo) 1
Saxophone Alto 1
Flûte et Quatuor à Cordes 1
3 Clarinettes (trio) 1
Flûte, Hautbois, Clarinette (trio) 1
Flûte à bec Alto 1
Quatuor de Flûtes à bec 1
2 Flûtes traversières (duo) 1
Flûte, Clarinette (duo) 1
Trio de Flûtes: 3 flûtes 1
2 Clarinettes (duo) 1
Cor anglais, Piano 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
2 Flûte à bec (duo) 1
5 Flûtes à bec 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Flûte à Bec 1
3 Flûtes à bec (trio) 1
Quintette de Flûte : 5 flûtes 1

+ 30 instrumentations

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Cuivres
Trombone et Piano 136
Trompette 78
Trompette, Piano 55
Trombone 13
Trompette (partie séparée) 11

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4
2 Trompettes (duo) 2
Trombone (partie séparée) 2
Cor et Piano 1
Ensemble de Cors 1
Ensemble de Trompettes 1
2 Trombones (duo) 1
Tuba et Orgue 1
Cor anglais, Piano 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Tuba 1

+ 11 instrumentations

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Cordes
Alto, Piano 159
Violon et Piano 136
Violoncelle, Piano 125
Violoncelle (partie séparée) 14
Quatuor à cordes: 2 violons, alto, violoncelle 14

Violon 13
Alto (partie séparée) 8
Alto seul 6
Harpe, Voix 2
Violon, Violoncelle (duo) 2
Trio à Cordes: violon, alto, violoncelle 2
2 Violons (duo) 1
Trio à Cordes: 3 violoncelles 1
Violon, Guitare (duo) 1
Contrebasse (partie séparée) 1
Trio à cordes: 3 altos 1
4 Violoncelles 1
2 Altos (duo) 1
2 Violoncelles (duo) 1
Trio à cordes: 3 violins 1
Violon, Alto (duo) 1
Quatuor à cordes : 4 altos 1
Trio à Cordes: 2 violons, violoncelle 1
Quatuor à cordes: 4 violons 1
Alto, Violoncelle (duo) 1

+ 20 instrumentations

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Percussions & orchestre
Orchestre 8
Orchestre d'harmonie 8
Ensemble Jazz 4

Orchestre de chambre 4
Ensemble de cuivres 3

Fanfare 2
Batterie (partie séparée) 1
Orchestre à Cordes 1

+ 3 instrumentations

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Come So Far

Ensemble Jazz

Partitions à imprimer

4 partitions trouvées

"Flight Of The Bumble Bee" for Violin (with Background Track)-Jazz/Pop Version-Video

"Flight Of The Bumble Bee" for Violin (with Background Track)-Jazz/Pop Version-Video #Ensemble Jazz #INTERMÉDIAIRE/AVANCÉ #Classique #Contemporain #Nikolay Andreyevich Rimsky-Kor #Fishel Pustilnik #"Flight Of The Bumble Bee #F & N Enterprise #SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.633526 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,W...(+)

Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.633526 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and parts. 4 pages. F & N Enterprise #3428163. Published by F & N Enterprise (A0.633526). An excellent arrangement of famous Flight Of The Bumble Bee by Nikolai Rimsy-Korsakov for Violin with Background Track (Jazz/Pop Version). https://www.youtube.com/watch?v=GluziM0y9x8The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic

$2.99 ≈ $4.09

Cherry Street Jaunt

Cherry Street Jaunt #Ensemble Jazz #INTERMÉDIAIRE/AVANCÉ #George Willson #Cherry Street Jaunt #George Willson #SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.927181 Composed by George Willson. Blues,Jazz. Score and parts. 46 pages. George Willson #6359467. Publi...(+)

Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.927181 Composed by George Willson. Blues,Jazz. Score and parts. 46 pages. George Willson #6359467. Published by George Willson (A0.927181). Written for the T-Town Jazz Band and named for a Tulsa landmark, this is a big band swing tune in F minor blues with solos and exposure aplenty most notably in the third trombone part. The piece follows a chap who is happily walking (or jaunting) down Cherry Street. Three other guys come in and pick up his melody as a unison trio. This moves into a quick verse in the ensemble before the four players each take a solo turn almost like a combo. The party then takes off with the full band before it moves back to the trio wandering off while crowd bids them farewell and the original soloist takes a final turn. The reason there is such a focus on the third trombone is because this piece is dedicated to Dale Turner who was the third trombone player in the T-Town Jazz Band and a founding member of the band. We tried to get him to improv a solo here and there, but he wouldn't do it. We figured if we wrote it into his part, he would play it, and so the next piece I was writing was Cherry Street Jaunt, so the 3rd trombone got a lot of love. Unfortunately, the band had to shut down for a time due to COVID-19, and during that time, Dale passed due to complications from it. As a result, he never saw the part I wrote to trick him into a solo. The MP3 is generated from the composition program, but the video link is a live performance.

$35.00 ≈ $47.86

Hop Off

Hop Off #Ensemble Jazz #AVANCÉ #Fletcher Henderson And His Orc #Peter StÃ¶ve #Hop Off #Peter Stove #SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter StÃ¶ve. 20th ...(+)

Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter StÃ¶ve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter StÃ¶ve â€˜What If Benny Goodmanâ€¦â€™ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestraâ€™s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schullerâ€™s tell us, Benny Goodmanâ€™s rendition of Jelly Roll Mortonâ€™s â€˜King Porter Stompâ€™ in the arrangement of Fletcher Henderson â€˜ushered in the Swing Eraâ€™. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Mortonâ€™s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the â€˜twenties and â€˜thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album â€˜There Comes A Timeâ€™. But during the â€˜twenties, Henderson picked up more â€˜jazz and stompâ€™-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime â€˜professorsâ€™). That is the composition â€˜Hop Offâ€™, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike â€˜King Porter Stompâ€™, Henderson never chose to â€˜adaptâ€™ this tune for his â€˜thirties swing-style orchestra, and so it never became a part of the Goodman Orchestraâ€™s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his â€˜Letâ€™s Danceâ€™-library? â€˜Hop Offâ€™ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other â€˜hotâ€™ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Soloâ€™s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play â€˜King Porter Stompâ€™, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class â€˜BG-wannabeâ€™: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!

$49.99 ≈ $68.36

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