Partitions Numériques de Guthrie: The Violin pour Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

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Guthrie: The Violin
Non classifié 84

Piano & claviers
Piano Quatuor: piano, violon, alto, violoncelle 31
Piano Trio: piano, violon, violoncelle 10
Piano Quintette: piano, 2 violons, alto, violoncelle 2
Piano Quatuor: piano, 2 violons, violoncelle 1
Piano seul 1

Guitares
Piano, Guitare (duo) 6

Voix

Vents
Flûte traversière et Piano 38
Clarinette et Piano 25
Saxophone Soprano et Piano 21
Saxophone Baryton, Piano 20
Saxophone Tenor et Piano 20

Hautbois, Piano (duo) 18
Saxophone Alto et Piano 16
Clarinette Basse, Piano 15
Cor anglais, Piano 13
Clarinette 10
Hautbois, Harpe 2
Clarinette, Harpe (duo) 2
Piccolo, Piano 2
Flûte traversière 1
Clarinette Basse 1
Ensemble de saxophones 1
Flûte et Trio à cordes 1
Quatuor de Saxophones: 4 saxophones 1
2 Clarinettes (duo) 1
2 Saxophones (duo) 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
2 Flûtes traversières (duo) 1
Quatuor de Flûtes : 4 flûtes 1
Ensemble de Flûtes 1
Clarinette, Violon (duo) 1
Flûte, Violon et Violoncelle 1
Cor anglais et Harpe (duo) 1
Quatuor de Clarinettes: 4 clarinettes 1

+ 23 instrumentations

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Cuivres
Euphonium, Piano (duo) 26
Trombone et Piano 19
Cor et Piano 16
Cor anglais, Piano 13
Trompette, Piano 8

Trompette 5
2 Cors (duo) 2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2

Cor 1
Tuba et Piano 1
Cor anglais et Harpe (duo) 1

+ 6 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 190
Violon et Piano 104
Trio à Cordes: violon, alto, violoncelle 63
Alto, Piano 19
Violoncelle, Piano 15

2 Violons (duo) 13
Violon, Violoncelle (duo) 9
Violon 8
Harpe, Violon (duo) 6
Violon, Alto (duo) 5
Harpe 5
Harpe, Flûte (duo) 5
Trio à Cordes: 2 violons, violoncelle 3
Trio à Cordes: 3 violoncelles 2
Trio à Cordes: 2 violons, alto 1
Alto (partie séparée) 1
Violon, Orgue 1
Piano Trio: Violon, Alto, Piano 1

+ 13 instrumentations

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Percussions & orchestre
Orchestre de chambre 1
Orchestre d'harmonie 1
Orchestre à Cordes 1

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Guthrie: The Violin

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

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Beethoven: Sonata Op. 49 No. 2 for Brass Quintet

Beethoven: Sonata Op. 49 No. 2 for Brass Quintet #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #INTERMÉDIAIRE #Classique #Ludwig van Beethoven #James M #Beethoven: Sonata Op. 49 No. 2 #jmsgu3 #SheetMusicPlus

Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,St...(+)

Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethovenâ€™s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 â€“1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. Thatâ€™s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethovenâ€™s life into three periods. Period 1 begins with Beethovenâ€™s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata PathÃ©tique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 â€“ 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous GroÃŸe Fuge) and the final five sonatas for piano. www.jamesguthrie.com.

$49.95 ≈ 46.03€

Bach: Wachet auf for Brass Quintet

Bach: Wachet auf for Brass Quintet #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #INTERMÉDIAIRE #Classique #Johann Sebastian Bach #James M #Bach: Wachet auf for Brass Qui #jmsgu3 #SheetMusicPlus

Level 3 - SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #355693...(+)

Level 3 - SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140.Â Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives â€“ like the opera. Fourth Movement Bach writes the fourth movement, Zion hÃ¶rt die WÃ¤chter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six SchÃ¼bler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio. Â History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and KÃ¶then for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Â Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Â Â Â Â Â Â Â Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â

$39.95 ≈ 36.81€

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