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So Many Will Fall
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16
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Vous avez sélectionné:
So Many Will Fall
SheetMusicPlus
Partitions à imprimer
16 partitions trouvées
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1
Nowhere to Go, so Here We Go
Nowhere to Go, so Here We Go
#
Paul Burnell
#
Nowhere to Go, so Here We Go
#
Paul Burnell
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Voice - SKU: A0.835763 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #30...
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Instrumental Duet Instrumental Duet,Vibraphone,Voice - SKU: A0.835763 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #3057427. Published by Paul Burnell (A0.835763). The ‘Little Era Ending Songs’ are for soprano and vibraphone. Each of the songs are a brief reflection on the demise of the human race presented in moods ranging from sombre to ironic to wry. There are seven songs in the series: ‘So Many Will Fall’, ‘Turning Round the Sun’, ‘Charon Charon’, ‘Left Unsaid’, ‘The Petri Dish’, ‘The Last Lullaby’, and ‘Nowhere to Go, so Here We Go’. The songs may be performed independently, or severally together in any order. The songs are dedicated to Chris Brannick and Sara Stowe, and were first performed by them on 14 November 2015’ at the Friends Meeting House, Brighton, UK.
$1.99 ≈
1.86€
Charon Charon
Charon Charon
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Paul Burnell
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Charon Charon
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Paul Burnell
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Voice - SKU: A0.835760 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #3...
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Instrumental Duet Instrumental Duet,Vibraphone,Voice - SKU: A0.835760 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #3057423. Published by Paul Burnell (A0.835760). The ‘Little Era Ending Songs’ are for soprano and vibraphone.Each of the songs are a brief reflection on the demise of the human race presented in moods ranging from sombre to ironic to wry.There are seven songs in the series: ‘So Many Will Fall’, ‘Turning Round the Sun’, ‘Charon Charon’, ‘Left Unsaid’, ‘The Petri Dish’, ‘The Last Lullaby’, and ‘Nowhere to Go, so Here We Go’.The songs may be performed independently, or severally together in any order. The songs are dedicated to Chris Brannick and Sara Stowe, and were first performed by them on 14 November 2015’ at the Friends Meeting House, Brighton, UK.
$1.99 ≈
1.86€
Left Unsaid
Left Unsaid
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Paul Burnell
#
Left Unsaid
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Paul Burnell
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Voice - SKU: A0.835762 Composed by Paul Burnell. Contemporary. Score and parts. 4 pages. Paul Burnell #30...
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Instrumental Duet Instrumental Duet,Vibraphone,Voice - SKU: A0.835762 Composed by Paul Burnell. Contemporary. Score and parts. 4 pages. Paul Burnell #3057425. Published by Paul Burnell (A0.835762). The ‘Little Era Ending Songs’ are for soprano and vibraphone. Each of the songs are a brief reflection on the demise of the human race presented in moods ranging from sombre to ironic to wry. There are seven songs in the series: ‘So Many Will Fall’, ‘Turning Round the Sun’, ‘Charon Charon’, ‘Left Unsaid’, ‘The Petri Dish’, ‘The Last Lullaby’, and ‘Nowhere to Go, so Here We Go’. The songs may be performed independently, or severally together in any order. The songs are dedicated to Chris Brannick and Sara Stowe, and were first performed by them on 14 November 2015’ at the Friends Meeting House, Brighton, UK.
$1.99 ≈
1.86€
What Will We Say?
What Will We Say?
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Aaron Gage
#
What Will We Say?
#
Aaron Gage
#
SheetMusicPlus
Cello,Piano,Steel Pan,Violin - Level 4 - SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Publis...
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Cello,Piano,Steel Pan,Violin - Level 4 - SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99 ≈
18.71€
Letter to Lydia for alto voice, flute, cello and guitar (or just alto and guitar)
Letter to Lydia for alto voice, flute, cello and guitar (or just alto and guitar)
#
David Warin Solomons
#
#
Letter to Lydia for alto voice
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David Warin Solomons
#
SheetMusicPlus
Small Ensemble Cello,Flute,Guitar,Voice - Level 3 - SKU: A0.576973 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 15...
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Small Ensemble Cello,Flute,Guitar,Voice - Level 3 - SKU: A0.576973 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 15 pages. David Warin Solomons #553513. Published by David Warin Solomons (A0.576973). The poet, David Andrew, is writing as he considers the future his daughter will make for herself. The sound sample is a live vocal performance against electronic versions of the instruments The pdf file contains score and parts. The song can also be performed without the flute and cello. You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00 ≈
9.36€
Letter to Lydia for cor anglais, flute, cello and guitar
Letter to Lydia for cor anglais, flute, cello and guitar
#
David Warin Solomons
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Letter to Lydia for cor anglai
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,English Horn,Flute,Guitar - Level 2 - SKU: A0.576975 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and pa...
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Small Ensemble Cello,English Horn,Flute,Guitar - Level 2 - SKU: A0.576975 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 16 pages. David Warin Solomons #553517. Published by David Warin Solomons (A0.576975). Instrumental version of my song based on a poem by David Andrew The sound sample is an electronic preview The pdf file contains score and parts The poem is as follows: You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00 ≈
9.36€
Letter to Lydia for viola, flute, cello and guitar
Letter to Lydia for viola, flute, cello and guitar
#
David Warin Solomons
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Letter to Lydia for viola, flu
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David Warin Solomons
#
SheetMusicPlus
Small Ensemble Cello,Flute,Guitar,Viola - Level 2 - SKU: A0.576976 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 16...
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Small Ensemble Cello,Flute,Guitar,Viola - Level 2 - SKU: A0.576976 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 16 pages. David Warin Solomons #553519. Published by David Warin Solomons (A0.576976). Instrumental version of my song based on a poem by David Andrew The sound sample is an electronic preview The pdf file contains score and parts The poem is as follows: You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00 ≈
9.36€
Letter to Lydia for clarinet, flute, cello and guitar
Letter to Lydia for clarinet, flute, cello and guitar
#
David Warin Solomons
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Letter to Lydia for clarinet,
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David Warin Solomons
#
SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Guitar - Level 2 - SKU: A0.576974 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts....
(+)
Small Ensemble Cello,Clarinet,Flute,Guitar - Level 2 - SKU: A0.576974 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 16 pages. David Warin Solomons #553515. Published by David Warin Solomons (A0.576974). Instrumental version of my song based on a poem by David Andrew The sound sample is an electronic preview The pdf file contains score and parts The poem is as follows: You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00 ≈
9.36€
Night
Night
#
Florence Beatrice Price
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Charles Decker
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Night
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Charles Decker Music Press
#
SheetMusicPlus
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1434033 Composed by Florence Beatrice Price. Arranged by Charles Dec...
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Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1434033 Composed by Florence Beatrice Price. Arranged by Charles Decker. 20th Century,Chamber,Historic,Multicultural,World. 18 pages. Charles Decker Music Press #1014281. Published by Charles Decker Music Press (A0.1434033). From the Music of Black Composers Series at Charles Decker Music Press is prominent Black composer Florence Price’s Night that rivals in elegance and and expressive melodic treatment her famous Adoration. Arranged for two B-flat trumpets, horn, trombone and tuba, the edition features trumpet and horn, and by using using all conical brass (flugelhorns or cornets, horn, euphonium and tuba) can create a memorable performance for audiences.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!” Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press, especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.” Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series Brass” in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson, Florence Price and others.For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$12.99 ≈
12.16€
The Charleston (1923) for Brass Choir
The Charleston (1923) for Brass Choir
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James P
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Charles Decker
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The Charleston
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Charles Decker Music Press
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1411272 Composed by James P. Johnson. Arranged by Charles Decker. 20t...
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Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1411272 Composed by James P. Johnson. Arranged by Charles Decker. 20th Century,Broadway,Contest,Festival,Film/TV,Jazz,Musical/Show. 28 pages. Charles Decker Music Press #993606. Published by Charles Decker Music Press (A0.1411272). From the Music of Black Composers Series at Charles Decker Music Press is the The Charleston which debuted in James P. Johnson’s Broadway 1923 show “Runnin’ Wild†to become the wildly popular and unofficial anthem of the Roaring 20’s.  An important jazz pianist and composer, Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller.  Arranged for a ten-piece brass choir of three B-flat trumpets, two horns in F with a substitute flugelhorns parts, three trombones or euphoniums with substitute horn for trombone 1, euphonium and tuba, the arrangement uses the original 1923 piano edition and retains the style of the day. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series brass†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to  Kendor Music and  Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$15.99 ≈
14.96€
The Bamboula Rhapsodic Dance for Brass Band
The Bamboula Rhapsodic Dance for Brass Band
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Samuel Coleridge-Taylor
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Charles Decker
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The Bamboula Rhapsodic Dance f
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Charles Decker Music Press
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.1190215 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. Brass Band. 201 pages. Charles Decker Music Press #789828. Published by Charles Decker Music Press (A0.1190215). This brilliant, tour de force arrangement for brass band is guaranteed to inspire performers and excite audiences as it captures the energy of the Samuel Coleridge-Taylor's 1911 orchestral showpiece. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. Originating in Africa and developed in Haiti, the Bamboula was danced for festivals and ceremonies. The 11 minute arrangement has an optional cut to make it seven minutes and is scored for British brass band instrumentation of E-flat cornet, B-flat cornets, flugelhorn, E-flat alto horns, baritone horn, euphonium, trombones and E-flat and B-flat basses with parts sets in treble clef except for the bass trombone. Optional brass instrumentaion is provided with substiute F horn parts for the E-flat alto horns and bass clef parts for all the low brass. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$39.95 ≈
37.39€
Danse Nègre from African Suite. Op. 35 for Brass Band
Danse Nègre from African Suite. Op. 35 for Brass Band
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Samuel Coleridge-Taylor
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Charles Decker
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Danse Nègre from Africa
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Charles Decker Music Press
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.1157493 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Contest,Festival,Multicultural,World. Brass Band. 124 pages. Charles Decker Music Press #757828. Published by Charles Decker Music Press (A0.1157493). This brilliant brass band arrangement captures the brilliance and excitement of the Coleridge-Taylor's orchestral showpiece Danse Nègre from his African Suite, Op. 35. Born of an African father, Samuel Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. The five-minute arrangement is scored for a traditional British Brass Band of soprano E-flat cornet, B-flat cornets, flugelhorn, 3 E-flat alto horns, 2 baritone horns, euphonium, and E-flat and B-flat bass. A complete set of substitute parts are include for common band brass instruments being F horn substitutes for E-flat alto horns and all low brass instruments set in the bass clef. The recording is of the entire arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$34.95 ≈
32.71€
Merry Measures
Merry Measures
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Musique Sacrée
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Traditional
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Rebecca Lutz
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Merry Measures
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Rebecca Lutz
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SheetMusicPlus
Ocarina - SKU: A0.1025645 Composed by Traditional. Arranged by Rebecca Lutz. Christian,Christmas,Praise & Worship,Sacred. Score. 19 pages. Rebecca Lutz ...
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Ocarina - SKU: A0.1025645 Composed by Traditional. Arranged by Rebecca Lutz. Christian,Christmas,Praise & Worship,Sacred. Score. 19 pages. Rebecca Lutz #4991889. Published by Rebecca Lutz (A0.1025645). Ocarinas come in many shapes, sizes, and tonal ranges, which can make it a challenge to find sheet music. This collection of twenty-five well-known Christmas tunes is written in a variety of keys, all suitable for a transverse 12-hole ocarina in C. Because ocarinas come in such a wide variety of pitch ranges, it includes both standard notation and a tablature system so that the player can adjust each piece to fit their instrument, regardless of the key. Additionally, each piece also includes an indication of the overall pitch range, and most tunes fall in the 8-9 note range, which can be played on a 4- or 5- hole ocarina. This also means that the tunes will work for any melody instrument with about an octave range (and the occasional accidental).Song ListAngels We Have Heard On HighAway in a Manger: Melody 1Away in a Manger: Melody 2Bring a Torch, Jeanette IsabellaCoventry CarolDance of the Sugar Plum FairyGod Rest Ye Merry, GentlemenGood King WenceslasHark! The Herald Angels SingI Saw Three ShipsIn The Bleak MidwinterIt Came Upon the Midnight ClearJingle BellsJoy To The WorldLo, How a Rose E'er BloomingO Come, All Ye FaithfulO Come, O Come, EmmanuelO Little Town of BethlehemOf the Father's Love BegottenOnce in Royal David's CitySilent NightThe First NoelTwas in the Moon of WintertimeWe Three KingsWe Wish You a Merry ChristmasWhat Child Is This
$5.00 ≈
4.68€
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00 ≈
9.36€
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00 ≈
9.36€
OF LIGHT AND SHADOW (A NEW YEAR)
OF LIGHT AND SHADOW (A NEW YEAR)
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Contemporain
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Monica Bergo
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OF LIGHT AND SHADOW
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Moni Bergo
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SheetMusicPlus
Small Ensemble Drums,Flute,Piano,Violin - SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Publis...
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Small Ensemble Drums,Flute,Piano,Violin - SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Published by Moni Bergo (A0.1012752). Music and song composed by meOF LIGHT AND SHADOW (A new year) Lights that shine On these days of mine Shadows that kill My enthusiasm but there is A whole journey that has been written for me Like a novel, its plot will unveil Another year on me And new days to be invented Find out what will happen It's a good reason to fight The light will illuminate me Or there will be new pain Find out what will happen It's a good reason to stay And I always run so strong For fear of falling Maybe this year I will learn How to do walk And I never slow down my pace Back I can not come back Because I would meet myself And inside me I should look I will fill with light and shadow This my eternal emptiness That I can not placate A thousand songs I will invent If there will be someone who will want to listen In connection with the world singing of fairies, magicians, elves, witches and intrigues always uncomfortable in my time looking for a place, a role in this year new I know that nothing will change yet Of light and shadow I will live I steal from the moon her mysteries I will give them to the sun In exchange for the eternal heat in the heart And like a witch burning at the stake I fire, I melt And born again And the alignment of Jupiter in Pluto The lunar eclipse gives me protection I wish the night would go down fast When my pain never finds peace I wish the sun would shine forever In every season, summer and winter A new year here Before me I mess up his days The gray of November With the warmth of September with lights and shadows I will confuse I will steal the sun in June and my Christmas will heat up and the January ice at Easter I will donate I will confuse the night and the day always mistress of my time in that mirror I will look happy with what I will see and new trips and experiences and emotions on the skin I will live with joy and intensity the light and the shadow that will come how many smiles on my lips will form new wrinkles happy with my age it's a nice finish line to be here and how many tears again will come down on my face will be joy or pain of light and shadow I will live It will be a new year of joys and sorrows of light and shadow of cold and heat ... .. Monica Bergo
$5.00 ≈
4.68€
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So Many Will Fall
