Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Second Still Life
Non classifié
21
Piano & claviers
Piano seul
6
Piano, Voix
2
2 Pianos, 4 mains
2
Piano Facile
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 4 mains
1
+ 1 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1
3 Guitares (trio)
1
Guitare
1
Voix
Chorale SATB
7
Chorale TTBB
4
Chorale 3 parties
1
Chorale SSAA
1
Vents
Clarinette et Piano
3
Quatuor de Clarinettes: 4 clarinettes
2
Flûte traversière et Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Saxophone Soprano et Piano
1
Quintette de Saxophone: 5 saxophones
1
2 Flûtes traversières (duo)
1
Flûte et Guitare
1
Hautbois, Piano (duo)
1
Hautbois, Harpe
1
Saxophone Alto et Piano
1
Flûte traversière
1
Clarinette Basse, Piano
1
Ensemble De Flûte à bec
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Clarinette, Basson (duo)
1
2 Clarinettes (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Saxophone Tenor et Piano
1
Cor anglais, Piano
1
+ 15 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor et Piano
2
Trompette
2
Trombone et Piano
1
Quatuor de Cuivres
1
Cor anglais, Piano
1
+ 1 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon et Piano
3
Violoncelle, Piano
2
4 Violoncelles
1
Alto, Piano
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Harpe, Voix
1
2 Violoncelles (duo)
1
+ 5 instrumentations
Retracter
Percussions & orchestre
Orchestre d'harmonie
4
Orchestre de chambre
2
Jazz combo
1
Orchestre
1
Batterie
1
Orchestre à Cordes
1
Marimba, Piano (duo)
1
+ 2 instrumentations
Retracter
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
PARTITIONS GRATUITES
185 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Second Still Life
Partitions à imprimer
21 partitions trouvées
<
1
Transfigured Life - Still Life
Transfigured Life - Still Life
#
David Braid
#
Transfigured Life - Still Life
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Violin and piano - Advanced - SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Publish...
(+)
Violin and piano - Advanced - SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1525). J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin & piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved & developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
$12.95 ≈
11.97€
Still Life with Melon & Sand (from Summer Suite)
Still Life with Melon & Sand (from Summer Suite)
Timpani|Percussion|B-Flat Trumpet
#
Greg Bartholomew
#
Still Life with Melon & Sand
#
Imagine Music - Digital
#
SheetMusicPlus
By Greg Bartholomew. For trumpet, timpani & string orchestra . Pathways Series. Level 4. Score and set of parts. Duration 3 minutes, 40 seconds . Published by...
(+)
By Greg Bartholomew. For trumpet, timpani & string orchestra . Pathways Series. Level 4. Score and set of parts. Duration 3 minutes, 40 seconds . Published by Imagine Music - Digital
$40.00 ≈
36.99€
Seven
Seven
#
Michael Berkeley
#
Seven
#
Oxford University Press Digital
#
SheetMusicPlus
Chamber ensemble - SKU: OX.9780193569294 Composed by Michael Berkeley. Score. 18 pages. Oxford University Press Digital #9780193569294. Published by Oxf...
(+)
Chamber ensemble - SKU: OX.9780193569294 Composed by Michael Berkeley. Score. 18 pages. Oxford University Press Digital #9780193569294. Published by Oxford University Press Digital (OX.9780193569294). ISBN 9780193569294.Seven is founded on the further elaboration of a simple phrase used in Second Still Life. As the number 2 is significant in that piece, the number 7 is prevalent throughout Seven: the work is for seven players and is seven minutes in duration.
$30.99 ≈
28.65€
Oscillation
Oscillation
#
Contemporain
#
contrast, the string quartet h
#
Jeremy Hart
#
Oscillation
#
Jeremy Graham Hart
#
SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pa...
(+)
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95 ≈
18.45€
I Love Lucy
I Love Lucy
#
Contemporain
#
Eliot Daniel
#
Dennis Ruello
#
I Love Lucy
#
Chicory Music
#
SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.734613 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory...
(+)
Brass Ensemble Trombone - Level 4 - SKU: A0.734613 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music #6671801. Published by Chicory Music (A0.734613). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Trombone Quartet / Choir plus optional Acoustic Bass and Drum Set parts remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99 ≈
12.01€
I Love Lucy
I Love Lucy
#
Contemporain
#
Eliot Daniel
#
Dennis Ruello
#
I Love Lucy
#
Chicory Music
#
SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.734614 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. 7 pages. Chicory M...
(+)
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.734614 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. 7 pages. Chicory Music #6672181. Published by Chicory Music (A0.734614). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Flute Quartet / Choir remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99 ≈
12.01€
I Love Lucy
I Love Lucy
#
Contemporain
#
Eliot Daniel
#
Dennis Ruello
#
I Love Lucy
#
Chicory Music
#
SheetMusicPlus
Brass Ensemble Trumpet - Level 4 - SKU: A0.734617 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 7 pages. Chicory M...
(+)
Brass Ensemble Trumpet - Level 4 - SKU: A0.734617 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 7 pages. Chicory Music #6673703. Published by Chicory Music (A0.734617). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Trumpet Quartet remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99 ≈
12.01€
I Love Lucy
I Love Lucy
#
Contemporain
#
Eliot Daniel
#
Dennis Ruello
#
I Love Lucy
#
Chicory Music
#
SheetMusicPlus
Brass Ensemble,Small Ensemble Double Bass,Drum Set,Trombone - Level 4 - SKU: A0.734625 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary...
(+)
Brass Ensemble,Small Ensemble Double Bass,Drum Set,Trombone - Level 4 - SKU: A0.734625 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 11 pages. Chicory Music #6702907. Published by Chicory Music (A0.734625). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Trombone Quintet / Choir plus optional Acoustic Bass and Drum Set parts is arranged in a slow ballad style.Performance Time: Approx. 1 minute 40 seconds
$12.99 ≈
12.01€
I Love Lucy
I Love Lucy
#
Contemporain
#
Eliot Daniel
#
Dennis Ruello
#
I Love Lucy
#
Chicory Music
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.734627 Composed by Eliot Daniel. Ar...
(+)
Small Ensemble Alto Saxophone,Baritone Saxophone,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.734627 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 21 pages. Chicory Music #6707191. Published by Chicory Music (A0.734627). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Jazz / Big Band is written at the Intermediate Level in a Slow Ballad Tempo.Performance Time: Approx. 1 minute 40 seconds
$19.99 ≈
18.48€
I Love Lucy
I Love Lucy
#
Contemporain
#
Eliot Daniel
#
Dennis Ruello
#
I Love Lucy
#
Chicory Music
#
SheetMusicPlus
Small Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Drum Set,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.734624 Composed b...
(+)
Small Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Drum Set,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.734624 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 12 pages. Chicory Music #6697419. Published by Chicory Music (A0.734624). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster. This arrangement for Jazz Sax Quartet (AATB) plus optional Piano, Acoustic Bass and Drum Set parts remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99 ≈
12.01€
I Love Lucy
I Love Lucy
#
Eliot Daniel
#
Dennis Ruello
#
I Love Lucy
#
Chicory Music
#
SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.734622 Composed by Eliot Daniel. Arranged by Denni...
(+)
Alto Saxophone,Baritone Saxophone,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.734622 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary,Film/TV,Pop. 22 pages. Chicory Music #6690685. Published by Chicory Music (A0.734622). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Jazz / Big Band remains faithful to the original theme.Performance Time Approx. 2 minutes 30 Seconds
$24.99 ≈
23.11€
I Love Lucy
I Love Lucy
#
Contemporain
#
Eliot Daniel
#
Dennis Ruello
#
I Love Lucy
#
Chicory Music
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 4 - SKU: A0.734619 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. 12 pages....
(+)
Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 4 - SKU: A0.734619 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. 12 pages. Chicory Music #6675325. Published by Chicory Music (A0.734619). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Woodwind Quintet includes a Bass Clarinet part (Bassoon sub.) plus optional Acoustic Bass and Drum Set parts remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99 ≈
12.01€
It Is Not Death to Die - Orchestration
It Is Not Death to Die - Orchestration
#
Robert Myers
#
#
It Is Not Death to Die - Orche
#
WheatMyer Music
#
SheetMusicPlus
Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by ...
(+)
Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00 ≈
69.35€
We the People of the United States
We the People of the United States
#
Arthur J
#
We the People of the United St
#
Imagine Music - Digital
#
SheetMusicPlus
Satb & piano - Grade 3 - SKU: IZ.CBS176V Composed by Arthur J. Michaels. Score and Parts. 27 pages. Imagine Music - Digital #CBS176V. Published by Imagi...
(+)
Satb & piano - Grade 3 - SKU: IZ.CBS176V Composed by Arthur J. Michaels. Score and Parts. 27 pages. Imagine Music - Digital #CBS176V. Published by Imagine Music - Digital (IZ.CBS176V). 9 x 12 in inches.We the People of the United States lets singers and instrumentalists sing and play their hearts out. It's an excellent choice for any program in which directors want to feature a chorus with a concert band. This inspiring piece also makes an excellent spring concert or festival closer, worthy of becoming a music festival's traditional final work with combined instrumental and choral groups.This piece features three sections:I. We the People of the United StatesThis first section is a dignified presentation of the Preamble to the Constitution.II. Amendment IThe second section is the First Amendment to the Constitution. It begins playfully and festively, reflecting the joyful intent of enacting and living by the Constitution's First Amendment freedoms. The section becomes somber and contemplative, though, suggesting the struggles, pain and sacrifices we've endured, and are still enduring, as we continue to interpret this amendment and live by its words. The section's end recalls the joyful, pleasant aspects of living by the First Amendment.III. The Gettysburg AddressThe text of the first and second sections is the cornerstone of how we live and the values we profess. This third section, the first paragraph of Abraham Lincoln's stirring speech, reminds us of our hopes for our country and way of life.Audiences will be standing and cheering at this work's moving finish. The enduring truths of the text, our reverence for these words, and our vigorous aspirations to interpret them make this stirring piece an everlasting program choice and a delight for performers and audiences.
$2.50 ≈
2.31€
We the People of the United States
We the People of the United States
#
Arthur J
#
We the People of the United St
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band & chorus - Grade 3 - SKU: IZ.CBS176 Composed by Arthur J. Michaels. Score and Parts. 123 pages. Imagine Music - Digital #CBS176. Published ...
(+)
Concert band & chorus - Grade 3 - SKU: IZ.CBS176 Composed by Arthur J. Michaels. Score and Parts. 123 pages. Imagine Music - Digital #CBS176. Published by Imagine Music - Digital (IZ.CBS176). 9 x 12 in inches.We the People of the United States lets singers and instrumentalists sing and play their hearts out. It's an excellent choice for any program in which directors want to feature a chorus with a concert band. This inspiring piece also makes an excellent spring concert or festival closer, worthy of becoming a music festival's traditional final work with combined instrumental and choral groups.This piece features three sections:I. We the People of the United StatesThis first section is a dignified presentation of the Preamble to the Constitution.II. Amendment IThe second section is the First Amendment to the Constitution. It begins playfully and festively, reflecting the joyful intent of enacting and living by the Constitution's First Amendment freedoms. The section becomes somber and contemplative, though, suggesting the struggles, pain and sacrifices we've endured, and are still enduring, as we continue to interpret this amendment and live by its words. The section's end recalls the joyful, pleasant aspects of living by the First Amendment.III. The Gettysburg AddressThe text of the first and second sections is the cornerstone of how we live and the values we profess. This third section, the first paragraph of Abraham Lincoln's stirring speech, reminds us of our hopes for our country and way of life.Audiences will be standing and cheering at this work's moving finish. The enduring truths of the text, our reverence for these words, and our vigorous aspirations to interpret them make this stirring piece an everlasting program choice and a delight for performers and audiences.This item does NOT contain the choral score.
$75.00 ≈
69.35€
Bobby Shaftoe (clarinet and piano)
Bobby Shaftoe (clarinet and piano)
#
Traditional
#
David Warin Solomons
#
Bobby Shaftoe
#
David Warin Solomons
#
SheetMusicPlus
Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.575730 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score an...
(+)
Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.575730 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and individual part. 6 pages. David Warin Solomons #2027855. Published by David Warin Solomons (A0.575730). Variations on Bobby Shaftoe, which is a traditional English folk song about a sailor who leaves his girlfriend for the seafaring life, but she is still hoping for his return. The pdf file contains score and separate melody instrument part. This is the second in a series of seven folk song variations for the same combination of instruments The complete series comprises: 1. Gilderoy 2. Bobby Shaftoe 3. David of the White Rock 4. Hunting the Hare 5. I have a bonnet 6. The Scottish banana 7. A Hoe-Down in The Ash Grove.
$5.00 ≈
4.62€
Fruit Punch; A Light Calypso for Junior Strings with score, parts
Fruit Punch; A Light Calypso for Junior Strings with score, parts
#
D F Wainwright
#
Fruit Punch; A Light Calypso f
#
D F Wainwright
#
SheetMusicPlus
Piano Quintet,String Ensemble - Level 2 - SKU: A0.771497 Composed by D F Wainwright. Children,Latin. Score and parts. 8 pages. D F Wainwright #3485697. ...
(+)
Piano Quintet,String Ensemble - Level 2 - SKU: A0.771497 Composed by D F Wainwright. Children,Latin. Score and parts. 8 pages. D F Wainwright #3485697. Published by D F Wainwright (A0.771497). This little oeuvre started life as a score for a junior steelband I used to run. It could still be used as such, with violin 1 as lead tenor pan, violin 2 as second tenor, viola as Guitar pans and cello as Cello & Bass pans. It lasts 1 min 45 sec so it's an ideal item for a junior string group in a school concert
$6.99 ≈
6.46€
Poème
Poème
#
Zdenek Fibich
#
Wolfgang Birtel
#
Poème
#
Schott Music - Digital
#
SheetMusicPlus
Saxophone in Eb and piano - intermediate - SKU: S9.Q15272 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. Thi...
(+)
Saxophone in Eb and piano - intermediate - SKU: S9.Q15272 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15272. Published by Schott Music - Digital (S9.Q15272). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99 ≈
4.61€
Mother to Son (Downloadable)
Mother to Son (Downloadable)
#
Gospel Spirituel
#
Gwyneth W
#
Mother to Son
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Women's choir (SA) and piano - Moderately Easy - SKU: MQ.8678-E Composed by Gwyneth W. Walker. African American Heritage. Instrument part. 9 pages. Dura...
(+)
Women's choir (SA) and piano - Moderately Easy - SKU: MQ.8678-E Composed by Gwyneth W. Walker. African American Heritage. Instrument part. 9 pages. Duration 3 minutes, 45 seconds. E. C. Schirmer Music Company - Digital #8678-E. Published by E. C. Schirmer Music Company - Digital (MQ.8678-E). English.Mother to Son is based on the powerful poem by Langston Hughes. It is free verse and written in the vernacular, mimicking the patterns of speech and the diction of conversation. The mother (who speaks throughout) is a strong woman, one who has persevered and is still climbing, still surviving: 'Well, son, I'll tell you: / Life for me ain't been no crystal stair. Approachable two-part writing throughout, with an interesting yet supportive piano accompaniment.
$2.05 ≈
1.90€
Watershed
Watershed
#
Adam Grim
#
Watershed
#
Adam B. Grim
#
SheetMusicPlus
Small Ensemble Instrumental Solo,Steel Pan - Level 4 - SKU: A0.939388 Composed by Adam Grim. Multicultural,Standards,World. Individual part. 7 pages. Ad...
(+)
Small Ensemble Instrumental Solo,Steel Pan - Level 4 - SKU: A0.939388 Composed by Adam Grim. Multicultural,Standards,World. Individual part. 7 pages. Adam B. Grim #6367345. Published by Adam B. Grim (A0.939388). Watershed is a solo for low E double seconds written in the spring of 2021. With some motifs being written in 2016, this piece has been waiting a long time to be complete. The aesthetic is not of calypso or soca, but calm motions that flow like swirling water. The 7th chord motif is one that moves the work forward while still remaining harmonically stagnant, just like water flowing down a river. The glasslike water on top shows calmness and reflection, while the water below is moving and teeming with life. This is a reflection on the nature of life as a student, and is one last effort to find stasis in turbulence. This was my first solo pan work written.
$15.00 ≈
13.87€
A Woman's Work
A Woman's Work
#
Contemporain
#
Abigail Gilson
#
#
A Woman's Work
#
Abigail Gilson
#
SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1024943 Composed by Abigail Gilson. Contemporary. 6 pages. Abigail Gilson #3675493. Published by Abigail Gilson (A0.1...
(+)
Soprano voice,Vocal Solo - SKU: A0.1024943 Composed by Abigail Gilson. Contemporary. 6 pages. Abigail Gilson #3675493. Published by Abigail Gilson (A0.1024943). The final piece in the three-part song cycle, the young girl has grown up and has taken on the role of a woman. The piece itself is very slow moving, as the woman’s life has significantly slowed down, she’s no longer the young girl filled with hope, she knows what her duty is. The piano itself is always rising, sometimes in major thirds but then followed by clunky seconds and thirds. With a feeling of rush but also as if the whole piece is about to end and resolve, yet it continues in this cycle. Still, there’s reward in her work, a woman gets to see her child grow, and their dreams become her own. As any woman can tell you, there is a reward to being a good mother, wife, and woman. But it is only one that a woman can recognize.
$4.99 ≈
4.61€
<
1
Second Still Life
