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Vous avez sélectionné:
Out Of Exile
Partitions à imprimer
7 partitions trouvées
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1
Exile
Exile
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Maria Thompson Corley
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Exile
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.845962 Composed by Maria Thompson Corley. Concert. 10 pages. Maria Thompson Corley #6871039. Published by M...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.845962 Composed by Maria Thompson Corley. Concert. 10 pages. Maria Thompson Corley #6871039. Published by Maria Thompson Corley (A0.845962). Exile is AddieRose Forstman's expression of frustration about the difficulty she experienced trying to become a working classical singer after graduating with degrees from two prestigious schools. The text alternates between cliched phrases meant to be encouraging and her true feelings of being ripped at the seams and wanting to scream. It's a dissonant song, in keeping with the feeling of excruciatingly extended exile from her true craft and calling..
$9.99 ≈
£7.81
Safika: Three Tales of African Migration (string quintet)
Safika: Three Tales of African Migration (string quintet)
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Bongani Ndodana-Breen
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Safika: Three Tales of African
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Ndodana-Breen
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SheetMusicPlus
Piano Quintet,String Ensemble Piano - Level 5 - SKU: A0.928493 Composed by Bongani Ndodana-Breen. 20th Century,African,Contemporary. Score and parts. 93...
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Piano Quintet,String Ensemble Piano - Level 5 - SKU: A0.928493 Composed by Bongani Ndodana-Breen. 20th Century,African,Contemporary. Score and parts. 93 pages. Ndodana-Breen #6746413. Published by Ndodana-Breen (A0.928493). Migration, dislocation and exile have always been key themes in the historical narrative of the Black experience in South Africa. These three pieces for string quintet are personal responses/reflections to the various journeys that affected and shaped the lives of many. It can be argued that to some extent, South Africa continues to live with the sociopolitical consequences of this history of migration and dispossession.The unifying factor in all those who were touched by these journeys is memory. Remembering the lives left behind, the people, the songs, the dances, the connection to the land. Time might wear away the detail and new experiences splinter entire memories to fragments but nothing is completely erased. A certain driving rhythm, a flash of timbre, a fragment of melody, a cadence, a turn of musical phrase, even a few dance steps. These stay within as faint echoes, repeated sequences sometimes layered over each other, stuttering, staggering or sometimes as clear lyrical songs and dances, vibrant as the day first experienced. Safika means we arrived in Xhosa and in the context of these pieces, is an allegorical terminus of these journeys where reflection, affirmation and restoration begins.
$70.00 ≈
£54.73
El cant dels ocells (The song of the birds)
El cant dels ocells (The song of the birds)
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traditional Catalan Christmas
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Óliver Carrasco
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El cant dels ocells
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Olivermusic
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SheetMusicPlus
Strings Choir,High Voice - Level 2 - SKU: A0.1347402 By traditional Catalan Christmas song. By Traditional. Arranged by Óliver Carrasco. Chamber,Chr...
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Strings Choir,High Voice - Level 2 - SKU: A0.1347402 By traditional Catalan Christmas song. By Traditional. Arranged by Óliver Carrasco. Chamber,Christian,Christmas,Sacred,Traditional. 3 pages. Olivermusic #932211. Published by Olivermusic (A0.1347402). El cant dels ocells (Catalan: [É™l ˈkan dÉ™lz uˈseÊŽs], 'The Song of the Birds') is a traditional Catalan Christmas song and lullaby. It tells of nature's joy at learning of the birth of Jesus Christ in a stable in Bethlehem.[1] The song was made famous outside Catalonia by Pau Casals' instrumental version on the cello. After his exile in 1939, he would begin each of his concerts by playing this song. For this reason, it is often considered a symbol of Catalonia. (Wikipedia) Â
$5.00 ≈
£3.91
Tales of an Old Grandmother, Op. 31 for Tuba or Bass Trombone & Piano
Tales of an Old Grandmother, Op. 31 for Tuba or Bass Trombone & Piano
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Prokofiev, S
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Sauer, Ralph
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others will never be erased
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Tales of an Old Grandmother, O
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo,Piano,Tuba - Level 4 - SKU: A0.810903 Composed by Prokofiev, S. Arranged by Sauer, Ralph. 20th Century. Score and indivi...
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Bass Trombone,Instrumental Solo,Piano,Tuba - Level 4 - SKU: A0.810903 Composed by Prokofiev, S. Arranged by Sauer, Ralph. 20th Century. Score and individual part. 15 pages. Gordon Cherry #3676427. Published by Gordon Cherry (A0.810903). • Also known as Four Grandmother Songs and Old Granny Tales, this work was composed in New York in 1918 at the beginning of the composer’s self- imposed exile from Russia after its Revolution.• These short pieces were immediately successful and were performed worldwide.• In the epigraph to this work Prokofiev wrote, Some recollections had become half erased from her memory; others will never be erased.• Mr. Sauer once again, has produced a magnificent new work for Tuba or Bass Trombone & Piano.• This work with its great character is a joy to perform, about 8 - 9 minutes in length for moderately advanced performers.
$17.50 ≈
£13.68
de Vitry: Garrit gallus/In nova fert for Brass Trio
de Vitry: Garrit gallus/In nova fert for Brass Trio
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Philippe De Vitry
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James M
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de Vitry: Garrit gallus/In nov
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jmsgu3
#
SheetMusicPlus
Cornet,Horn,Trombone - Level 3 - SKU: A0.1347457 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Instructional...
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Cornet,Horn,Trombone - Level 3 - SKU: A0.1347457 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Instructional,Traditional. 15 pages. Jmsgu3 #932258. Published by jmsgu3 (A0.1347457). Philippe de Vitry's Garrit gallus/In nova fert is significant in its historical and musical importance. Composed around 1315, it is one of the earlier works of the Ars Nova, marking a stylistic change in medieval music. The motet is complex, using multiple texts sung simultaneously, isorhythm, and unusual harmonies, which required a new notational system of red ink coloration to indicate the duple. The motet's text is drawn from the opening lines in the two top voices, and it is suggested that it makes a statement about the exile of French Christians, similar to the Jews from their homeland in the Old Testament, and the corrupt leadership at the time. It may make a strong political statement about the corrupt leadership at the time, as it is part of the Roman de Fauvel. This animal fable satirizes the political situation in Paris.Philippe de Vitry, a French composer-poet, bishop, and music theorist, is known for his significant contributions to late medieval music. In the last decade of his life, from 1351 to 1361, he served as the Bishop of Meaux, near Paris. This appointment was the crowning event of his court and church career. As a bishop, Vitry's accomplishments were primarily in the musical and literary domains. He was an innovative and influential composer, widely acknowledged as a leading musician of his day, and his treatise Ars Nova became a rallying cry for all modern composers after about 1320. Additionally, he was known for his French poetry set to music, creating a new style of song, anticipating the work of Guillaume de Machaut. While his tenure as a bishop was relatively short, his lasting impact was in music and poetry.
$24.95 ≈
£19.51
de Vitry: Hugo princeps/Cum structura for Brass Trio
de Vitry: Hugo princeps/Cum structura for Brass Trio
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Philippe De Vitry
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James M
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de Vitry: Hugo princeps/Cum st
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jmsgu3
#
SheetMusicPlus
Cornet,Horn,Trombone - Level 3 - SKU: A0.1347512 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Trad...
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Cornet,Horn,Trombone - Level 3 - SKU: A0.1347512 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Traditional. 6 pages. Jmsgu3 #932321. Published by jmsgu3 (A0.1347512). The motet Hugo, Hugo, princeps by Philippe de Vitry is significant for its musical innovation and potential political connotations. The motet's text is drawn from the opening lines in the two top voices, and it is suggested that it makes a strong political statement about the exile of French Christians, similar to the Jews from their homeland in the Old Testament and the corrupt leadership at the time. Additionally, the motet employs elements that de Vitry helped develop early in the 14th century, which would later characterize the Ars Nova period in music. Therefore, Hugo, Hugo, princeps is notable for its musical and potentially political significance.The term Hugo princeps in Philippe de Vitry's motet is believed to refer to a specific individual named Hugo, potentially with political connotations. The term princeps in the motet's title may imply a reference to a leader or prince. When combined with the context of the text, it likely carries a symbolic or allegorical meaning related to that period's political and social environment. The term Cum structura in Hugo princepsCum structura is a musical term that translates to with structure in English. In the context of Philippe de Vitry's motet, it likely denotes the structural complexity and organization of the musical composition. This term reflects the meticulous and innovative musical construction for which Vitry's works are known, particularly during the Ars Nova period in the 14th century.Philippe de Vitry, a French composer-poet, bishop, and music theorist, is known for his significant contributions to late medieval music. In the last decade of his life, from 1351 to 1361, he served as the Bishop of Meaux, near Paris. This appointment was the crowning event of his court and church career. As a bishop, Vitry's accomplishments were primarily in the musical and literary domains. He was an innovative and influential composer, widely acknowledged as a leading musician of his day, and his treatise Ars Nova became a rallying cry for all modern composers after about 1320. Additionally, he was known for his French poetry set to music, creating a new style of song, anticipating the work of Guillaume de Machaut. While his tenure as a bishop was relatively short, his lasting impact was in music and poetry.
$24.95 ≈
£19.51
L'Shana Haba'ah B'Yerushalayim. EASY piano tutorial.
L'Shana Haba'ah B'Yerushalayim. EASY piano tutorial.
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Folk
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Rivka Sloboder
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L'Shana Haba'ah B'Yerushalayim
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Rivka Sloboder
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SheetMusicPlus
Instrumental Solo,Piano,Song Flute - Level 2 - SKU: A0.840672 Composed by Folk. Arranged by Rivka Sloboder. Jewish,Multicultural,Wedding,World. Score an...
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Instrumental Solo,Piano,Song Flute - Level 2 - SKU: A0.840672 Composed by Folk. Arranged by Rivka Sloboder. Jewish,Multicultural,Wedding,World. Score and individual part. 2 pages. Rivka Sloboder #5732439. Published by Rivka Sloboder (A0.840672). Easy piano duet arrangement in Dm, 4/4 with chords.About the song: ×œ×©× ×” הב××” בירושלי×‎ (Next year in Jerusalem is a phrase that is often sung at the end of the Passover Seder and at the end of the Ne'ila service on Yom Kippur. L'Shana Haba'ah evokes a common theme in Jewish culture of a desire to return to a rebuilt Jerusalem, and commentators have suggested that it serves as a reminder of the experience of living in exile).
$6.00 ≈
£4.69
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