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Vous avez sélectionné:
Open Hands
Partitions à imprimer
28 partitions trouvées
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1
26
Hands Of Love
Hands Of Love
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Pop musique
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Linda Perry
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Melanie Morris
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Hands Of Love
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Melanie Morris
#
SheetMusicPlus
Choral Alto Voice,Piano and Keyboard,Soprano voice - Level 3 - Interactive Download SKU: A0.492990 Composed by Linda Perry. Arranged by Melanie Morris. T...
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Choral Alto Voice,Piano and Keyboard,Soprano voice - Level 3 - Interactive Download SKU: A0.492990 Composed by Linda Perry. Arranged by Melanie Morris. This edition: Interactive Download. Pop. Octavo. Duration 233. Melanie Morris #46lPpe7MbQmY7Gr5kzISqh. Published by Melanie Morris (A0.492990). Key: F major.Email melanie.morris343@gmail.com with questions! Studio version is on Spotify under Encore A Cappella https://open.spotify.com/track/6JCXcAfRMUNcsiXjhz229l?si=03d91a9517b143b5.
$2.50 ≈
£1.97
Come Thou Fount of Every Blessing (4-Hands PIANO Levels 5 and 5)
Come Thou Fount of Every Blessing (4-Hands PIANO Levels 5 and 5)
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Celtique/Irlandais
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Asahel Nettleton
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Dr Jerry Nelson
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Piano I is at 
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Come Thou Fount of Every Bless
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Jerry Nelson
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.874891 Composed by Asahel Nettleton. Arranged by Dr Jerry Nelson. Celtic,Irish,Jazz,Sacred. 1 pages. Jerr...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.874891 Composed by Asahel Nettleton. Arranged by Dr Jerry Nelson. Celtic,Irish,Jazz,Sacred. 1 pages. Jerry Nelson #3636477. Published by Jerry Nelson (A0.874891). This arrangement may be played as a Standalone or you may use the stunning Full Orchestra Accompaniment Track (Item #SO.414705). Piano I is at Level 5. Piano II at Level 5.This striking arrangement opens gently. But hold on – A lilting 12/8 Celtic-Jazz groove kicks in, interrupted occasionally by an 8/8 bar. (Time 2:50).
$5.99 ≈
£4.71
Handsome Man
Handsome Man
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Pop musique
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Deevoy, Guy Chambers, and Robb
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Louis Davies
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Handsome Man
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LouD Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1156511 Composed by Deevoy, Guy Chambers, and Robbie Williams. Arranged by Louis Davies. Pop. Brass Band. 27 pages. LouD Music #756835. Published by LouD Music (A0.1156511). A Small Brass Group arrangement of 'Handsome Man', by Robbie Williams, which features on his 2002 Album, Escapology. A brilliant opening number, guaranteed to get your audience listening right from the very start!
$30.00 ≈
£23.60
And She Flew
And She Flew
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Contemporain
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Paul Burnell
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And She Flew
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Paul Burnell
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SheetMusicPlus
Small Ensemble Hand Percussion,Voice - Level 3 - SKU: A0.835774 Composed by Paul Burnell. Contemporary. Score and parts. 3 pages. Paul Burnell #3214065....
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Small Ensemble Hand Percussion,Voice - Level 3 - SKU: A0.835774 Composed by Paul Burnell. Contemporary. Score and parts. 3 pages. Paul Burnell #3214065. Published by Paul Burnell (A0.835774). For voice and hands (optional percussion/instruments) The performer speaks rhythmically and at the same time rubs together the palms of their hands, or sandpaper blocks, with the same spoken rhythm and also where marked in the text with dashes (- - - - -). The bracketed direction (open hands) is not spoken, but is an indication to the performer to open their hands wide as a dramatic gesture. Examples of optional instruments - all playing a very quiet tremolo: Three players on low drums with soft sticksAny three low notes on marimba or vibraphoneThree groups of strings quite drumming fingers on the instrument bodies. The three players/groups enter as indicated in relation to the text - [1], [2], [3] - and stop, fade, crescendo where indicated. Programme note: ‘And She Flew’ was composed by Paul Burnell in 2006 and was first performed by percussionist Chris Brannick. The piece can be performed as a solo or together with accompanying instruments playing a quiet tremolo.
$1.99 ≈
£1.57
Empty Hands, Open Arms - Orchestral Score and CD with Printable Parts - Digital
Empty Hands, Open Arms - Orchestral Score and CD with Printable Parts - Digital
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Musique Sacrée
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Lloyd Larson
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Empty Hands, Open Arms - Orche
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SKU: LX.30-2853L Composed by Lloyd Larson. Sacred Anthem. Digital. 75 pages. Lorenz Publishing - Digital Sheet Music #e30/2853L. Published by Lorenz Pub...
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SKU: LX.30-2853L Composed by Lloyd Larson. Sacred Anthem. Digital. 75 pages. Lorenz Publishing - Digital Sheet Music #e30/2853L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2853L). Orchestrated by Michael Lawrence.Whether on the mountain's height or the valley's deepest maze, I place my trust in You. Lord, lead me in your ways. This expressive original Lloyd Larson anthem is a hymn of trust, asking for God's guidance through all of life's journeys. Perfect for use throughout the year, this tender selection is enhanced by a skillfully crafted optional orchestration. Instrumentation: 2 Fl, Ob, 2 Cl, Bsn (sub B Cl), 2 Hn (sub A Sax), 3 Tpt, 2 Tbn (sub T Sax), Tuba, Harp, Pno, Perc, Timp, 2 Vln, Vla, Cello, Bass, Digital String Reduction.
$69.95 ≈
£55.02
Paul Baloche: Open The Eyes Of My Heart - piano four hands
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Paul Baloche
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Virtualsheetmusic
Instantly printable sheet music by Paul Baloche for piano four hands of MEDIUM skill level. / christian,pop,rock,praise & worship
Instantly printable sheet music by Paul Baloche for piano four hands of MEDIUM skill level. / christian,pop,rock,praise & worship
$8.97 ≈
£7.06
Stephansdom for Solo Bass Trombone & Trombone Choir
Stephansdom for Solo Bass Trombone & Trombone Choir
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Contemporain
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Diefendorfer, Ryan
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Diefendorfer, Ryan
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Stephansdom for Solo Bass Trom
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Bass Trombone - Level 5 - SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score...
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Small Ensemble Bass Trombone - Level 5 - SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score and parts. 60 pages. Gordon Cherry #4803763. Published by Gordon Cherry (A0.792274). Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition. St. Stephen’s Cathedral, also known as Stephansdom, is one of Vienna’s most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna’s skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them I. Groundbreaking The first movement depicts the troubles that St. Stephen’s Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen’s was first constructed in 1137, during the Romanesque era. However, the church faced many issues-from being destroyed by the Babenberg Empire to being decimated by a fire-before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord. II. Steffl Steffl, the nickname for Stephansdom’s soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom’s north tower is the tallest structure in Vienna, and distinctly stands out within Vienna’s skyline. III. 1945 As World War II was coming to a close in 1945, Stephansdom’s roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom’s great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945. IV. Anton Pilgrim Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen’s Cathedral in the Gothic style. One of his most famous projects was the St. Stephen’s organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese’s love for Anton Pilgrim, as well as Stephansdom, one of Vienna’s most iconic sights. This work of 12 minutes in length is appropriate for advanced performers.
$27.50 ≈
£21.63
O. H. B. (Brass band)
O. H. B. (Brass band)
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Mike Lyons
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O. H. B.
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Lyons Music Services
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.767079 Composed by Mike Lyons. 20th Century,Standards. Brass Band. 81 pages. Lyons Music Services #519501. Published by Lyons Music Services (A0.767079). An original concert march written for and dedicated to my very good friends at Old Hall Brass. It has a traditional march format after an optional fun opening. The first section is a bit like an orchestra tuning up. The band should walk on at different times and start tuning up while the percussion make noises. The MD should walk on briskly after everyone else and bring his hands up at which point the band should immediately stop what they are doing and get ready to play on the downbeat. From then on it is straightforward. It can be used to open either half of a concert and the messing about can be missed out altogether.
$25.00 ≈
£19.67
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
£7.87
Five Short Variations on Shenandoah, Revised
Five Short Variations on Shenandoah, Revised
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American Folk Song
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Tuaimanu Byron Petaia
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Five Short Variations on Shena
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Tuaimanu Byron Petaia
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.493772 Composed by American Folk Song. Arranged by Tuaimanu Byron Petaia. Classical,Contemporary,Folk. Individual ...
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Instrumental Solo - Level 5 - SKU: A0.493772 Composed by American Folk Song. Arranged by Tuaimanu Byron Petaia. Classical,Contemporary,Folk. Individual part. 23 pages. Tuaimanu Byron Petaia #108580. Published by Tuaimanu Byron Petaia (A0.493772). As a disclaimer: This piece is best suited to pianists with larger hands. It is common to find the left hand playing a tenth with the perfect fifth above the bass in between (i.e. C-G-E). In general, the fast movements are very technically demanding, and while lyricism dominates the first two movements, the large chords definitely add a couple layers of difficulty! I still hope you enjoy them!I wrote my set of variations as a way to explore a variety of ways by which I could accompany the folk tune, Shenandoah. With the first two variations, I chose to stick to the decidedly lyrical disposition of the original tune, while the last three variations are recast in a more boisterous and upbeat light. In all variations, I did my best to write in a way that evoked the feeling of Americana (I tried not to limit myself to stereotypical depictions of Shenandoah, and yet I wanted to ensure I maintained a respect for the source material). Thus, one variation, I attempted to transplant the melody into the vast openness of the unexplored West (variation three). In another, I tried to utilize harmonies that were reminiscent of Jazz (variation two). The final variation's intended affect is one of general optimism that characterizes America's trajectory from infancy to today.
$6.99 ≈
£5.50
Brightest and Best
Brightest and Best
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STAR IN THE EAST
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Dillon Ekle
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Brightest and Best
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Dillon Ekle
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.966751 Composed by STAR IN THE EAST (from The Southern Harmony). Arranged by Dillon Ekle. ...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.966751 Composed by STAR IN THE EAST (from The Southern Harmony). Arranged by Dillon Ekle. 20th Century,Christian,Christmas,Sacred. Score and parts. 9 pages. Dillon Ekle #3068529. Published by Dillon Ekle (A0.966751). Brightest and Best is an original piece based on the hymn tune STAR IN THE EAST (from The Southern Harmony), most commonly used with the text Brightest and Best of the Sons of the Morning. As such, the arrangement is well suited to use in the Christmas and Epiphany seasons. However, the tune's general appeal make it a great addition to worship in any season, as well as use in concert or recital settings.In addition to the main hymn melody, this piece is woven through with original counter melodies and rich harmonies. Through much of the piece, flowing, running 8th notes and rhythmic bass lines maintain motion beneath the soaring melody. The second verse slows down with a quarter note motif reminiscent of change-ringing bells, keeping an open and ethereal sound with building anticipation before the interlude melodies return in full force for the conclusion.Most of these features and ideas appear in both the secondo and primo parts in this 1-piano, 4-hands piece. Both parts are of similar difficulty, and because the melodies are found anywhere from the middle voices to the top voices, care is needed to keep the ensemble balanced at all times for a musical performance.A preview performance can be found here: https://www.youtube.com/watch?v=DnIo4rnHizUThe PDF file is formatted to be printed double-sided. Once printed and bound, odd numbered pages (including the cover page) should be on the right (where the primo player sits), and even numbered pages should be on the left (where the secondo player sits). Alternatively, if two pianos are being used, the file can be printed single-sided and the parts separated out; the primo player will have the odd numbered pages, and the secondo player will have the even numbered pages.
$4.99 ≈
£3.93
Playing with Scales
Playing with Scales
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richa...
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Guitar - Level 2 - SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99 ≈
£3.93
Orb
Orb
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William Suit
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Orb
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William Suit
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SheetMusicPlus
Instrumental Duet Instrumental Duet - SKU: A0.1018869 Composed by William Suit. Contemporary,Standards. Score and parts. 6 pages. William Suit #6826107....
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Instrumental Duet Instrumental Duet - SKU: A0.1018869 Composed by William Suit. Contemporary,Standards. Score and parts. 6 pages. William Suit #6826107. Published by William Suit (A0.1018869). A mysterious duet for piano. Orb will open the imagination of your audience as four hands sew a thread of interweaving phrases into a story of intrigue. Written for intermediate to advanced players.
$2.99 ≈
£2.35
Sonata Hymnica No. 7 - Score Only
Sonata Hymnica No. 7 - Score Only
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Musique Sacrée
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James Siddons
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Sonata Hymnica No. 7 - Score O
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James Siddons Music and Writings
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1033406 Composed by James Siddons. 20th Century,Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 36...
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Small Ensemble - Level 4 - SKU: A0.1033406 Composed by James Siddons. 20th Century,Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 36 pages. James Siddons Music and Writings #637186. Published by James Siddons Music and Writings (A0.1033406). The Sonata Hymnica series by composer-pianist James Siddons explores the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies and their words. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, at times whispering---as a sacred harp. In Sonata Hymnica No. 7, which calls for a soprano soloist, liturgical dancers, and two pianos (4 hands), three 19th-century hymns (words and music) serve as core material from which the music is developed. Movement I, “Climbing Higher,†is based on the African American spiritual “We Are Climbing Jacob’s Ladder.†The sustained chords, open harmony, and hammer-stroke rhythm evoke the ascent of a mountain climber. Movement II, “The Solid Rock,†is based on the hymn “My Hope is Built on Nothing Less†(1834) . The soprano sings brief lines from the hymn, interspersed with long passages for the pianos (only) that explore many tonal and rhythmic qualities of the original hymn tune. The driving harmony, albeit in duple meter, makes this the scherzo movement of this sonata. Movement III, “On Snowy Wings,†is based on “O Come, Angel Band†by the New England Methodist preacher Jefferson Hascall (1807-1887). In addition to the soprano singer, the appearance of liturgical dancers as angels with “snowy wings†brings this old hymn into the 21st century. Performance duration: 16 minutes.
$10.00 ≈
£7.87
Asiago
Asiago
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Bertold Hummel
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Asiago
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Schott Music - Digital
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SheetMusicPlus
Schlagzeug: Triangel - 4 Becken - Nietenbecken - Gong - Tamtam - Chimes - Kuhglocke - 2 Bongos - 2 Tomtoms - Tempelblocks - Kleine Trommel - Vibraslap - Vibraph...
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Schlagzeug: Triangel - 4 Becken - Nietenbecken - Gong - Tamtam - Chimes - Kuhglocke - 2 Bongos - 2 Tomtoms - Tempelblocks - Kleine Trommel - Vibraslap - Vibraphon percussion and cello - difficult - SKU: S9.Q6118 For Percussion and Violoncello. Composed by Bertold Hummel. This edition: score and parts. Downloadable, Score and parts. Op. 107 b. Duration 16 minutes. Schott Music - Digital #Q6118. Published by Schott Music - Digital (S9.Q6118). In summer 2001, Bertold Hummel composed the present work as a commission for the Asiago Festival and brought together in the grand dimensions of his 'Fantasy in one movement' - as he himself termed it - for the first time the instruments he had always loved much during his life. Asiago - the letters a-s-a-g, corresponding to the notes a, e-flat, a, g in the German musical scale, open and close the work - is a successful excursion into the complex sound combinations of percussion instruments and the mystical, sensuous tone of the violoncello, whereby the stringed instrument occasionally takes on a percussive role and the percussion is sometimes treated like a bowed. Driving rhythms pursue each other, alternating with meditative moments. Chorale fragments lead to a grand cadenza, in which the instrumentalists have the opportunity, following patterns provided, for free improvisation. The première of this work took place on 5th August, 2001 in the Duomo di S. Matteo in Asiago in northern Italy and was in the hands of Peter Sadlo and Julius Berger, who are amongst the most committed exponents of Bertold Hummel's works.Asiago is an effective examination of the wide range of possible tonal combinations between percussion instruments and the mystic and sensuous colouring of the violoncello, in which the string instrument is at times treated percussively and the percussion instruments in the manner of a string instrument. Furious rhythms alternate with meditative passages and choral fragments culminate in a large-scale cadenza in which the instrumentalists have the opportunity of free improvisation on the basis of specified models.
$19.99 ≈
£15.72
Shenandoah
Shenandoah
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Mack Wilberg
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Shenandoah
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Oxford University Press Digital
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SheetMusicPlus
SA choir and piano four-hands, or orchestra - SKU: OX.9780193536562 Composed by Mack Wilberg. Sheet music. Octavo. 12 pages. Oxford University Press Dig...
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SA choir and piano four-hands, or orchestra - SKU: OX.9780193536562 Composed by Mack Wilberg. Sheet music. Octavo. 12 pages. Oxford University Press Digital #9780193536562. Published by Oxford University Press Digital (OX.9780193536562). ISBN 9780193536562.For SA and piano four-hands, or orchestra This lovely arrangement of the popular American folk song perfectly captures the sense of loss and longing in the words. From the gentle unison opening, the music builds up through a range of textures and harmonies to a rich climax, before gently relaxing for a quietly evocative close. There is also a version for SATB. Orchestral material is available on hire from the publisher.
$4.00 ≈
£3.15
Shenandoah
Shenandoah
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Mack Wilberg
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Shenandoah
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Oxford University Press Digital
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SheetMusicPlus
SA & piano four-hands, or orchestra - SKU: OX.9780193525573 Composed by Mack Wilberg. Sheet music. Octavo. 12 pages. Duration 4.5'. Oxford University Pr...
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SA & piano four-hands, or orchestra - SKU: OX.9780193525573 Composed by Mack Wilberg. Sheet music. Octavo. 12 pages. Duration 4.5'. Oxford University Press Digital #9780193525573. Published by Oxford University Press Digital (OX.9780193525573). ISBN 9780193525573.For SA and piano four-hands, or orchestra This lovely arrangement of the popular American folk song perfectly captures the sense of loss and longing in the words. From the gentle unison opening, the music builds up through a range of textures and harmonies to a rich climax, before gently relaxing for a quietly evocative close. There is also a version for SATB. Orchestral material is available on hire from the publisher.
$4.00 ≈
£3.15
Blithe Bells
Blithe Bells
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George Percy Aldridge Grainger
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Blithe Bells
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Schott Music - Digital
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SheetMusicPlus
2 pianos (4 hands) - SKU: S9.Q6352 A free ramble on J. S. Bach's aria Sheep may Graze in Safety. Composed by George Percy Aldridge Grainger. This...
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2 pianos (4 hands) - SKU: S9.Q6352 A free ramble on J. S. Bach's aria Sheep may Graze in Safety. Composed by George Percy Aldridge Grainger. This edition: Sheet music. Downloadable. Duration 3:30. Schott Music - Digital #Q6352. Published by Schott Music - Digital (S9.Q6352). A free ramble by Percy Grainger on Bach's aria Sheep may graze in safety when a goodly shepherd watches o'er them (from the Secular Cantata Was mir behagt, ist nur die muntre Jagd). The ramble is coloured by the thought that Bach, in writing the melody in thirds that opens and closes the number, may have aimed at giving a hint of the sound of sheep bells.
$6.99 ≈
£5.50
The Power of Positivity (Piano Accompaniment/Rehearsal Track)
The Power of Positivity (Piano Accompaniment/Rehearsal Track)
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Carol Troutman Wiggins
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The Power of Positivity
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Carol Troutman Wiggins
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SheetMusicPlus
Bass Guitar,Choir,Piano - SKU: A0.1065489 Composed by Carol Troutman Wiggins. Instructional,Rock,Standards. Accompaniment. Duration 154. Carol Troutman ...
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Bass Guitar,Choir,Piano - SKU: A0.1065489 Composed by Carol Troutman Wiggins. Instructional,Rock,Standards. Accompaniment. Duration 154. Carol Troutman Wiggins #3428991. Published by Carol Troutman Wiggins (A0.1065489). THE POWER OF POSITIVITY (Piano Accompaniment/Rehearsal Track)SA/2-Part Mixed Voices w/Optional Hand ClapsNeed a quick and VERY easy upbeat, rocking song for an opener or a closer that will bring down the house? The Power of Positivity encourages the message of positivity, brushing off negativity, shaking hands, smiling, and making the world a better place!Excellent for upper elementary, middle school, or even high school studentsDriving, exciting old-time rock & roll beatAdd hand claps at the end for a dramatic, rhythmic ending!Easy harmony & melodyRepetitive lyricsCanon-style sectionIntermediate level accompanimentChords included for additional instruments (Add guitar, bass, & drums!)Hand clap cues included on score.
$5.99 ≈
£4.71
In The Stone
In The Stone
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Earth Wind and Fire
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John Barber
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In The Stone
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John Barber
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1033745 By Earth Wind and Fire. By David Foster, Allee Willis, Maurice White. Arranged by John Barber. Broadway,Contest,Disco,Festival,Musical/Show,Pop. Brass Band. 69 pages. John Barber #639064. Published by John Barber (A0.1033745). A fantastic upbeat concert opener! An arrangment of Earth Wind and Fire's classic In the Stone for Brass Band that will get toes and hands clapping!
$35.00 ≈
£27.53
Der Minuten-Tristan
Der Minuten-Tristan
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Enjott Schneider
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Der Minuten-Tristan
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Schott Music - Digital
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SheetMusicPlus
2 pianos (4 hands) - SKU: S9.Q18573 For two pianos. Composed by Enjott Schneider. This edition: performance score. Downloadable, Performance scor...
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2 pianos (4 hands) - SKU: S9.Q18573 For two pianos. Composed by Enjott Schneider. This edition: performance score. Downloadable, Performance score. Duration 6 minutes. Schott Music - Digital #Q18573. Published by Schott Music - Digital (S9.Q18573). In time for the 200th birthday of Richard Wagner, Enjott Schneider has presented his 'Minuten-Tristan' in a version for two pianos. Originally composed for a dozen pianos, 'Minuten-Tristan' presents the highlights of Wagner's monumental work in a daring tour de force of no more than five minutes, bringing amazing things to light: The Tristan chord shows its true harmonic calling in the tango, while the opening bars lead to a lively ragtime and the tragic Liebestod occurs in bright three-four time. This piece is a witty parodistic tribute, full of humour and affectionate mockery, to the famous composer.This paraphrase on Wagner’s Tristan und Isolde was composed and spectacularly performed for the re-opening of the Prinzregententheater in Munich on 8 November 1996. In a mere 6 minutes, the Wagnerian epic is presented in a colourful bouquet of tango, ragtime and waltz in a humorous but provocative form. Enjott Schneider.
$23.99 ≈
£18.87
Prelude / Outer Space / Radar
Prelude / Outer Space / Radar
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Bernard Herrmann
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Christopher Norby
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Prelude / Outer Space / Radar
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Christopher Norby
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1429488 Composed by Bernard Herrmann. Arranged by Christopher Norby. 20th Century,Film/TV,Thriller. Scor...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1429488 Composed by Bernard Herrmann. Arranged by Christopher Norby. 20th Century,Film/TV,Thriller. Score. 15 pages. Christopher Norby #1010183. Published by Christopher Norby (A0.1429488). Fun two piano version of the opening tracks from The Day the Earth Stood Still. Composed by Bernard Herrmann.
$4.99 ≈
£3.93
At Your Name (Yahweh, Yahweh)
At Your Name (Yahweh, Yahweh)
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Musique Sacrée
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Phil Wickham and Tim Hughes
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Michael Lawrence
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Choral Octavo
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At Your Name
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred Instrumental Ensemble - SKU: JX.00-37668 Composed by Phil Wickham and Tim Hughes. Arranged by Michael Lawrence. This edition: InstruPax. Ch...
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Choir Sacred Instrumental Ensemble - SKU: JX.00-37668 Composed by Phil Wickham and Tim Hughes. Arranged by Michael Lawrence. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred SingPraise Series. Sacred. Part(s). 47 pages. Jubilate Music Group - Digital #00-37668. Published by Jubilate Music Group - Digital (JX.00-37668). English.In the hands of premiere arranger Michael Lawrence, this popular Hughes/Wickham song becomes a great all-purpose anthem suitable for worship anytime during the year. Its awe-filled opening lifts toward an ennobled, magnificent chorus which will raise the rafters of any church service. Related Scripture: Exodus 3:14-15; Deuteronomy 6:4; Philippians 9:2-11; John 10:11.
$60.00 ≈
£47.20
The Silent Choir (or who was that masked choir?)
The Silent Choir (or who was that masked choir?)
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Contemporain
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Pete Deshler
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The Silent Choir
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Pete Deshler
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SheetMusicPlus
Choral Choir (4-Part) - SKU: A0.905181 Composed by Pete Deshler. Contemporary. Octavo. 6 pages. Pete Deshler #6210029. Published by Pete Deshler (A0.905...
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Choral Choir (4-Part) - SKU: A0.905181 Composed by Pete Deshler. Contemporary. Octavo. 6 pages. Pete Deshler #6210029. Published by Pete Deshler (A0.905181). An original composition in four parts for body percussion. This piece is meant to signify the frustration felt by choral singers during the COVID-19 pandemic. Although the situation is serious and stressful, this piece is meant to be humorous. Humor is sometimes our best defense during stressful times. The piece uses several body percussion techniques: step, a palm drag on the thighs (using both hands) and a pat on the thigh. It also uses choral folders as percussion instruments. The folder techniques are: closing the folder, opening the folder, tapping the folder on the knees and dropping the folder on the floor. A choral sigh is also included at the end of the piece.
$1.99 ≈
£1.57
Never Will I Marry
Never Will I Marry
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Contemporain
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Frank Loesser
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John Wasson
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Never Will I Marry
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John Wasson Music
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SheetMusicPlus
Rhythm Section 1 Piano,4 Hands,Bass Trombone,Guitar - Level 4 - SKU: A0.939349 Composed by Frank Loesser. Arranged by John Wasson. Contemporary. 54 page...
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Rhythm Section 1 Piano,4 Hands,Bass Trombone,Guitar - Level 4 - SKU: A0.939349 Composed by Frank Loesser. Arranged by John Wasson. Contemporary. 54 pages. John Wasson Music #6115263. Published by John Wasson Music (A0.939349). The opening track on the Them Bones CD release You Asked For It! is finally available as an arrangement for your trombonists.
$30.00 ≈
£23.60
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