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Concerto for Piccolo
Non classifié
51
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Vous avez sélectionné:
Concerto for Piccolo
Partitions à imprimer
51 partitions trouvées
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Bach: Bist du bei mir BWV 508 for Piccolo & Piano
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standa...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95 ≈
$44.95
Concerto for Piccolo Solo and Chamber Orchestra (Piano/Piccolo Score & Part)
Concerto for Piccolo Solo and Chamber Orchestra (Piano/Piccolo Score & Part)
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Su Lian Tan
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Concerto for Piccolo Solo and
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Piccolo solo and chamber orchestra (1 1 1 1 — 2 1 1 0 — tmp+2 — str — Solo Piccolo) - Professional - SKU: MQ.8962-E Composed...
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Piccolo solo and chamber orchestra (1 1 1 1 — 2 1 1 0 — tmp+2 — str — Solo Piccolo) - Professional - SKU: MQ.8962-E Composed by Su Lian Tan. 40 pages. E. C. Schirmer Music Company - Digital #8962-E. Published by E. C. Schirmer Music Company - Digital (MQ.8962-E). In the first movement sweeping gestures herald the arrival of the hero. Powerful statements are exchanged and discussed between orchestra and soloist. The second movement turns towards softer emotions, an aria about love and remembrance. In the third, the piccolo insouciantly performs Malaysian gamelan themes making them his own.
$25.00 ≈
$34.10
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
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Contemporain
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Carson Cooman
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Carson Cooman: Enchanted Traci
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95 ≈
$40.86
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
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Contemporain
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95 ≈
$106.34
Concerto for Piccolo Clarinet
Concerto for Piccolo Clarinet
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Contemporain
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William Grosvenor Neil
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percussion (1987) (score &
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Concerto for Piccolo Clarinet
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Small Ensemble Clarinet,Double Bass,Drum Set,Trombone,Trumpet - SKU: A0.980580 Composed by William Grosvenor Neil. Contemporary. Score and parts. 49 pag...
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Small Ensemble Clarinet,Double Bass,Drum Set,Trombone,Trumpet - SKU: A0.980580 Composed by William Grosvenor Neil. Contemporary. Score and parts. 49 pages. TheComposerStudio.Com, LLC #3517475. Published by TheComposerStudio.Com, LLC (A0.980580). Concerto for Piccolo Clarinet , bassoon, trumpet, tenor-bass trombone, double bass, & percussion (1987) (score & parts)was composed for and dedicated to clarinetist John Bruce Yeh. The music makes dramatic shifts between the E-flat clarinet’s high virtuous technical flights and its mystical, expressive qualities. The sound resources for entire work are entirely derived from the clarinet’s opening descending line that quickly develops into a succession of firey cadenzas. The soloist then leads the ensemble in a highly spirited dance of counterpoint and rhythm. Listen to the audio from John Bruce Yeh's recording on Newport Classics: https://www.youtube.com/watch?v=fA1vHmNzfcA Information on the composer: www.williamneil.net email for support thecomposerstudio@gmail.com.
$40.00 ≈
$54.57
Sammartini: Sonata Op. 1 No. 1 for Piccolo Duo
Sammartini: Sonata Op. 1 No. 1 for Piccolo Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 1
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jmsgu3
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piccolo - Level 2 - SKU: A0.1083016 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroq...
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Instrumental Duet Instrumental Duet,Piccolo - Level 2 - SKU: A0.1083016 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #687228. Published by jmsgu3 (A0.1083016). Sammartini Op. 1 No. 1 Sonata. Score: 10 pages. Duration: 8:43 I. Andante II. Allegro III. AllegroGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95 ≈
$38.13
Sammartini: Sonata Op. 1 No. 2 for Piccolo Duo
Sammartini: Sonata Op. 1 No. 2 for Piccolo Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piccolo - Level 2 - SKU: A0.1082645 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroq...
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Instrumental Duet Instrumental Duet,Piccolo - Level 2 - SKU: A0.1082645 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #686858. Published by jmsgu3 (A0.1082645). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95 ≈
$38.13
Bach-Gounod: Ave Maria for Piccolo & Piano
Bach-Gounod: Ave Maria for Piccolo & Piano
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Pic
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549362 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,W...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549362 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 12 pages. Jmsgu3 #3490121. Published by jmsgu3 (A0.549362). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Piccolo & Piano - S0.661869. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
$44.95
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. ...
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Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99 ≈
$13.63
DvoÅ™ák: Largo from the New World Symphony for Piccolo & Piano
DvoÅ™ák: Largo from the New World Symphony for Piccolo & Piano
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AntonÃn Dvořák
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549434 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549434 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494221. Published by jmsgu3 (A0.549434). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.  Â
$32.95 ≈
$44.95
Concerto Piccolo
Concerto Piccolo
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Classique
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Philip Joy
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Concerto Piccolo
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Forton Music - Digital
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SheetMusicPlus
Flute Ensemble - Level 6-8 - SKU: F2.FM1122 Composed by Philip Joy. An exploration of alternate harmonies. Classical. Score and Parts. 77 pages. Forton ...
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Flute Ensemble - Level 6-8 - SKU: F2.FM1122 Composed by Philip Joy. An exploration of alternate harmonies. Classical. Score and Parts. 77 pages. Forton Music - Digital #FM1122. Published by Forton Music - Digital (F2.FM1122). ISBN 9790570790210. 8.25 x 11.75 inches.
$31.95 ≈
$43.59
Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
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Classique
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Johann Sebastian Bach
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James M
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Bach: Brandenburg Concerto No.
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standar...
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Woodwind Ensemble - Level 4 - SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 70 pages. Jmsgu3 #984834. Published by jmsgu3 (A0.1401651). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$49.95 ≈
$68.14
Concerto in C Major by Antonio Vivaldi for piccolo and organ
Concerto in C Major by Antonio Vivaldi for piccolo and organ
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Classique
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Antonio Vivaldi
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Hans-Andre Stamm
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Concerto in C Major by Antonio
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Hans-Andre Stamm
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Piccolo - Level 4 - SKU: A0.853233 Composed by Antonio Vivaldi. Arranged by Hans-Andre Stamm. Baroque,Concert....
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Instrumental Duet Instrumental Duet,Organ,Piccolo - Level 4 - SKU: A0.853233 Composed by Antonio Vivaldi. Arranged by Hans-Andre Stamm. Baroque,Concert. Score and parts. 22 pages. Hans-Andre Stamm #6118813. Published by Hans-Andre Stamm (A0.853233). the famous concerto for flautino resp. piccolo here in a version for piccolo (or flautino) and organ with pedal.
$12.95 ≈
$17.67
Richter Trumpet concerto - solo part piccolo trumpet in A
Richter Trumpet concerto - solo part piccolo trumpet in A
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Contemporain
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Franz Xaver Richter
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Rhodri Tomos
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Richter Trumpet concerto - sol
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RT Music Ltd
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SheetMusicPlus
Piccolo Trumpet Solo - SKU: A0.864990 Composed by Franz Xaver Richter (1709-1789). Arranged by Rhodri Tomos. Contemporary. Individual part. 10 pages. RT...
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Piccolo Trumpet Solo - SKU: A0.864990 Composed by Franz Xaver Richter (1709-1789). Arranged by Rhodri Tomos. Contemporary. Individual part. 10 pages. RT Music Ltd #5024601. Published by RT Music Ltd (A0.864990). Richter Trumpet concerto - solo parts for 1. Allegro Moderato 2. Andante 3. Allegro for piccolo trumpet in A.
$19.99 ≈
$27.27
Concerto de Poche pour Piccolo
Concerto de Poche pour Piccolo
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Pascal Proust
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Concerto de Poche pour Piccolo
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Chamber Music & Piano Accompaniment 1 Piccolo 1 Piano - Grade 3 - SKU: FX.FX074300 Composed by Pascal Proust. Original Composition. Classical, Education...
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Chamber Music & Piano Accompaniment 1 Piccolo 1 Piano - Grade 3 - SKU: FX.FX074300 Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. 8 pages. FLEX Editions - Digital Sheet Music #FX074300. Published by FLEX Editions - Digital Sheet Music (FX.FX074300). 3 movements of a mini concerto for mini soloists who have been playing their instruments for 4-5 years - Pascal PROUST ; Instruments: 1 Piccolo 1 Piano; Difficuly Level: Grade 3; Duration: 3 mn 35 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.
$8.95 ≈
$12.21
Albinoni - Concerto in C major T.Mi 3. Solo trumpets piccolo trumpet sheet music
Albinoni - Concerto in C major T.Mi 3. Solo trumpets piccolo trumpet sheet music
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Classique
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Tomaso Giovanni Albinoni
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Rhodri Tomos
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Bb, trumpets in Eb, D, C &
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Albinoni - Concerto in C major
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RT Music Ltd
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SheetMusicPlus
B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo,Trumpet in D Solo - Level 4 - SKU: A0.865009 Composed by Tomaso Giovanni Albinoni (1671-1751). A...
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B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo,Trumpet in D Solo - Level 4 - SKU: A0.865009 Composed by Tomaso Giovanni Albinoni (1671-1751). Arranged by Rhodri Tomos. Baroque. Individual part. 34 pages. RT Music Ltd #6053187. Published by RT Music Ltd (A0.865009). Albinoni - Concerto in C major T.Mi 3. Solo parts for piccolo trumpet in A & Bb, trumpets in Eb, D, C & Bb for 1. Allegro 2. Affettuoso 3. Presto.
$24.99 ≈
$34.09
Bach: Largo from Concerto BWV 1056 for Piccolo & Piano
Bach: Largo from Concerto BWV 1056 for Piccolo & Piano
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Classique
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Johann Sebastian Bach
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James M
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Valentine's Day.
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Bach: Largo from Concerto BWV
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.550207 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,We...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.550207 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and individual part. 13 pages. Jmsgu3 #4600603. Published by jmsgu3 (A0.550207). The very popular Largo from Concerto in G Minor BWV 1056. Duration: ca. 3:24. Ideal for meditation, weddings, recital encores, & Valentine's Day.
$28.95 ≈
$39.49
Telemann Trumpet concerto in D (1st movement) - Trumpet quintet
Telemann Trumpet concerto in D (1st movement) - Trumpet quintet
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Georg Philipp Telemann
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Darren Lloyd
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Telemann Trumpet concerto in D
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Darren Lloyd
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SheetMusicPlus
Brass Ensemble Trumpet - Level 4 - SKU: A0.856061 Composed by Georg Philipp Telemann. Arranged by Darren Lloyd. Baroque,Concert,Graduation,Standards. Sc...
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Brass Ensemble Trumpet - Level 4 - SKU: A0.856061 Composed by Georg Philipp Telemann. Arranged by Darren Lloyd. Baroque,Concert,Graduation,Standards. Score and parts. 9 pages. Darren Lloyd #5018945. Published by Darren Lloyd (A0.856061). An arrangement of Telemann's Trumpet concerto in D (1st movement) for solo Trumpet with accompanying Trumpet quartet (5 in total!). The key is as per the original with the 1st part being added for Piccolo in A also. This would suit an advanced intermediate quartet with a soloist with a very good high register. Great to perform with Trumpet playing friends who can't get a String group together with Harpsichord!!
$7.50 ≈
$10.23
Leopold Mozart - Trumpet Concerto in D major - solo parts
Leopold Mozart - Trumpet Concerto in D major - solo parts
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Classique
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Leopold Mozart
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Rhodri Tomos
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Bb.
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Leopold Mozart - Trumpet Conce
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RT Music Ltd
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SheetMusicPlus
B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo,Trumpet in D Solo - SKU: A0.864993 Composed by Leopold Mozart (1719-1787). Arranged by Rhodri To...
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B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo,Trumpet in D Solo - SKU: A0.864993 Composed by Leopold Mozart (1719-1787). Arranged by Rhodri Tomos. Classical. Individual part. 28 pages. RT Music Ltd #5024597. Published by RT Music Ltd (A0.864993). Leopold Mozart - Trumpet Concerto - solo parts for 1. Adagio 2. Allegro Moderato for piccolo trumpet in A, trumpet in D, C & Bb.
$24.99 ≈
$34.09
Telemann TWV43:D7 Concerto in D major. Oboe & trumpet solo parts.
Telemann TWV43:D7 Concerto in D major. Oboe & trumpet solo parts.
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Classique
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Georg Philipp Telemann
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Rhodri Tomos
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Telemann TWV43:D7 Concerto in
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RT Music Ltd
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SheetMusicPlus
B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo,Trumpet in D Solo - Level 4 - SKU: A0.865004 Composed by Georg Philipp Telemann. Arranged by Rho...
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B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo,Trumpet in D Solo - Level 4 - SKU: A0.865004 Composed by Georg Philipp Telemann. Arranged by Rhodri Tomos. Baroque. Individual part. 27 pages. RT Music Ltd #6027413. Published by RT Music Ltd (A0.865004). Telemann TWV43:D7 Concerto in D major. Trumpet solo parts for piccolo trumpet in A, trumpet in D, trumpet in C or oboe and trumpet in Bb.
$24.99 ≈
$34.09
Grieg (Edvard) - First Movement of Grieg's Piano Concerto in A minor - simplified arr. for piccolo (
Grieg (Edvard) - First Movement of Grieg's Piano Concerto in A minor - simplified arr. for piccolo (
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Classique
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Edvard Grieg
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Andrei-Lucian Dragoi
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Grieg
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Andrei-Lucian Dragoi
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SheetMusicPlus
Clarinet,Flute,Guitar,Harpsichord,Organ,Piano Accompaniment,Violin - Level 4 - SKU: A0.913131 Composed by Edvard Grieg. Arranged by Andrei-Lucian Dragoi...
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Clarinet,Flute,Guitar,Harpsichord,Organ,Piano Accompaniment,Violin - Level 4 - SKU: A0.913131 Composed by Edvard Grieg. Arranged by Andrei-Lucian Dragoi. Romantic Period,Standards. 11 pages. Andrei-Lucian Dragoi #6624077. Published by Andrei-Lucian Dragoi (A0.913131). Music (1868): Edvard Hagerup Grieg (1843-1907) Simplified arr. for piccolo(/flute/violin/clarinet) & guitar(/G-clef piano/harp [GCP/GCH]) (21.11.2021): dr. Andrei-Lucian Drăgoi (DRAGOII.com), (GCP.dragoii.com, MS.dragoii.com, SMP.dragoii.com, YT.dragoii.com)
$3.00 ≈
$4.09
Tchaikovsky (Pyotr Ilyich) - Canzonetta (the 2nd movement of Tchaikovsky's Concerto in D for violin
Tchaikovsky (Pyotr Ilyich) - Canzonetta (the 2nd movement of Tchaikovsky's Concerto in D for violin
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Classique
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Peter Ilyich Tchaikovsky
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Andrei Lucian Dragoi
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Tchaikovsky
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Andrei-Lucian Dragoi
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SheetMusicPlus
Clarinet,Flute,Guitar,Harpsichord,Oboe,Organ,Piano Accompaniment,Viola,Violin - Level 4 - SKU: A0.913127 Composed by Peter Ilyich Tchaikovsky. Arranged ...
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Clarinet,Flute,Guitar,Harpsichord,Oboe,Organ,Piano Accompaniment,Viola,Violin - Level 4 - SKU: A0.913127 Composed by Peter Ilyich Tchaikovsky. Arranged by Andrei Lucian Dragoi. Romantic Period,Standards. 7 pages. Andrei-Lucian Dragoi #6606477. Published by Andrei-Lucian Dragoi (A0.913127). - the 2nd movement of Tchaikovsky's Concerto in D for violin and orchestra -Music (1878): Pyotr Ilyich Tchaikovsky (1840-1893) Simplified arr. (with modifications) for piccolo & guitar duo or G-clef piano/harp (GCP/GCH) by: dr. Andrei-Lucian Drăgoi (31.10.2021) (gcp.dragoii.com, gci.dragoii.com, dragoii.com)
$1.99 ≈
$2.71
A. Vivaldi Flautino Concerto RV443
A. Vivaldi Flautino Concerto RV443
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Classique
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Antonio Vivaldi
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J
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A. Vivaldi Flautino Concerto R
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Janna Menhel
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.1008112 Composed by Antonio Vivaldi. Arranged by J. Menhel. Baroque. 51 pages. Janna Menhel #4628019. Publis...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.1008112 Composed by Antonio Vivaldi. Arranged by J. Menhel. Baroque. 51 pages. Janna Menhel #4628019. Published by Janna Menhel (A0.1008112). Famous Vivaldi concerto in C major, written for flautino and strings, arranged for piccolo and flute choir. The orchestral parts transcribed for two flutes, alto, bass and contrabass ( optional) flutes, sound great and give the soloist great support and new flavor.
$8.00 ≈
$10.91
Life -A Concerto for Bb and Eb clarinet movement 1
Life -A Concerto for Bb and Eb clarinet movement 1
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Contemporain
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Dominic B
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Life -A Concerto for Bb and Eb
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Dominic B. Minda
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,E-Flat Clarinet,Piano Accompaniment,Piccolo - Level 5 - SKU: A0.953964 Composed by Dominic B. Minda. Contemporary. Score ...
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Small Ensemble B-Flat Clarinet,E-Flat Clarinet,Piano Accompaniment,Piccolo - Level 5 - SKU: A0.953964 Composed by Dominic B. Minda. Contemporary. Score and parts. 8 pages. Dominic B. Minda #2918695. Published by Dominic B. Minda (A0.953964). Life is a 5 movement concerto for Eb and Bb clarinet w/ piano covering 5 major parts of life. With many twists and turns it is sure to excite any listener. Movements are can be purchased individually or together.
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$10.91
Durham Concerto
Durham Concerto
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Jon Lord
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Durham Concerto
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Schott Music - Digital
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SheetMusicPlus
Violin, cello, Northumbrian pipes, Hammond-organ and orchestra - SKU: S9.Q52424 For violin, cello, Northumbrian pipes, hammond organ and orchestra
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Violin, cello, Northumbrian pipes, Hammond-organ and orchestra - SKU: S9.Q52424 For violin, cello, Northumbrian pipes, hammond organ and orchestra. Composed by Jon Lord. This edition: study score. Evening - architecture - dawn - architecture - cathedral - bagpipes - Durham - England - Great Britain - cathedral - Church - concerto - morning - afternoon - nocturne - Northumbrian pipes - program music - program music - students - Studies - Studies. Music Of Our Time. Downloadable, Study score. Duration 57' 0. Schott Music - Digital #Q52424. Published by Schott Music - Digital (S9.Q52424). The general inspiration for the music was an idea of Durham, garnered from two or three short visits and a reading of a short history – so a sort of “Durham of the mindâ€, a stylized Durham; ‘my’ Durham, if you will, imagined into music. However, the defining inspiration for the piece was the Cathedral. My first visit to Durham in 2001 saw me standing open-mouthed on Palace Green, and then in silent awe as I walked into that formidable magnificence inside. Most of the themes came from the days immediately following my first experience of this extraordinary, inspiring building. The feeling that the very stones and pillars themselves are imbued with centuries of prayer, with people’s joy, grief, despair, even anger; gratitude and hope. As the tunes and chords and sounds started to organize themselves in my mind and onto manuscript paper, I realized that I was writing a sort of “day in the life of Durhamâ€, and that the Cathedral would be its beginning, would be in its middle, and would be at its ending. The piece consists of six ‘pictures’ arranged into three parts – the morning, afternoon and evening of this imaginary Durham city. Jon Lord, 20173 (3. auch Picc.) · 2 · Engl. Hr. · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 4 · 3 (1. auch Flhr. ad lib., 3. auch Piccolotr.) · 3 · 1 - P. S. (Glsp. · Xyl. · Marimb. · Röhrengl. · Trgl. · Schlittengl. · häng. Beck. · Beckenpaar · Tamt. · Schellentr. · Tomt. · kl. Tr. · gr. Tr. · Woodbl.) (5 Spieler) - Cel. · Hfe. (ad lib.2) - Str. (16 · 14 · 12 · 10 · 8 - Minimum: 14 · 12 · 10 · 8 · 6).
$46.99 ≈
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Concerto for Piccolo
