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1
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
#
Luciano Lima
#
Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
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Stephansdom for Solo Bass Trombone & Trombone Choir
Stephansdom for Solo Bass Trombone & Trombone Choir
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Contemporain
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Diefendorfer, Ryan
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Diefendorfer, Ryan
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Stephansdom for Solo Bass Trom
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Bass Trombone - Level 5 - SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score...
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Small Ensemble Bass Trombone - Level 5 - SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score and parts. 60 pages. Gordon Cherry #4803763. Published by Gordon Cherry (A0.792274). Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition. St. Stephen’s Cathedral, also known as Stephansdom, is one of Vienna’s most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna’s skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them I. Groundbreaking The first movement depicts the troubles that St. Stephen’s Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen’s was first constructed in 1137, during the Romanesque era. However, the church faced many issues-from being destroyed by the Babenberg Empire to being decimated by a fire-before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord. II. Steffl Steffl, the nickname for Stephansdom’s soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom’s north tower is the tallest structure in Vienna, and distinctly stands out within Vienna’s skyline. III. 1945 As World War II was coming to a close in 1945, Stephansdom’s roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom’s great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945. IV. Anton Pilgrim Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen’s Cathedral in the Gothic style. One of his most famous projects was the St. Stephen’s organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese’s love for Anton Pilgrim, as well as Stephansdom, one of Vienna’s most iconic sights. This work of 12 minutes in length is appropriate for advanced performers.
$27.50 ≈
25.73€
AMÉ
AMÉ
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Ludovic SELMI
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AMÉ
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D-Project Co., Ltd.
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SheetMusicPlus
Marimba,Piano,Rainstick,Violin - Level 5 - SKU: A0.1415494 By Ludovic SELMI. By Ludovic SELMI. 21st Century,Contemporary. 61 pages. D-Project Co., Ltd. ...
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Marimba,Piano,Rainstick,Violin - Level 5 - SKU: A0.1415494 By Ludovic SELMI. By Ludovic SELMI. 21st Century,Contemporary. 61 pages. D-Project Co., Ltd. #997229. Published by D-Project Co., Ltd. (A0.1415494). I structured the beginning in a very expansive, linear way, with this rain reproduced by the rain stick. The piano creates a rotating bassline. Over this foundation, the marimba and violin come and go repetitively. There isn't really an ending; we move towards silence, in fact, it's very Zen. I wrote this piece so that the marimbist passes the rain stick to the violinist at a certain moment, a baton exchange like in a relay race. J'ai construit le début de manière très étalée, très linéaire, avec cette pluie reproduite par le bâton de pluie. Le piano qui fait tourner une basse. Par-dessus cette base, le marimba et le violon viennent et s’en vont de manière répétitive.Il n’y a pas de vraiment de fin, on va vers le silence en fait, c’est très Zen.J'ai écrit cette piece en permettant que le marimbiste transmette au violoniste le baton de pluie a un certain moment, un échange de baton comme dans un relais donc.
$24.00 ≈
22.46€
Preludio e Fuga (a 4 voci)
Preludio e Fuga (a 4 voci)
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Heinz Holliger
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Preludio e Fuga
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Schott Music - Digital
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SheetMusicPlus
Double bass (with 5 Strings) - difficult - SKU: S9.Q14273 For double bass solo in Viennese tuning. Composed by Heinz Holliger. This edition: Shee...
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Double bass (with 5 Strings) - difficult - SKU: S9.Q14273 For double bass solo in Viennese tuning. Composed by Heinz Holliger. This edition: Sheet music. Double-Bass Library. Downloadable. Duration 12 minutes. Schott Music - Digital #Q14273. Published by Schott Music - Digital (S9.Q14273). Again and again, Holliger enhances his virtuoso compositions by reviving historical traditions. In Preludio e Fuga, this return to history refers to the scordatura of the so-called 'Viennese temperament': It can be found in the most important repertoire pieces of the double-bass (such as in Mozart's Concert Aria KV 612) as third interval between the first to the third string and thinner strings which respond better. But to Holliger, virtuosity has never been an end in itself: More and more motivic particles emerge from the sweeping 'Prélude non mesuré' with almost unreally flickering sounds due to numerous harmonics and gradually fit together to form the elements of a four-part fugue. Produced in collaboration with Edicson Ruiz for whom Preludio e Fuga has been written, our edition presents the piece in two forms of notation to facilitate studying: in pitch and in finger notation.
$17.99 ≈
16.84€
Harlequin Dances
Harlequin Dances
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Keiron Anderson
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Harlequin Dances
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Forton Music - Digital
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SheetMusicPlus
Sax Choir - Advanced - SKU: F2.FM210 Composed by Keiron Anderson. Score and parts. 55 pages. Forton Music - Digital #FM210. Published by Forton Music - ...
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Sax Choir - Advanced - SKU: F2.FM210 Composed by Keiron Anderson. Score and parts. 55 pages. Forton Music - Digital #FM210. Published by Forton Music - Digital (F2.FM210). ISBN 9790570481095.Saxophone Choir/Ensemble - 10 part - Sopranino, 2 Soprano, 2 Alto, 2 Tenor, 2 Baritone, Bass. Harlequin dances is a stunning original composition showcasing a variety of dance styles. The piece starts with a mambo-like section, then moves into a more romantic ballad-type movement. This then winds up into a Viennese waltz which uses cheeky glissandi, then onto a very clever tempo shift and back to a recap of the mambo music which races along to a thrilling climax.
$19.95 ≈
18.67€
Ramsøe: Quartet no. 3 for Brass instruments op. 30
Ramsøe: Quartet no. 3 for Brass instruments op. 30
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Classique
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Wilhelm Ramsøe
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Edited by Roar Kvam
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Ramsøe: Quartet no. 3 f
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KVAMusic Edition
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SheetMusicPlus
Brass Quartet Baritone Horn TC,Cornet,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1221576 Composed by Wilhelm Ramsøe. Arranged by Edited by Roar Kvam. ...
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Brass Quartet Baritone Horn TC,Cornet,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1221576 Composed by Wilhelm Ramsøe. Arranged by Edited by Roar Kvam. 19th Century,Chamber,Classical,Romantic Period. 190 pages. KVAMusic Edition #817882. Published by KVAMusic Edition (A0.1221576). Wilhelm Ramsøe's magnificent brass quartets transfigured the genre of Viennese classical string quartet to brass sound.They are the composer's most often performed, most eective and virtuoso compositions. Each piece consists of four movements. A peculiarity of the cyclical form of this quartet is that the first movement in sonata form is preceded by a festive, slow introduction.Our new edition of the quartets follow the composers original instrumentation: Cornet in Bb, Trumpet in F, (here transposed to Bb), Trombone and Tuba, but with substitute parts for the Trombone to BC and Baritone/Tenorhorn in Bb TC, the cornet part can of cause be played with a trumpet and the tuba with a euphonium.
$24.00 ≈
22.46€
Ramsøe: Quartet No. 4 for Brass instruments Op. 37
Ramsøe: Quartet No. 4 for Brass instruments Op. 37
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Classique
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Wilhelm Ramsøe
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Roar Kvam
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Ramsøe: Quartet No. 4 f
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KVAMusic Edition
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SheetMusicPlus
Brass Quartet Cornet,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1261856 Composed by Wilhelm Ramsøe. Arranged by Roar Kvam. 19th Century,Chamber,Classi...
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Brass Quartet Cornet,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1261856 Composed by Wilhelm Ramsøe. Arranged by Roar Kvam. 19th Century,Chamber,Classical,Romantic Period. 144 pages. KVAMusic Edition #854940. Published by KVAMusic Edition (A0.1261856). Wilhelm Ramsøe's magnificent brass quartets transfigured the genre of Viennese classical string quartet to brass sound.They are the composer's most often performed, most effective and virtuoso compositions. Each piece consists of four movements. A peculiarity of the cyclical form of this quartet is that the first movement in sonata form is preceded by a festive, slow introduction.Our new edition of the quartets follow the composers original instrumentation: Cornet in Bb, Trumpet in F, Trombone and Tuba, but with substitute parts for the trumpet to trumpet in Bb and the trombone to (treble clef )Baritone/Tenorhorn in Bb, the cornet part can of cause be played with a trumpet and the tuba with a Euphonium.
$24.00 ≈
22.46€
Memento vivere · Kythere
Memento vivere · Kythere
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Rudi Stephan
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Clytus Gottwald
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Memento vivere · Kyther
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Schott Music - Digital
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SheetMusicPlus
Mixed choir a cappella with bass-solo - advanced - SKU: S9.Q20789 Zwei Gesänge nach Texten von Friedrich Hebbel und Gerda von Robertus. Compos...
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Mixed choir a cappella with bass-solo - advanced - SKU: S9.Q20789 Zwei Gesänge nach Texten von Friedrich Hebbel und Gerda von Robertus. Composed by Rudi Stephan. Arranged by Clytus Gottwald. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 7 minutes. Schott Music - Digital #Q20789. Published by Schott Music - Digital (S9.Q20789). German.He was regarded as the German hope among the composers of his generation and as 'next man of New Music', but his early death quashed all such hopes of the music scene: Rudi Stephan died at the early age of 28, leaving behind instrumental works as well as some songs in which he admitted expressionist concepts of art, as were later expressed mainly by the Viennese School. Clytus Gottwald has taken up the cause of transcribing two of the songs by this composer, who died in the First World War, for nine-part mixed a cappella choir (SSAATTBBB) with solo bass in his honour. In spite of the Latin title, Memento vivere is a German-language secular song based on a text by Friedrich Hebbel which is permeated by harmonies sharpened with dissonances. The music of Kythere to words by Gerda von Robertus is characterized by the excessive use of harmonic shifts in the style of Debussy.
$7.99 ≈
7.48€
The Longing
The Longing
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Enjott Schneider
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The Longing
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Schott Music - Digital
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SheetMusicPlus
Soprano, clarinet and piano - advanced - SKU: S9.Q54433 Composed by Enjott Schneider. This edition: score and parts. Downloadable, Score and parts. Dura...
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Soprano, clarinet and piano - advanced - SKU: S9.Q54433 Composed by Enjott Schneider. This edition: score and parts. Downloadable, Score and parts. Duration 9 minutes. Schott Music - Digital #Q54433. Published by Schott Music - Digital (S9.Q54433). German.This work is based on two of Mignon’s songs from Goethe’s Wilhelm Meister. It was devised as a sister work to Franz Schubert’s celebrated lyrical scene Der Hirt auf dem Felsen [The Shepherd on the Rock] of 1829 and can be included in concert programmes performed by the same ensemble of soprano, clarinet and piano. Substantial quotations from Beethoven’s song Nur wer die Sehnsucht kennt establish a stylistic link with Viennese Classicism. We feel Mignon’s unquenchable longing for another world nach jener Seite [to the other side] beyond death, while in the second song So laßt mich scheinen [Thus let me seem], the longing for death is coloured with details from another, lovelier life.
$19.99 ≈
18.71€
Symphony No. 1
Symphony No. 1
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Classique
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Carl Philipp Emanuel Bach
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Symphony No. 1
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Schott Music - Digital
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SheetMusicPlus
2 flutes, 2 oboes, bassoon, 2 horns, strings and basso continuo - advanced to difficult - SKU: S9.Q1095 D major. Composed by Carl Philipp Emanuel...
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2 flutes, 2 oboes, bassoon, 2 horns, strings and basso continuo - advanced to difficult - SKU: S9.Q1095 D major. Composed by Carl Philipp Emanuel Bach. This edition: score. Concertino. Downloadable, Score. Duration 12 minutes. Schott Music - Digital #Q1095. Published by Schott Music - Digital (S9.Q1095). Key: D major.In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repetition with smallsegmented triad splitting. The fact that the material of the whole movement is won from that, is a principle which was often used in the classical period.
$23.99 ≈
22.45€
Octet, for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons
Octet, for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons
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Contemporain
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Moshe S
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Octet, for 2 Oboes, 2 Clarinet
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ArtsAhimsa
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Horn,Oboe - Level 5 - SKU: A0.950856 Composed by Moshe S. Knoll. 20th Century,Contemporary. Score and parts. 70 pages. A...
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Small Ensemble Bassoon,Clarinet,Horn,Oboe - Level 5 - SKU: A0.950856 Composed by Moshe S. Knoll. 20th Century,Contemporary. Score and parts. 70 pages. ArtsAhimsa #4969181. Published by ArtsAhimsa (A0.950856). This is a large scaled concert work, using the same instrumental forces favored by Mozart and his Viennese contemporaries. In addition to the obvious Mozartian references, this piece explores some emotional and spiritual landscapes current in our time. This composition is also suited for solemn ceremonies requiringsophisticated Art Music.
$40.00 ≈
37.43€
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