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Vous avez sélectionné:
HARPSICHORD
facile
Partitions à imprimer
234 partitions trouvées
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Harpsichord New Repertoire - 33 Pieces Grade 2-4
Harpsichord New Repertoire - 33 Pieces Grade 2-4
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Barbara Arens
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Barbara Arens
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Harpsichord New Repertoire - 3
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Barbara Arens
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SheetMusicPlus
Harpsichord - Level 2 - SKU: A0.1441057 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. Blues,Celtic,Children,Contemporary,Contest,Festiv...
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Harpsichord - Level 2 - SKU: A0.1441057 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. Blues,Celtic,Children,Contemporary,Contest,Festival,Irish. Score. 62 pages. Barbara Arens #1021036. Published by Barbara Arens (A0.1441057). As a former harpsichordist, I know that it's difficult finding contemporary pieces that are expressive, lyrical, enjoyable, or even fun to play! I've adapted 33 of my late elementary to late intermediate piano pieces for this collection. There are no less than 6 pieces with jazzy swung rhythms - I find jazz is delightful on the harpsichord! Other pieces are atmospheric arrangements of Scottish traditional tunes; there are pieces based on Shakespeare characters and scenes from Arthurian legends to engage the imagination of the player and the audience, a racy Tango ... and several pieces from 'The Mermaid Challenge' which are also in the new RCM Celebration Series.
$15.99 ≈
14.71€
Bull: Three Pieces from Parthenia In-violata for Harpsichord & Gamba or Cello
Bull: Three Pieces from Parthenia In-violata for Harpsichord & Gamba or Cello
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Dr
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James M
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Bull: Three Pieces from Parthe
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jmsgu3
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SheetMusicPlus
Harpsichord,Instrumental Duet,Viola da gamba - Level 2 - SKU: A0.1265431 Composed by Dr. John Bull, 1562-1628. Arranged by James M. Guthrie. Chamber,Con...
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Harpsichord,Instrumental Duet,Viola da gamba - Level 2 - SKU: A0.1265431 Composed by Dr. John Bull, 1562-1628. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 6 pages. Jmsgu3 #858250. Published by jmsgu3 (A0.1265431). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces, published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the wedding in 1613 of the Princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoint characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasies. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and made significant contributions to the repertoire of keyboard and choral music during that era.
$32.95 ≈
30.31€
Moment By Moment - Keyboard Duet
Moment By Moment - Keyboard Duet
Piano Duet, For two keyboards: acoustic piano, digital keyboard, harpsichord, or synthesizer; 2 pianos, 4-hands
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Musique Sacrée
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Gospel Spirituel
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May Whittle Moody
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Sharon Wilson
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2 pianos, 4-hands
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Moment By Moment - Keyboard Du
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SheetMusicPlus
By May Whittle Moody. Arranged by Sharon Wilson. For Piano Duet, For two keyboards: acoustic piano, digital keyboard, harpsichord, or synthesizer; 2 pianos, 4-h...
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By May Whittle Moody. Arranged by Sharon Wilson. For Piano Duet, For two keyboards: acoustic piano, digital keyboard, harpsichord, or synthesizer; 2 pianos, 4-hands. Sacred, Christian, Gospel. Early Intermediate. Sheet Music Single, Set of Parts. Publishe
$5.99 ≈
5.51€
Minuet from Berenice
Minuet from Berenice
Piano, Piano Solo, Organ, Harpsichord, Keyboard/Synthesizer
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G F Handel
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Mark Reeves
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Minuet from Berenice
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Mark Reeves
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SheetMusicPlus
Composed by G F Handel. Arranged by Mark Reeves. For Piano, Piano Solo, Organ, Harpsichord, Keyboard/Synthesizer. Baroque Period, Movies, TV, Christmas, Wedding...
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Composed by G F Handel. Arranged by Mark Reeves. For Piano, Piano Solo, Organ, Harpsichord, Keyboard/Synthesizer. Baroque Period, Movies, TV, Christmas, Wedding. Early Intermediate. , , Sheet Music Single. Published by Mark Reeves
$6.99 ≈
6.43€
TO GOD BE THE GLORY
TO GOD BE THE GLORY
Piano,Organ,Harpsichord,Keyboard/Synthesizer,Concert Band,Full Orchestra,Chamber Orchestra
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Musique Sacrée
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Gospel Spirituel
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William H
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James Gilbert
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TO GOD BE THE GLORY
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SheetMusicPlus
Composed by William H. Doane. Arranged by James Gilbert. For Piano,Organ,Harpsichord,Keyboard/Synthesizer,Concert Band,Full Orchestra,Chamber Orchestra. Christi...
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Composed by William H. Doane. Arranged by James Gilbert. For Piano,Organ,Harpsichord,Keyboard/Synthesizer,Concert Band,Full Orchestra,Chamber Orchestra. Christian,Contemporary Christian,Gospel,Sacred,General Instructional. Early Intermediate. Score,Set of
$3.25 ≈
2.99€
God Rest Ye, Merry Gentlemen
God Rest Ye, Merry Gentlemen
Piano,Harpsichord,Keyboard/Synthesizer,Woodwind Quartet,Brass Quartet,String Quartet,Handbell Choir,Chamber Orchestra
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Musique Sacrée
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Gospel Spirituel
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Traditional
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James Gilbert
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God Rest Ye, Merry Gentlemen
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SheetMusicPlus
Composed by Traditional. Arranged by James Gilbert. For Piano,Harpsichord,Keyboard/Synthesizer,Woodwind Quartet,Brass Quartet,String Quartet,Handbell Choir,Cham...
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Composed by Traditional. Arranged by James Gilbert. For Piano,Harpsichord,Keyboard/Synthesizer,Woodwind Quartet,Brass Quartet,String Quartet,Handbell Choir,Chamber Orchestra. Christian,Contemporary Christian,Gospel,Sacred,Christmas. Early Intermediate. Sc
$9.99 ≈
9.19€
LEAD ME LORD
LEAD ME LORD
Piano,Organ,Harpsichord,Keyboard/Synthesizer,Concert Band,Full Orchestra,Chamber Orchestra
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Gospel Spirituel
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Musique Sacrée
#
Traditional
#
James Gilbert
#
LEAD ME LORD
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SheetMusicPlus
Composed by Traditional. Arranged by James Gilbert. For Piano,Organ,Harpsichord,Keyboard/Synthesizer,Concert Band,Full Orchestra,Chamber Orchestra. Christian,Co...
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Composed by Traditional. Arranged by James Gilbert. For Piano,Organ,Harpsichord,Keyboard/Synthesizer,Concert Band,Full Orchestra,Chamber Orchestra. Christian,Contemporary Christian,Gospel,General Instructional. Early Intermediate. Score,Set of Parts. Publ
$3.25 ≈
2.99€
NUN DANKET
NUN DANKET
Piano,Organ,Harpsichord,Keyboard/Synthesizer,Concert Band,Full Orchestra,Chamber Orchestra
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Musique Sacrée
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Gospel Spirituel
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Johann Cruger
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James Gilbert
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NUN DANKET
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SheetMusicPlus
Composed by Johann Cruger (1598-1692). Arranged by James Gilbert. For Piano,Organ,Harpsichord,Keyboard/Synthesizer,Concert Band,Full Orchestra,Chamber Orchestra...
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Composed by Johann Cruger (1598-1692). Arranged by James Gilbert. For Piano,Organ,Harpsichord,Keyboard/Synthesizer,Concert Band,Full Orchestra,Chamber Orchestra. Christian,Contemporary Christian,Gospel,Sacred,General Instructional. Early Intermediate. Sco
$3.25 ≈
2.99€
MIT FREUDEN ZART
MIT FREUDEN ZART
Piano,Organ,Harpsichord,Keyboard/Synthesizer,Concert Band,Full Orchestra,Chamber Orchestra
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Musique Sacrée
#
Gospel Spirituel
#
Traditional
#
James Gilbert
#
MIT FREUDEN ZART
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SheetMusicPlus
Composed by Traditional. Arranged by James Gilbert. For Piano,Organ,Harpsichord,Keyboard/Synthesizer,Concert Band,Full Orchestra,Chamber Orchestra. Christian,Co...
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Composed by Traditional. Arranged by James Gilbert. For Piano,Organ,Harpsichord,Keyboard/Synthesizer,Concert Band,Full Orchestra,Chamber Orchestra. Christian,Contemporary Christian,Gospel,Sacred,General Instructional. Early Intermediate. Score,Set of Part
$3.25 ≈
2.99€
PolÃÂtica
PolÃÂtica
Piano, Harpsichord, Drums, Voice, Recorder, Soprano Recorder, Alto Recorder
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Marcelo Torca
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Marcelo Torca
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PolÃÂtica
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Marcelo Torca
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SheetMusicPlus
Composed by Marcelo Torca. Arranged by Marcelo Torca. For Piano, Harpsichord, Drums, Voice, Recorder, Soprano Recorder, Alto Recorder. Jazz, Rock, Latin. Early ...
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Composed by Marcelo Torca. Arranged by Marcelo Torca. For Piano, Harpsichord, Drums, Voice, Recorder, Soprano Recorder, Alto Recorder. Jazz, Rock, Latin. Early Intermediate. Individual Part, , Score. Published by Marcelo Torca
$4.99 ≈
4.59€
LOBE DEN HERREN
LOBE DEN HERREN
Piano,Organ,Harpsichord,Keyboard/Synthesizer,Concert Band,Full Orchestra,Chamber Orchestra
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Musique Sacrée
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Gospel Spirituel
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Traditional
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James Gilbert
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LOBE DEN HERREN
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SheetMusicPlus
Composed by Traditional. Arranged by James Gilbert. For Piano,Organ,Harpsichord,Keyboard/Synthesizer,Concert Band,Full Orchestra,Chamber Orchestra. Christian,Co...
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Composed by Traditional. Arranged by James Gilbert. For Piano,Organ,Harpsichord,Keyboard/Synthesizer,Concert Band,Full Orchestra,Chamber Orchestra. Christian,Contemporary Christian,Gospel,Sacred,General Instructional. Early Intermediate. Score,Set of Part
$3.25 ≈
2.99€
Gavotte (from Sonata V for Harpsichord) (Downloadable)
Gavotte (from Sonata V for Harpsichord) (Downloadable)
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S
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Gavotte
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Solo instrument and keyboard - Easy to Moderately Easy - SKU: MQ.20-951-4E Composed by S. Drummond Wolff and Thomas Augustine Arne. 5 pages. MorningStar...
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Solo instrument and keyboard - Easy to Moderately Easy - SKU: MQ.20-951-4E Composed by S. Drummond Wolff and Thomas Augustine Arne. 5 pages. MorningStar Music Publishers - Digital Sheet Music #20-951-4E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-951-4E).
$5.00 ≈
4.60€
Pavane Lesquercarde, Pavane No 5, Premier Livre de Danseries (Pierre Phalèse, 1571)
Pavane Lesquercarde, Pavane No 5, Premier Livre de Danseries (Pierre Phalèse, 1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Pavane Lesquercarde, Pavane No
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1038231 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin ...
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String Ensemble - Level 2 - SKU: A0.1038231 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #643162. Published by Colin Kirkpatrick Publications (A0.1038231). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. The Pavane was a slow and dignified processional dance popular in Europe during the 16th century. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.27€
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
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Renaissance
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Pierre Phalèse Jnr
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Colin Kirkpatrick
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Ungaresca & Almande Poussi
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Co...
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String Ensemble - Level 2 - SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #645901. Published by Colin Kirkpatrick Publications (A0.1041170). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Ungaresca evokes the atmosphere of street music rather than that of the court and the drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. As the name implies, the dance came from Hungary though it may have simply been a dance in the Hungarian style. Even so, the melody was tremendously popular during the fifteenth century though the author is unknown. The dance calls for a lively performance, and you can use plenty of percussion to enliven it. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, the rather wild Ungaresca is paired with the stately Almande Poussinghe. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99 ≈
9.19€
Gaillarde Ferrereze - Gaillarde No 1, Premier Livre de Danseries (1571)
Gaillarde Ferrereze - Gaillarde No 1, Premier Livre de Danseries (1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde Ferrereze - Gaillard
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.953398 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin K...
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String Ensemble - Level 2 - SKU: A0.953398 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #559137. Published by Colin Kirkpatrick Publications (A0.953398). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file incudes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. An additional two melody parts are provided in treble and bass clef and the chords (for optional guitar) are shown in both keyboard and bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.27€
Two Rondes from Susato's Danserye (1551)
Two Rondes from Susato's Danserye (1551)
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Renaissance
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Tielman Susato
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Colin Kirkpatrick
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Two Rondes from Susato's Danse
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1034006 Composed by Tielman Susato. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kir...
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String Ensemble - Level 2 - SKU: A0.1034006 Composed by Tielman Susato. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #639328. Published by Colin Kirkpatrick Publications (A0.1034006). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone color. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambor or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.27€
Gaillarde Si pour t'aymer - Gaillarde No 5 (Premier Livre de Danseries, 1571)
Gaillarde Si pour t'aymer - Gaillarde No 5 (Premier Livre de Danseries, 1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde Si pour t'aymer - Ga
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.997824 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin K...
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String Ensemble - Level 2 - SKU: A0.997824 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #603507. Published by Colin Kirkpatrick Publications (A0.997824). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone color. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.27€
Schiarazula Marazula & Ballo Anglese (1583)
Schiarazula Marazula & Ballo Anglese (1583)
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Renaissance
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Pierre Phalèse Jnr
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Colin Kirkpatrick
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Schiarazula Marazula & Bal
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1039005 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Co...
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String Ensemble - Level 2 - SKU: A0.1039005 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #644005. Published by Colin Kirkpatrick Publications (A0.1039005). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of danceâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Schiarazula Marazula appears towards the end of the collection and is rather a curious addition because it evokes the sound of street music rather than that of the court. However, it was an immensely popular dance during the 16th century and possibly written by Giorgio Mainerio, an Italian musician and composer. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, Schiarazula Marazula is paired with Ballo Anglese which appears near the beginning of the original publication. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.27€
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