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Vous avez sélectionné:
Sonata
TROMPETTE
Trompette, Trombone (duo)
Partitions à imprimer
8 partitions trouvées
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1
Moonlight Sonata by Beethoven for Trumpet and Trombone Duet
Moonlight Sonata by Beethoven for Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - SKU: A0.1266372 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Christmas,Classi...
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - SKU: A0.1266372 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Christmas,Classical,March,Romantic Period. 7 pages. Woods Only, Arrangements #859125. Published by Woods Only, Arrangements (A0.1266372). This Trumpet and Trombone Duet arrangement of Beethoven’s Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2, also known as the “Moonlight Sonata,†was designed to evoke emotion while preserving the original essence of the work. With only a slight change in tone and the addition of harmonic resources, this funeral march is suitable for any musical performance occasion. Intended for beginner students wishing to immerse themselves in the world of romantic music, it is also suitable for professional teachers to use for recitals, academic presentations, or as didactic material in ensemble practice.
$3.99 ≈
3.69€
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte,
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jmsgu3
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SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.34€
Carson Cooman: Sonata for Trumpet (in C) and Trombone
Carson Cooman: Sonata for Trumpet (in C) and Trombone
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Trompette, Trombone (duo)
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AVANCÉ
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Carson Cooman
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Carson Cooman: Sonata for Trum
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 5 - SKU: A0.533625 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and par...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 5 - SKU: A0.533625 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 9 pages. Musik Fabrik Music Publishing #3033385. Published by Musik Fabrik Music Publishing (A0.533625). I. IntradasII. MotetIII. CaenzasIv. FlightThis work explores aspects of coordination and interplay - often with the instruments proceeding down their own flexibly aligned pathways. The piece thus requries a large amount of aural istening and play. One score for two players (two copies should be printed).
$12.95 ≈
11.97€
Simple Gifts (Brass Quartet and Piano - Alternate Version)
Simple Gifts (Brass Quartet and Piano - Alternate Version)
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Trompette, Trombone (duo)
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FACILE
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Classique
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Joseph Brackett, Wolfgang Amad
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Stephen DeCesare
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Simple Gifts
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Exultet Music
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SheetMusicPlus
Trombone,Trumpet - Level 2 - SKU: A0.630120 Composed by Joseph Brackett, Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Contest,Festival,Folk,Sa...
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Trombone,Trumpet - Level 2 - SKU: A0.630120 Composed by Joseph Brackett, Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Contest,Festival,Folk,Sacred,Standards,Traditional. 19 pages. Exultet Music #6419079. Published by Exultet Music (A0.630120). (This version contains two Trombones in place of a French Horn and Trombone) Â The well known Shaker song has been freshly arranged for a Brass Quartet (Bb-Trumpet (2), Trombone (2) ) with Piano accompaniment. This version incorporates two well known pieces by Wolfgang Amadeus Mozart (Piano Sonata Number 16 in C Major and Eine Kleine Nachtmusik). Accessible and appropriate for any church, school or concert setting.
$12.99 ≈
12.01€
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...
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Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.34€
Funeral March (Trumpet and Trombone Duet)
Funeral March (Trumpet and Trombone Duet)
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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B
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Funeral March
#
Ben Dockery
#
SheetMusicPlus
B-Flat Trumpet,Instrumental Duet,Trombone - Level 3 - SKU: A0.1249807 Composed by Frederic Chopin. Arranged by B. C. Dockery. 19th Century,Classical,Rom...
(+)
B-Flat Trumpet,Instrumental Duet,Trombone - Level 3 - SKU: A0.1249807 Composed by Frederic Chopin. Arranged by B. C. Dockery. 19th Century,Classical,Romantic Period. 4 pages. Ben Dockery #844205. Published by Ben Dockery (A0.1249807). From the third movement of Chopin's Sonata No. 2 in B-flat Minor, this is the Funeral March arranged for B-flat trumpet and trombone duet. Great for lessons, recitals, somber occasions, or even as a practical joke on someone's birthday. Intermediate level. Includes score and parts.
$3.99 ≈
3.69€
Funeral March (Trumpet and Trombone Duet with Piano Accompaniment)
Funeral March (Trumpet and Trombone Duet with Piano Accompaniment)
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
#
Classique
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Frederic Chopin
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B
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Funeral March
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Ben Dockery
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.1249804 Composed by Frederic Chopin. Arranged by B. C. Docke...
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Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.1249804 Composed by Frederic Chopin. Arranged by B. C. Dockery. 19th Century,Classical,Romantic Period. 7 pages. Ben Dockery #844202. Published by Ben Dockery (A0.1249804). From the third movement of Chopin's Sonata No. 2 in B-flat Minor, this is the Funeral March arranged for B-flat trumpet and trombone duet with optional piano accompaniment. Great for lessons, recitals, somber occasions, or even as a practical joke on someone's birthday. Intermediate level. Includes score and parts.
$4.99 ≈
4.61€
Liebe, (German for Love), Trumpet and Trombone Duet
Liebe, (German for Love), Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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David McKeown
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Liebe,
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.590474 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. ...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.590474 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. 4 pages. David McKeown #6211995. Published by David McKeown (A0.590474). Liebe, (German for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Trumpet and one Trombone.This duet is inspired by the German Baroque style, particularly the slow compound-time compositions of JS Bach and the canonic sonatas written by GP Telemann. Both composers filled their works with deep emotion, transcending the strict musical rules of the period. Liebe is a Canon, with the first part following the second throughout, one bar behind, like lovers in intimate conversation.Liebe is written for players at an intermediate standard and upwards. The melody should always carry momentum and adding plenty of expression will help convey the style. Liebe has a performance time of around three minutes. Click the link above to hear a full performance the Clarinet version of Liebe on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.69€
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