Philip Glass

Ce travail a d'abord été interprétée par le quatuor Rascher en Juillet 1995 au Festival du Schleswig Holstein en Hasselburg, en Allemagne. Une version de l'oeuvre avec accompagnement orchestral, 'Concerto pour quatre saxophones', a été créé par le Quatuor Rascher avec l'Orchestre de Radio de Stockholm en Septembre 1995.Pièces disponibles: DU10494 / Saxophone

Remplir la partition vocale d'opéra Philip Glass en trois actes, Akhnaten. Comprend les paroles complètes et l'accompagnement Piao. / Piano

Cycle de chansons de Philip Glass pour piano et voix. Paroles de Paul Simon, Suzanne Vega, David Byrne et Laurie Anderson. Réduction pour piano avec les mots. Convient aux pianistes avancés. / Chant Et Piano

Ce concerto est dédié à Dennis Russell Davies et Paul Zukofzky, qui a présenté la première représentation. L'accompagnement orchestral compose de deux flutes (un doublement : piccolo), deux hautbois, clarinette mi bémol, deux clarinettes et clarinette basse, deux bassons, quatre cors, trois trompettes, trois trombones, tuba, timbales, harpe de percussions (snare drum, bass drum, triangle, cymbales, gravure sur bois) et cordes. Présenté ici dans la partition complète. / Scores

In The Form Of A Partita In Seven Movements For Double Bass. Par GLASS PHILIP. The Not-Doings of an Insomniac -Partita for Solo Double Bass with spoken texts-was premiered by Robert Black at the International Society of Bassist Convention at the Griffin Concert Hall in Fort Collins, Colorado. The Not-Doings of an Insomniac developed as a result of Philip Glass's frequent travels to unfamiliar cities and different time-zones, changes that often brought on bouts of insomnia. While on a trip in Europe in 2015, Glass decided to turn these redundant waking hours into something useful, and one of the results is this Partita for Solo Double Bass, written for Robert Black of Bang on a Can All-Stars fame. The piece is written in seven movements, each with its own title: Not Dreaming - Tasting - Smelling - Hearing - Seeing - Touching, and finishing with Not Beginning, Not Ending. What raises this set into something atmospheric and theatrical are the poems in between each movement. These are by Glass's friends or associates, and the texts by Lou Reed, John Cale, Laurie Anderson, Yoko Ono, David Byrne, Leonard Cohen, Patti Smith and Arthur Russell are read on the recording of this work by Robert Black. / Date parution : 2019-11-21/ Répertoire / Contrebasse et Récitant

Orbit is a work composed by acclaimed minimalist composer Philip Glass for Solo Cello. Orbit was commissioned by Damian Woetzel and premiered on the 2nd of April 2013, in a performance by cellist Yo-Yo Ma and dancer Lil Buck at Le Poisson Rouge in New York.The performance was a celebration of the collaboration between an incredible young dancer, an unbelievable cellist and one of the most accomplished composers of the modern day. This Philip Glass sheet music, however, is all about the music. With a softly-evolving melody that begins as a basic pattern before turning back on itself and transforming, Orbit is the perfect soundtrack to a marriage of virtuoso musicianship, expressive dance and achingly tender solo instrumental composition. Check out Yo-Yo Ma, check out Lil Buck, but most importantly of all, be sure to look into our Orbit sheet music by Philip Glass. / Violoncelle

Ce travail a d'abord été interprétée par le quatuor Rascher en Juillet 1995 au Festival du Schleswig Holstein en Hasselburg, en Allemagne. Une version de l'oeuvre avec accompagnement orchestral, 'Concerto pour quatre saxophones', a été créé par le Quatuor Rascher avec l'Orchestre de Radio de Stockholm en Septembre 1995.Score disponibles: DU10483 / Saxophone

Spiritwalking is a work for String Quartet by Philip Glass commissioned by Nederlands Dans Theater and the Norwegian National Opera and Ballet for the world premiere of the ballet 'Spiritwalking'by Lightfoot León on 7th June 2014 at Market Hall in Amsterdam. This is the Score and Parts.

The ’Low’ Symphony composed in the spring of 1992 is based on the record ‘Low’ by David Bowie and Brian Eno first released in 1977. The record consisted of a number of songs and instrumentals and used techniqueswhich were similar to procedures used by composers working in new and experimental music. As such this record was widely appreciated by musicians working both in the field of ‘pop’ music and in experimental music and was alandmark work of that period.Having taken themes from three of the instrumentals on the record and combining them with material of his own Glass has used them as the basis of three movements of this Symphony.Thisis the Full Score of Glass’ orchestral work.