James Whitbourn

A cappella SATB arrangement of Praetorius' carol written for King's College Cambridge's famous carol service.

POD-James Whitbourn's Agnus Dei From Missa Carolae. Missa Carolae was commissioned by Rochester Cathedral the second oldest cathedral in England to mark the 1400th anniversary ofits foundation. It was first performed there on 24 December 2004 by the Rochester Cathedral Choirs Andy Findon (Fife) the Locke Brass Consort Edmund Aldhouse (Organ) Joby Burgess and Catherine Ring (Percussion) directed byRoger Sayer. The work is intended to invoke a dance-like spirit which is true to the origin of the carol as a simple dance form. The choir parts should be very well-known so that the singers can sing with the whole oftheir bodies and not just their voices. This version is a reduced scoring for SATB (unchanged) with Organ and optional Piccolo and also acts as the vocal score to the full version. In this scoring the Piccolo adds to theeffectiveness of the piece. In either scoring the Piccolo may be replaced with a Flute Fife or even a more rustic Pipe as was used at the first performance. The original scoring for SATB with Piccolo Brass (3 Trumpetsand 3 Trombones) Percussion (2 players) and Organ accompaniment is the preferred version. Full score and parts are available on hire from the publisher or full score on sale (CH71621). The Piccolo part (CH79893-01) is common toboth scorings and is available on sale or hire with the full version. The Organ accompaniment in this score is for performance of the version for SATB Piccolo and Organ only. An A4 spiral-bound version of this score may bepreferable for the organist (CH79893-02). The separate Organ part - available on hire - must be used for the version with instruments.An ad lib. part for the congregation (CH70961 pack of 50) is incorporated into the fullscoring of Missa Carolae. Reference to the entries of the congregation is made in the vocal score for occasions when it is used in conjunction with the full instrumentation.

Par WHITBOURN JAMES. This glorious collection of beautiful choral music by composer James Whitbourn includes fifteen short works drawn from his oeuvre from the first few years of the 21st century. Many of his greatest compositions are included in The Choral Collection, with many of the pieces working perfectly for seasonal performances, while also reflecting the many fruitful collaborations of Whitbourn's distinguished career. All works are arranged for SATB Choir. James Whitbourn has become renowned throughout the world for his acclaimed compositions and settings of numerous texts. He has been described as truly original and an innovator of contemporary British choral music, collaborating with people like Archbishop Desmond Tutu and the Choir of King's College, Cambridge. The former appears here, as A Prayer Of Desmond Tutu, a setting of one of the Archbishop's prayers. His arrangements and compositions for the King's College Choir have been universally critically acclaimed, with A Great And Mighty Wonder, Nunc Dimittis and Were You There? representing these hugely popular collaborations. Whitbourn has also had a very close relationship with the BBC since his beginnings as a composer, working with them on three pieces within The Choral Collection. Eternal Rest and Give Us The Wings Of Faith were both composed specifically for television broadcast, the former (in its orchestral form) was played for the funeral of the Queen Mother in 2002. His longest work, for which he is most famous, is a setting of text from'the Diary of Anne Frank'. There Is No Speech Or Language comes from this work, taking its text from other sources, but that still maintain the beauty and tragedy of the wider piece. The Choral Collection of fifteen compositions by James Whitbourn is full of beautiful, haunting, uplifting and inspiring melodies for SATB Choir and Organ Accompaniment from one of the most treasured British choral composers. The brilliant choice of texts throughout is matched only by the sheer compositional skill of Whitbourn in evoking the emotions of the words in the musical form. Also included are suggestions for seasonal song use, a list of recordings, and fascinating song notes written by Whitbourn himself. The joy of choral singing is nowhere more evident than in a work by James Whitbourn, and performances of any piece within this collection is sure to be remembered for a long time to come./ Recueil / Choeur Mixte (SATB) et Orgue

James Whitbourn's Set Me As A Seal Upon Thine Heart for SATB and Organ. Composed for the wedding of James Roman and Grace SvatekTrinity Church Princeton New Jersey November 4 2017 Duration: 4.5minutes James Whitbourn's setting of the text popular at weddings Set me as a seal upon thine heart is a worthy competitor for Walton's well-known version. For SATE choir and not too demanding -though needing vocal clarity and accurate pitching - it is in an ABA form the gentle opening and concluding sections separated by the build-up to the climax on a C-sharp major chord at the end of the phrase 'many waterscannot quench love' followed by a brief organ interlude before subsiding to a piano ending. The whole is lightly and supportively accompanied on the organ. It is well worth considering by choirs needing new ideas for theirwedding playlist. - Organists' Review

Lux In Tenebris from Luminosity. For SATB choir Viola Tanpura Tam-Tam and dance theatre.Luminosity is a multi-media work commissioned by the conductor James Jordan of Westminster Choir College for the WestminsterWilliamson Voices the women of the Westminster Schola Cantorum the Blair Academy Singers (conductor William Hammer) and the black-light dance company Archedream for performance in Phildephia Cathedral during April2008.The text compiled and edited by the composer centres on the transcendent beauty of creation expressed by luminaries down the ages. Texts are taken from the writings of St John St Teresa of Avila Ryonen StAugustine Julian of Norwich and St Isaac of Nineveh.ScoringSATB (with division)ViolaTanpuraTam-TamOrgan

James Whitbourn's Beatus Vir for SSATB choir with a Piano accompaniment for rehersal. Commissioned for the Choir of St Matthew’s Church Northampton. First performed on StMatthew’s Day 21 September 2017 conducted by Justin Miller. 'With the wedding season soon to be upon church musicians James Whitbourn’s new five-minute wedding anthem  Set me as a seal upon thineheart deserves a warm welcome. It would be easy to learn quickly if rehearsal time is limited with vocal lines that are not demanding and helpfully supported by the organ. But the music itself has a haunting intense beauty thatis very special. Judge for yourself with the performance on YouTube that appears to have been made at the wedding for which it was written. St Matthew Northampton for which Walter Hussey commissioned so notably continues an enterprising music commissioning policy most recently with Whitbourn’s setting of Beatus Vir. The commission was for the feast day of St Matthew last September and the published score describes the text asbeing the Gradual for St Matthew. But that rather limits what is simply the first two verses of Psalm 112 and deserves to be sung throughout much of the church year. Forget Monteverdi and other lively settings of Beatus vir:here we have a contemplation on how blest is the person who trusts in the Lord. Despite a dramatic outburst on ‘potens in terra’ (‘mighty in the land’) the work ends as it began with an extended gentlesetting of the word ‘Beatus’.' - Sunday by Sunday

The Alleluia Jubilate was written for the Choir Schools’ Association Conference and is therefore a creation for well-trained young musicians. The opening phrases in which the conductor separates the syllables with restsis particularly effective in cathedrals and spaces with long reverberation time.Contemporary British composer and conductor James Whitbourn an award-winning creator of Choral music film and television scores and works for theconcert hall may be best known for his largest composition the oratorio Annalies which sets words from The Diary of Anne Frank.

Contemporary British composer and conductor James Whitbourn an award-winning creator of Choral music film and television scores and works for the concert hall may be best known for his largest composition theoratorio Annalies which sets words from The Diary of Anne Frank. The text in this extract is not Anne Frank’s but is drawn from Psalms and Lamentations. The stately chordal movement lends an appropriately solemn tone to awork that has understated power.

Gratias Agimus Tibi is a work by James Whitbourn for Unaccompanied Voices (in any combination) with an optional 'Amen' for SATB Choir and Organ ad lib. A setting of Latin text by Nigel Palmer the workwas composed for the college grace of St Stephen's House Oxford. Please note that the lyrics are in Latin. A review in the June 2016 edition of Organist's Review says that 'this anthem would be ofgreat use for St Stephen's Day and any service that may focus on the Saints...Another enjoyable composition from James Whitbourn who is fast becoming a very important and original voice in the field of church music.'

Whitbourn's setting of the Magnificat And Nunc Dimittis for mixed chorus with Tenor solo also includes parts for Organ and optional Tam Tam percussion. The setting was first performed at King's College Chapel Cambridge duringChoral Evensong on Easter Day 2005 and broadcast live on BBC radio. Part of Chester Music's Contemporary Church Music Series.

James Whitbourn's A Prayer Of Cardinal Newman for unaccompanied SATB Choir.This work was composed in 2012 for Penna A. Rose and the Princeton University Chapel Choir.A Piano reduction isincluded for rehearsal use only.

The Twenty-Eight Times is a Vocal piece composed by British composer and conductor James Whitbourn. The Twenty-Eight Times was commissioned by the United WestminsterSchools and Grey Coat Hospital Foundation to commemorate the fiftieth anniversary of the assassination of John F. Kennedy and performed in Westminster Abbey on 25 October 2013 by the choir of Queen Anne’s school Caversham. This ancient Hebrew text from Ecclesiastes (Qoheleth) was a favourite of President Kennedy and formed partof the Eulogy delivered at his funeral service on 25 November 1963. He was assassinated on 22 November1963.

for SATB and organ A celebratory carol in a lilting 12/8 metre Christmas Welcome sets a joyful fifteenth-century text by John the Blind Audelay. Whitbourn employs textural contrasts and call-and-response style pairings of voices to great effect as well as a characterful and soloistic organ part.