Sergei Prokofiev

Huit morceaux attrayant du travail de piano de Prokofirff´s 1917. / Flûte Traversière Et Piano

Adaptation honnête, format pratique et présentation accrochante. Aucun rapprochement avec les instruments de musique.

For piano-Sergei Prokofiev was born in Sontsovka in the Ukraine on the 23rd of April 1891. Soon showing a talent for piano and composition by the time he was fourteen he was attending the St. Petersburg Conservatoire where he received extensive schooling inpiano harmony composition and conducting. Prokofiev was greatly interested in contemporary composers (Reger dIndy Debussy and Richard Strauss) and quickly made a name for himself with his revolutionary aesthetic language of great harmonic andrhythmic impact. His compositions were inspired by Symbolism and Futurism two artistic movements predominate at the time. Prokofiev attracted attention through his early works – the Etudes Op.2 and the Pieces Op. 3 and 4 – owing to his specialtechnique and percussive treatment of the piano (similar in some respects to Bartok) although he was also capable of rich melodic invention.Actually composed in 1907-08 before his Four Etudes for Piano Op. 2 Prokofiev’s Four Pieces for Piano Op. 3 and 4 were only published in 1911. Concert pieces some show Scriabin’s influence on the composer especially in the titles.

L'histoire d'amour la plus célèbre dans des tons magnifiques de ProkofievAprès une étude attentive des partitions originales, Lidia et Matthias Fletzberger gérées avec seulement deux instruments, un son coloré et diversifié de Roméo et Juliette de Prokofiev. Avec les préoccupations particulières de ne pas laisser le piano joue le rôle de l'instrument de surveillance, les deux instruments montrent plutôt comme des partenaires égaux une interaction musicale qui tire pleinement parti de leurs possibilités. / Violon Et Piano