Camille Saint-Saens

Saint-Saens' groundbreaking piece for solo Violin or Mandolin about the appearance of Death each year at midnight on Halloween summoning the dead with his violin.

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Saint-Saëns Camille et éditée par Henle cette partition est idéale pour les joueurs de Violon. Si l'instrumentation Violon Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Violon Et Piano / Chanson En Séparée

Reduction Pour Violoncelle et Piano Par L'Auteur. Par SAINT-SAENS CAMILLE. Authoritative Urtext edition of Camille Saint-Saens' Premier Concerto Op. 33 based on the original score. This version for Cello has a Piano reduction of the orchestral material by the composer./ Répertoire / Violoncelle et Orchestre ou Violoncelle et Piano

Ce travail virtuose, basée sur le rythme habanera cubaine, a été composé en 1887 et est une partie du répertoire de concert standard. Après Christine Baur très réussie édition Bärenreiter Urtext de 'Allegro appassionato' Saint Saëns (BA 9047), l'éditeur présente aujourd'hui le 'Havanaise' dans la version pour violon et piano.Cette première édition critique de-jamais 'Havanaise' attire à la fois sur la version du compositeur autographe pour violon et piano ainsi que la version orchestrée plus tard. Lorsque la partie solo de la version orchestrale diffère de la version pour violon et piano, les variantes sont indiquées dans la partie de violon que Ossias.L'éditeur propose une introduction concise et informative (Eng / Ger / Fr) sur l'histoire et le processus de composition de la 'Havanaise'- un commentaire critique détaillée (Eng) conclut cette édition Urtext.- D'abord critique savante édition de cet ouvrage- Variantes de la version orchestrale montré dans la partie de violon- D'abord critique savante édition de cet ouvrage- Variantes de la version orchestrale montré dans la partie de violon / Piano Et Violon / Partition

Since its premiere in 1873 this work has held an important place in the Violoncello repertoire. It is on the one hand a short charming composition; on the other hand equally important is its use in instruction during the first few years of playing. Central here are the articulation of the opening theme and its various repetitions juxtaposed with lyrical passages calling for legato playing.Christine Baur's new scholarly-critical edition is based on a thorough examination of all the sources including Saint-Saëns' later orchestral version. The edition incorporates many articulation alternatives for the soloist which are marked 'ossia' above the solo Cello line in thisversion for Cello and Piano. This important new publication offers cellists not only an Urtext part but also one with bowing and fingering; both parts have a fold-out page so that no page turns are necessary.The first Urtext edition of this important workFold-out page in the solo cello part so no page turns are neededIncludes articulation alternatives as 'ossias'

The French composer Camille Saint-Saëns endowed the music world with a multitude of masterpieces for violoncello including concertos sonatas and miniatures such as The Swan and the Allegro appassionato Op.43.This first publication of the Sonata in D major is based on Bärenreiter?s Camille Saint-Saëns ?uvres instrumentales complètes. Although we know from correspondence that two complete autographs existed only an incomplete autograph source containing the 1st movement and part of the 2nd movement which breaks off have come down to us. In his final work for violoncello Saint-Saëns juxtaposes highly rhythmical episodes with more poetic ones. These contrasts arereinforced by bold shifts of harmonic colouring and a highly inventive thematic development.These movements are destined to become standards for cellists.First ever Urtext edition of this incomplete work based on Camille Saint-Saëns ?uvres instrumentales complètesInformative Introduction (Fr/Eng/Ger)

Charles-Joseph Lebouc organised the première of this work and also played the cello part. With the composer's permission he then adapted this sonorous romance accompanied by two pianos in the original for Violoncello and onePiano.Henle are presenting the first ever Urtext edition of this popular cello work. The second Piano part is reproduced in small print thus permitting a comparison of the two versions. Two Cello parts are provided onewith markings and one without.