Miles Davis

The arranging genius of Gordon Goodwin is readily apparent in this unique version of Miles Davis' classic. At times a jazz waltz at times straight ahead swinging in 4 the ensemble lines flow effortlessly from style to style.Solo space is available for any combination of alto tenor trumpet or trombone. A marvelous showcase on an important jazz standard. (Alto 1 doubles on flute)

The saxes do most of the heavy lifting on this easy version of the Miles Davis standard. In addition there is a short sax soli and a written or ad lib solo for trumpet. This is a wonderful introduction for young players to one ofthe most important jazz figures of the 20th century.

Jazz Play-Along Vol.50 . Par DAVIS MILES. A slice of Miles' career from 1957 to 1964 where he was at the apex of his popularity. An example of Miles' unparalleled influence as a trumpeter, composer, and band leader, his sidemen, Cannonball Adderly, John Coltrane, Bill Evans, David Liebman, Thelonious Monk, Charlie Parker, Sonny Rollins, and Wayne Shorter have all had compositions presented in this series! Commemorating the 50th Play-A-Long are the classic tunes that Miles made famous. These jazz classics represent a slice of Mile’s illustrious career, from 1957 to 1964, during which Miles was at the apex of his popularity. As an example of Miles unparalleled influence as a trumpeter, composer and band leader, several of his sidemen Cannonball Adderly, John Coltrane, Bill Evans, David Liebman, Thelonious Monk, Charlie Parker, Sonny Rollins and Wayne Shorter have all had play-a-longs of their own compositions presented here in this series! Commemorating the 50th play-a-long in the series, here are the classic tunes Miles Davis made famous. Pianists and everyone else interested in piano voicings/comping, now have the extra advantage of being able to purchaseall of Mark Levine’s piano comping transcribed note-for-note in the Volume 50 Transcribed Piano Voicings book! Rhythm section is Mark Levine, piano; Todd Coolman, bass; and Steve Davis, drums / Rép International / Recueil / Tout Instrument

Jazz Play-Along Volume 49-For use with all Bb Eb and C instruments the Jazz Play-Along series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets melody cues and other split-track choices on the included CD this first-of-its-kind package makes learning to play jazz easier than ever before. For Study: each tune includes a split track with: Melody cue with proper style and inflection • Professional rhythm tracks • Choruses for soloing • Removable Bass part • Removable Piano part. For Performance: each tune also has: An additional full stereo accompaniment track (no melody) • Additional choruses for soloing. Jazz Play-AlongVolume 49: Miles Davis Standards includes 10 songs: Autumn Leaves Bye Bye Blackbird Darn That Dream How Deep Is the Ocean (How High Is the Sky) If I Were a Bell My Funny Valentine On Green Dolphin Street Some Day My Prince Will Come Yesterdays and I Loves You Porgy.

Here is a well-paced chart on this Miles Davis jazz standard that's packed with plenty of style and variety. With a full chorus sax soli plus solos for tenor and trombone this is a wonderful addition to any program for contest or casual concert.

Young Jazz Classics-One of the most enduring compositions from Miles Davis' early career is this medium swing tune recorded on the 1954 album Walkin'. In this terrific chart for younger players Rick Stitzel uses some nifty phrase extensionsin the beginning then alternates the full ensemble with statements by a small group. Solos for trumpet and tenor sax are also included.

Jazz Play Along Volume 7. Par DAVIS MILES. Intermédiaire et avancé niveau huit classique jazz originaux écrits par Miles Davis. Il s'agit d'un moyen unique d'apprendre huit des chansons les plus populaires des années cinquante. Ces airs sont considérés comme des classiques jazz, parce que la plupart tous les musiciens de jazz dans le monde entier ont appris leur. Et le reo de nombreux musiciens de jazz ont appris leur car ils sont tous ces véhicules intéressants pour les changements de corde improvisation et intéressant, les ponts altérées et les mélodies logiques qui ont été cités dans nombreuses compositions partout dans le monde de la musique. Gagner pourrait en Miles au début et à comprendre le bop transitoire pour la période post-bop. Section rythmique est Dan Haerle, piano - Rufus Reid, basse - Jonathan Higgins, batterie. / Rép International / Recueil / Tout Instrument

Considéré par les experts comme 'le meilleur enregistrement de jazz de tous les temps,' la libération de 1959 Kind of Blue est l'un des albums plus influents de l'histoire du jazz. Ce livre exceptionnel présente des transcriptions de toutes les solos de circonstance ainsi que des scores de croquis pour toutes les chansons de cette version de point de repère. Cela comprend les pièces de la trompette de Miles, le travail de sax brillant de John Coltrane et Cannonball Adderly et le rythme des parties de l'article à utiliser comme guides pour la sensation de chaque composition. / Scores / Partition

The complete score of Miles Davis' legendary album, expertly transcribed for trumpet, alto and tenor sax, piano and bass. Includes chord symbols. / Conducteur

Updated Edition-If you ever needed proof that a magazine can have a love affair with a musician you're holding it in your hands. For DownBeat the preeminent publication of the jazz world Miles Dewey Davis was one of its most cherished subjects. Since it began covering the jazz scene in 1939 no other artist has been more diligently chronicled in its pages than Davis.The beauty of this collection is seeing the development of an artist over time. The reviews of his music go from quietly introducing a new talent to revering perhaps the greatest jazz artist of his generation. The feature articles begin with a very young very polite Davis lamenting I've worked so little. Icould probably tell you where I was playing any night in the last three years. As he develops the interviews show Davis gaining confidence and stature showing swagger and becoming the over-the-top say-it-like-it-is showman that made every interview an event.The Miles Davis Reader compiles more than 200 news stories feature articles and reviews by some of the greatest writers in jazz into one volume. It delivers a patchwork of his words and music - in the moment as they happened. With several lengthy features added along with a dozen new photographs this new edition is a beautiful series of snapshots a year-by-year ride through the many phases of Davis as an artist and as a man.

Here is the Mile Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head the saxes take the signature melody line answered by the brass. The open solo section features tasty background figures followed by a tuttiensemble section before returning to the head.