Dmitri Shostakovich

Par CHOSTAKOVITCH DIMITRI. Available in France and Belgium only! Dmitri Shostakovich's Sonate D Minor Op. 40 for Cello and Piano. Available in France and Belgium only! Dmitri Shostakovich's Sonate D Minor Op. 40 for Cello and Piano./ Répertoire / Violoncelle et Piano

Par CHOSTAKOVITCH DIMITRI. Available in France and Belgium only!/ Répertoire / Quintette à vent

Par CHOSTAKOVITCH DIMITRI. / Niveau : 4 / Ouverture / Répertoire / Concert Band ou Harmonie

Par CHOSTAKOVITCH DIMITRI. Available in France and Belgium only! Dmitri Shostakovich's Trio No. 2 Op. 67 In E Minor for Violin, Cello and Piano. Available in France and Belgium only! Dmitri Shostakovich's Trio No. 2 Op. 67 In E Minor for Violin, Cello and Piano./ Répertoire / Trio avec Piano

Par CHOSTAKOVITCH DIMITRI. Dmitri Shostakovich's Symphony No. 9 Op. 70 for Orchestra./ Répertoire / Conducteur

from Suite for Variety Orchestra no. 1. Par CHOSTAKOVITCH DIMITRI. / Niveau : 4 / Date parution : 1905-07-05/ Répertoire / Brass Band

Pour Violon et Orchestre. Par CHOSTAKOVITCH DIMITRI. Available in France and Belgium only! Dmitri Shostakovich's Concerto No. 1 Op. 77 for Violin and Piano. Available in France and Belgium only! Dmitri Shostakovich's Concerto No. 1 Op. 77 for Violin and Piano./ Répertoire / Violon et Piano

from the Gadfly. Par CHOSTAKOVITCH DIMITRI. Romance est la plus célèbre page de la bande originale composée en 1955 par Dimitri Chostakovitch pour le film Ovod (Le Taon) du réalisateur russe Alexander Feinzimmer. Ce film en costume d’époque est une adaptation du roman The Gadfly ( Le Taon - 1897) d’Ethel Lilian Voynich, née Boole. Cette charmante mélodie a connu une seconde jeunesse dans les années 1980, en tant que générique de la célèbre série télévisée Reilly: Ace of Spies (Reilly, l’As des Espions) qui raconte les aventures de Sidney Reilly, le plus grand espion britannique. La version originale est écrite pour Violon et Orchestre. Cet arrangement élégant et charmant d’Ed Keeley consacrele saxophone alto. / Niveau : 3 / oeuvre solo et Orchestre / Date parution : 1905-06-29/ Répertoire / Saxophone Alto et Concert Band ou Harmonie

Par CHOSTAKOVITCH DIMITRI. Dmitri Shostakovich's Trio No. 1 Op. 8 & Trio No. 2 Op. 67 for Violin, Cello and Piano./ Répertoire / Conducteur

Par CHOSTAKOVITCH DIMITRI. Arrangement pour alto et piano de la sonate Op 40 pour violoncelle et piano/ Répertoire / Alto et Piano

Par CHOSTAKOVITCH DIMITRI. / Répertoire / 2 Quatuors à Cordes et 2 Contrebasses

Par CHOSTAKOVITCH DIMITRI. Available in France and Belgium only! Dmitri Shostakovich's Concerto No. 1 Op. 107 Available in France and Belgium only! Dmitri Shostakovich's Concerto No. 1 Op. 107/ Répertoire / Orchestre

Par CHOSTAKOVITCH DIMITRI. Pour la première fois disponibles en partition en Occident, deux pièces originales pour orgue du grand compositeur russe. Confession - Cathédrale (1955) extraites de la musique du film ' Le Taon ', réalisé par Alexandre Feinzimmer 8 pages sous couverture/ Répertoire / Orgue

Par CHOSTAKOVITCH DIMITRI. Just back from a trip to Leipzig in the early autumn of 1950 where he heard Bach's Well-Tempered Klavier at the Bicentennial Bach Competition played by the Russian pianist Tatiana Nikolaeva, Shostakovich began his own series of 24 Preludes and Fugues, Op. 87, based on Bach's model. He composed them quickly, starting on October 10, 1950, and finishing on February 23, 1951. While his work would pay homage to Bach, Shostakovich's work would have several fundamental differences. First, the order of the individual pieces would be organized around the circle of fifths with a prelude and fugue in the relative minor following each major key piece rather than in ascending semi-tonalorder of Bach's work. Second, Shostakovich's pieces would be composed in order — that is, C major - A minor followed by G major - E minor followed by D major - B minor — and, more significantly, this order would have a sort of subliminal narrative sub-text, taking the music from the 'innocent' tonal world of the C major Prelude and Fugue to the profound and sublime severity of the concluding D minor Prelude and Fugue. Finally, Shostakovich's work, although conservative in its counterpoint and harmony — that is, there are no examples of invertible or reversible themes or counterpoint and the pieces are for the most part recognizably tonal in language — is still clearly the work of a modernist composer; his counterpoint and harmony may be conservative but the emotional and spiritual worlds of the preludes and fugues is at once sincere and ironic. The result is a work which can not only stand comparison with Bach's Well-Tempered Klavier, it is both Shostakovich's masterpiece for the piano and one of the contrapuntal masterpieces of the twentieth century./ Répertoire / Piano