Blues Variations

Koeppen Gabriel est l'un des professeurs de violoncelle qui composent la littérature quelques violoncelle facilement jouable dans les styles pop et jazz. Les trois pièces pour violoncelle solo de blues nécessitent la connaissance de la 1ère à 4ème positions, s'adressant à la grande variété du blues. Dans la lente balancer 'Blues Groovy ', le violoncelliste him-/herself demande compte avec gauche pizzicati. Blues avec des variations 'est un mélange de styles - composé de rock-like, shuffle de blues battant, effets goulot d'étranglement guitaristique, be-bop et les rythmes funk phrases. 'Occupé Blues' La troisième pièce est une pièce intense et mouvementé. Un atout précieux pour le répertoire de scolarité, de concert, et 'Jeunes Musiciens' de la compétition. / Violoncelle / 8 pages / niveau : Intermédiaire / Partition

Advanced goulot d'étranglement Technique et répertoire sur ce DVD de deux ensemble, Bob Brozman fournit une boîte à outils complète avec laquelle améliorer considérablement vos arrangements de blues. Vous développez votre répertoire et maîtriser une variété à couper le souffle de licks et techniques. Bob fournit deux historique et une analyse technique des styles, des innovations et des techniques à l'origine créé par Robert Johnson, Son House, Charlie Patton, Bukka White, Tampa rouge, Skip James et autres maîtres de diapositive de Delta, et il offre une multitude de suggestions pour la création de vos propres variations. Vous apprendrez à jouer dans une variété d'ajustements apportés, ajouter le descendant des lignes de basse, alignement, laminage triplets, bar technique et de nombreux revirements de vos arrangements de blues de la chaîne. Bob ajoute ses propres uniques touche - corps de guitare par percussion gifles techniques, hammer-ons, pull-offs, palm harmoniques, l'accident vasculaire cérébral ' activité ' et autres variations pour vous donner un entraînement réel musical. Bob met en lumière les subtilités du rythme, phrasé et goulot te... / Guitare / niveau : Débutant/Intermédiaire / Dvd

Rev. Gary Davis was a musical giant. His ideas spanned a wide range of techniques and styles. His repertoire featured blues, rags, show instrumentals and gospel songs. He played with his thumb and index finger to pick out complex melodies, rhythmic licks and lightning fast single-string runs. In this book, seven of Rev. Davis's blues are presented. These arrangements have been performed and recorded by a host of great artists including Bob Dylan, Taj Mahal, Hot Tuna, David Bromberg, John Renbourn, Bert Jansch and many others. These lessons are for the intermediate to advanced fingerstyle guitarist. The accompanying three CD lessons teach these arrangements phrase by phrase as well as presenting the original recordings. LESSON ONE: Our first lesson highlights two of Rev. Davis's most popular blues arrangements. Hesitation Blues is played in the key of C. Baby, Let Me Follow You Down is played in the key of G. LESSON TWO: The key of C was a favorite for Rev. Davis. In this lesson we explore the party tune Sally Where'd You Get Your Liquor From (made popular by Hot Tuna). Rev. Davis used to joke that he could play Candyman so many different ways that he would be able to play it nonstop for at least 8 hours without repeating himself! We look at two versions of this very popular folk blues with the regular Candyman followed by the Two-Step Candyman. LESSON THREE: 'Raggin' the blues' was a great part of Rev. Davis's repertoire. His Walkin' Dog Blues is a tour de force in a blues in C. All fourteen verses are transcribed here, and we study how this arrangement develops. Buck Rag is a fascinating rag played in the key of C. Single-string runs, counterpoint lines, rhythmic variations and syncopated bass patterns are featured. / Guitare (Fingerpick) / 40 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Apprendre à jouer le blues traditionnel et musique old-time string band sur la mandoline. Steve James connaît cette musique et son histoire bien, et il fait il clairement ressortir sur cette leçon remplie de ' Lovin ' ful high jinks. Steve commence par les bases, mais rapidement obtient en écailles de blues, pick strokes, technique de trémolo et autres outils nécessaires pour jouer avec style et d'authenticité. Il énonce certains accords blues sur la mandoline, montrant le rythme compilation d'accompagnement de la chanson avec les revirements, double s'arrête, les riffs de blues et variations sur une ligne de boogie-woogie marche - tous les éléments essentiels pour développer un répertoire blues. / Mandoline

Par KEMBER JOHN. Le maître de Piano Jazz ' est une fantastique collection d'études embrassant les techniques de jeu rencontrés par le pianiste de jazz en développement et des pièces de répertoire. Accordage étroite, rythmes croisées, rythmes off-beat, les variations de blues et la séquence des septièmes sont abordés sur en tandem avec un répertoire séduire de tous les temps favoris : de Elton John votre chanson, Stevie merveilles n'est pas qu'elle est jolie, chaque fois de Cole Porter, nous disons good bye - pour en nommer quelques-uns - sont rejoints par plus de compositions inspirées du Kember. Brillamment mis sur pied et agréable de travailler par le biais, le maître de Piano Jazz est la façon cool de polonais jusqu'à votre technique de piano jazz. Conçu comme suivi sur des études de Jazz progressistes ou comme livre d'étude répertoire autonomes pour les joueurs de capacité AB Grade 6 et plus./ Recueil / Piano

Fingerpicking Blues Guitar is a never ending study full of surprises and discoveries. Each key of the Guitar offers new sounds and textures. A blues played in the key of C sounds world's apart from a blues played in the keys of A G D or E. This series focuses on a single key for each lesson. The key of G offers specific advantages. It is ideal for the alternating bass technique i.e. Mississippi John Hurt's style of playing. In this lesson we start by learning an arrangement of Marshall Owens' 1930s recording of Try Me One More Time. This was originally played in an Open G tuning but is here arranged in standard tuning using a JohnHurt approach. Not all blues from the 1920s and 1930s were fingerpicked. Jim Jackson was a popular Memphis songster who basically strummed his Guitar. But his repertoire was full of wonderful songs. Stefan Grossman has taken his Wild About My Loving and has tried to keep the original feel by combining a strum approach intermingled with fingerpicking the melody. Little Hat Jones was an amazing fingerstyle bluesman. His Bye Bye Baby Blues was played in the key of G. Here his version is fully transcribed note for note. Blind Boy Fuller recorded many blues in the key of G. In this lesson we'll tackle three of his arrangements: Baby Let Me Lay It On You Baby Quit Your Low Down Ways and I Crave My Pigmeat. We study his playing note for note but also explore variations. By the end of this lesson you will know six great tunes and have an insight in to fingerpicking blues in the key of G. A detailed tab/music booklet is included as a PDF file on the DVD. Each tune is taught phrase by phrase and played slowly on a split-screen. As well the original old recordings are included in the Bonus Audio section. Titles include: Try Me One More Time Wild About My Loving Bye Bye Baby Blues Baby Let Me Lay It On You Baby Quit Your Low Down Ways and I Crave My Pigmeat. 100 minutes

Transform Your Leaden Licks into Improvisational Gold 2-DVD Set-As anyone who squeaked through 10th grade history knows the alchemists were a semi-scientific posse of medieval individuals utterly hung up on the notion of transforming lead into gold. Of course their efforts did not lead to economic good times but Blues Alchemy addresses a much more useful and likely kind of transformation: turning those leaden everyday blues licks and chord progressions into tasty and intriguing improvisational gold.Blues Alchemy are about learning to play the changes but not in the sense that jazz musicians do - it isn't about learning every arpeggio and mode under the sun. Instead on ten diverse chord progressions master blues alchemistDavid Hamburger will teach you how to transform your blues bag into gold by learning how to target tones and 'play the changes.'This hands-on playing course guides the student through 10 distinct blues rhythm patterns and variations 10 distinct solos and variations plus dozens of extra blues licks and tricks of the trade.

Par GILLOCK WILLIAM / AUSTIN GLENDA (Arr.). All 15 pieces from Gillock's classic New Orleans Jazz Styles series adapted for piano duet and in one collection! These beloved, bouncy tunes encourage fabulous music-making and fun collaborations! Duet partners often become friends for life. Titles: After Midnight · Bill Bailey · Bourbon Street Saturday Night · Canal Street Blues · The Constant Bass · Dixieland Combo · Downtown Beat · Frankie and Johnny (Theme and Variations) · Mardi Gras · Mississippi Mud · Mister Trumpet Man · New Orleans Blues · New Orleans Nightfall · Taking It Easy · Uptown Blues. Includes access to audio files online for practice./ Recueil /

Keith Wyatt GIT's resident blues authority reveals his favourite blues chord voicing and comping concepts. Keith explores everything from straight-eighth boogie blues to rock shuffles and sophisticated uptown styles. Includes:classic blues chord voicings blues progression variations chord substitution straight-eightth and shuffle patterns and several complete 12-bar blues progressions. This DVD has all the tricks to help you go beyond the basics ofplaying blues rhythm guitar.