Matériel : Partition + CD
SKU: SP.TS024
ISBN 9781585603220. UPC: 649571100247.
Unlik e many collections which feature obscure titles, Exceptional Classics for Trombone, arranged by Tony Santorella and Jonathon Robbins features a broad assortment of well-known classics originally written for piano. This best selling title contains works from a variety of major composers, which by its nature, provides examples of music written from several different eras. This eliminates the need for multiple teaching materials and is a great resource for teaching young horn players early, easy, original classics. Exceptional Classics for Trombone published by Santorella Publications is a required text for many state audition lists and is suggested by music educators associated with the highly regarded NYSSMA organization. The accompanying CD is an acoustic piano accompaniment and extremely helpful towards learning these important masterpiece themes. Little Cradle Song, Schumann - Russian Folk Song, Beethoven - Tell Me, Fair Ladies from The Marriage of Figaro, Mozart - The Organ Grinder, Tchaikovsky - Allegro, Mozart - Minuet, Bach - Minuet, Haydn - Russian Song, Tchaikovsky - Serenade, Mozart - Gavotte, Bach - German Dances, Haydn - Andante from The Surprise Symphony No. 94, Haydn - Waltz, Beethoven - German Dance, Schubert - Ecossaise, Beethoven - Canon In D, Pachelbel - Ode to Joy from Symphony No. 9, Beethoven - Two Minuets, Bach - Jesu, Joy of Man's Desiring, Bach - Andante, Mozart - Aria, Bach - Serenade from Eine Kleine Nachtmusik, Mozart - Norse Song, Schumann - Old French Song, Tchaikovsky - Turkish March from The Ruins of Athens, Beethoven - The Wild Horseman, Schumann - Two Minuets from The Notebook of Anna Magdalena Bach, Bach.
SKU: SP.TS234
ISBN 9781585604654. UPC: 649571102340.
Promi ses Wedding Classics published by Santorella Publications is the finest collection of wedding classics in print for wind instruments. This majestic assortment of classics for brass and reed instruments is sure to bring joy to any ceremony. Santorella's Promises Wedding Classics for Trombone is arranged by Jonathon Robbins and edited by Tony Santorella. This beautiful blend of Classics is not only ideal for weddings, but a fantastic assortment of important works written by some of the greatest composers of all time. Although the majority of these titles were originally written for keyboard, we are sensitive towards the range restrictions of all brass and reed players yet true to the original melodies. This exceptional assortment of 12 key wedding titles is sure to set the mood to rejoice in holy matrimony. This best-selling Santorella Publication is written in accommodating keys for trumpet, clarinet, flute, alto sax, violin, and trombone and includes a piano accompaniment CD. Includes: Canon in D, Pachelbel - Two Minuets, Bach - Moonlight Sonata, Beethoven - Trumpet Voluntary, Purcell - Ode to Joy, Beethoven - Jesu, Joy of Man's Desiring, Bach - Bridal Chorus, Wagner - Wedding March, Mendelssohn - Grand March, Verdi - Simple Gifts, Brackett - Ave Maria, Bach - Ave Maria, Schubert.
SKU: CY.CC3042
ISBN 9790530110164. 8.5 x 11 in inches.
This Prelude No. 7 is an early work and one of Bach's best known of what is now known as Book 1 of the Well-Tempered Clavier. There is much in this little work actually, the most extended in Book 1. Mr. Denroche's arrangement works perfectly for Brass Quintet and is transposed down to the key of C from the original e-flat. The range is modest and most moderately advanced groups can perform it. C & B-flat parts are supplied for the Trumpets.
SKU: CY.CC3155
ISBN 9790530111239. 8.5 x 11 in inches.
The J. S. Bach School for Trombone, expertly arranged and beautifully recorded by Mike Hall, features Bach's 15 two-part Inventions (BWV 772-786) and the 15 three-part Sinfonias (BWV 787-801) as playable duets and trios AND most importantly as play-along chamber music on alto, tenor and bass trombone. In short, a performer may choose any of Mike Hall's 150 superbly recorded tracks as accompaniments to play-along with. Similar to the famous Music Minus One recordings from decades past. What is included in this fantastic project? * 71 pages of the complete Two-part Inventions and Three-part Inventions in score format. * Mike Hall's Introduction and commentary on each of the above 30 pieces of music, including detailed instruction on how to best perform baroque ornaments on each instrument. * 150 tracks (in high quality lossless WAV format) of Mike Hall's great performing on alto, tenor and bass trombone of every possible combination of each of the 30 pieces to Play-along with on either alto, tenor or bass trombone. Each play-along track comes with a click to keep you on track.
SKU: BT.AMP-033-020
This enchanting melody is from the fourth movement of Bach’s Cantata 140 which was composed in 1731 using the parable of the wise and foolish virgins as the text. The work is beautiful in its simplicity with only three melodic lines, demonstrating Bach’s counterpoint at its best. For greatest effect it is suggested that the trumpets and trombones play behind the band or to the right and left of the stage. Bach schreef een ontelbare hoeveelheid cantates. Deze cantate, waarvan de tekst afkomstig is van de gelijkenis van de wijze en de dwaze maagden, schreef Bach in 1731 voor de 27e zondag na Drievuldigheidsdag (de eerste week van deadvent) en is gebaseerd op een koraal van Philipp Nicolai (1556-1608). Het vierde deel van de cantate, waarin Bach’s contrapunt zich van zijn meest elegante kant laat zien, werd door Philip Sparke bewerkt. Het bestaat uit drie melodielijnenen is in zijn eenvoud wonderbaarlijk mooi.Johann Sebastian Bach schrieb in seinem musikalisch überaus produktiven Leben unzählige Kantaten. Diese Kantate, deren Text vom Gleichnis der klugen und der törichten Jungfrauen handelt, schrieb er zum ersten Adventssonntag. Philip Sparke bearbeitete daraus den vierten Satz, in welchem sich Bachs Kontrapunkt von seiner elegantesten Seite zeigt, für Blasorchester. Das Stück besteht aus nur drei melodischen Linien, ist aber gerade in seiner Schlichtheit wunderschön.
SKU: BT.AMP-033-010
This enchanting melody is from the fourth movement of Bach’s Cantata 140 which was composed in 1731 using the parable of the wise and foolish virgins as the text. The work is beautiful in its simplicity with only three melodic lines, demonstratingBach’s counterpoint at its best. For greatest effect it is suggested that the trumpets and trombones play behind the band or to the right and left of the stage.Johann Sebastian Bach schrieb in seinem musikalisch überaus produktiven Leben unzählige Kantaten. Diese Kantate, deren Text vom Gleichnis der klugen und der törichten Jungfrauen handelt, schrieb er zum ersten Adventssonntag. Philip Sparke bearbeitete daraus den vierten Satz, in welchem sich Bachs Kontrapunkt von seiner elegantesten Seite zeigt, für Blasorchester. Das Stück besteht aus nur drei melodischen Linien, ist aber gerade in seiner Schlichtheit wunderschön.
SKU: BT.AMP-033-030
This enchanting melody is from the fourth movement of Bach’s Cantata 140 which was composed in 1731 using the parable of the wise and foolish virgins as the text. The work is beautiful in its simplicity with only three melodic lines, demonstrating Bach’s counterpoint at its best. For greatest effect it is suggested that the cornets and trombones play behind the band or to the right and left of the stage. Dit werk, gebaseerd op het vierde deel van de cantate ‘Wachet auf, ruft uns die Stimme’ van Bach, is van een grote elegantie. Geschikt voor elk publiek. Diese wunderschöne Melodie stammt aus dem vierten Satz von Bachs Kantate Nr. 140, die er 1731 zur ersten Adventswoche schrieb. Der Text behandelt das Gleichnis der klugen und der törichten Jungfrauen. Das Werk besticht durch seine Schlichtheit mit nur drei melodischen Linien - hier zeigt sich Bachs Kontrapunkt von seiner besten Seite. Einen besonderen Effekt erzielen Sie bei der Aufführung von Philip Sparkes Bearbeitung für Brass Band, wenn Sie die Cornets und Posaunen getrennt von der Band aufstellen.L’ai r de Bach est dans les dix premiers de chaque classement de musique classique. Parfait pour chaque public.
SKU: BT.AMP-033-130
This enchanting melody is from the fourth movement of Bach’s Cantata 140 which was composed in 1731 using the parable of the wise and foolish virgins as the text. The work is beautiful in its simplicity with only three melodic lines, demonstrating Bach’s counterpoint at its best. For greatest effect it is suggested that the cornets and trombones play behind the band or to the right and left of the stage. Diese wunderschöne Melodie stammt aus dem vierten Satz von Bachs Kantate Nr. 140, die er 1731 zur ersten Adventswoche schrieb. Der Text behandelt das Gleichnis der klugen und der törichten Jungfrauen. Das Werk besticht durch seine Schlichtheit mit nur drei melodischen Linien - hier zeigt sich Bachs Kontrapunkt von seiner besten Seite. Einen besonderen Effekt erzielen Sie bei der Aufführung von Philip Sparkes Bearbeitung für Brass Band, wenn Sie die Cornets und Posaunen getrennt von der Band aufstellen.
SKU: BT.AMP-033-120
This enchanting melody is from the fourth movement of Bach’s Cantata 140 which was composed in 1731 using the parable of the wise and foolish virgins as the text. The work is beautiful in its simplicity with only three melodic lines, demonstrating Bach’s counterpoint at its best. For greatest effect it is suggested that the trumpets and trombones play behind the band or to the right and left of the stage. Aus der Kantate 140 'Wachet auf, ruft uns die Stimme'Johann Sebastian Bach schrieb in seinem musikalisch überaus produktiven Leben unzählige Kantaten. Diese Kantate, deren Text vom Gleichnis der klugen und der törichten Jungfrauen handelt, schrieb er zum ersten Adventssonntag. Philip Sparke bearbeitete daraus den vierten Satz, in welchem sich Bachs Kontrapunkt von seiner elegantesten Seite zeigt, für Blasorchester. Das Stück besteht aus nur drei melodischen Linien, ist aber gerade in seiner Schlichtheit wunderschön.
SKU: BT.AMP-033-140
SKU: BA.BA10021-65
ISBN 9790006538041. 32.5 x 25.5 cm inches.
The cantataIch hatte viel Bekummernisdates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle . Its assigning to the third Sunday after Trinity probably only occurred the following year. With its large-scale structure and strong emphasis on biblical texts, it was extremely popular in the 19th century and remains one of Bach's best-known cantatas today. The cantata is published here in a vocal score based on the New Bach Edition with an idiomatic, straightforward piano reduction by Martin Focke . - One of Bach's best-known cantatas - Urtext based on theNew Bach Edition - Clear straightforward piano reduction
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: CY.CC2104
Bach's Unaccompanied Suites beautifully and meticulously edited for Tuba or Bass Trombone by Ralph Sauer, are now available for the first time in pdf format on a CD-ROM. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer and Pablo Casals,I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style...This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built.To quote Pablo Casals, Where interpreting Bach's music is concerned, there are no hard and fast rules...The best thing to do is to discard all preconceived ideas and try to approach in our performances whatever the music conveys to us....
