Puritani

Vous êtes chanteur? Aucun doute cette partition vous satisfaira à 100%. Cataloguée sous la référence CP04168504, cette partition de Bellini Vincenzo a pour titre PURITANI . A n'en pas douter, elle se classe logiquement dans la catégorie Classique. / Voix Et Piano / Partition

Ed. Critica F. Della Seta - Riduzione Per Canto E Pianoforte - Softcover, 2 Volumi. Par BELLINI VINCENZO. I Puritani is the last work of Vincenzo Bellini: composed in nine months, from April 1834 to January 1835 (a gestation unusually long for that time), was performed for the first time in Paris, Théâtre Italien, 24 January 1835. During this period, the dramatic structure suffered radical transformations: initially structured in two acts, the work was divided into three acts just before the premiere, but on the eve of the first performance, and immediately after that, the excessive length of the title imposed the cut of three pieces and other minor sections. Simultaneously with the release for Paris, Bellini prepared a version designed for a planned exhibition for Naples at Teatro S. Carlo, whose protagonist had to be Maria Malibran and in which the part of Riccardo had to be supported by a tenor. The exhibition did not take place, as the score came late in Naples: the Neapolitan version was rediscovered and performed only in the eighties of the twentieth century. The new Critical Edition is based on the autograph, on the libretto of the first performance and on four manuscript copies produced in the context of the Théâtre Italien in the first months of life of the work, three of which contain autograph interventions (these sources are now kept at the Biblioteca Comunale in Palermo, at the Museo Civico Belliniano in Catania, at the Archivio Storico Ricordi in Milano and at the Staatsbibliothek zur Preussischer Kulturbesitz in Berlin). This Edition presents for the first time all the music composed by Bellini, it restores the sections deleted before or after the first performance in Paris, and returns the modified sections of the Naples version- it consists of three-score volumes - introduced by a detailed reconstruction of the historical context - and of a 'Apparati” volume with a description of the Sources and the Critical Commentary to the musical text. / Niveau : Intermédiaire à Avancé / Répertoire / Chant et Piano

Volume I: Mad Scenes-Contents: Il dolce suono mi colp di sua voce! (Lucia di Lammermoor) £ O rendetemi la speme (I Puritani) £ A vos jeux mes amis (Hamlet).

Ah! Per sempre io ti perdei (from I Puritani) (Bellini) - Alla vita che t'arride (from Un Ballo In Maschera) (Verdi) - Bella siccome un angelo (from Don Pasquale) (Donizetti) - Cortigiani, vil razza dannata (from Rigoletto) (Verdi) - Credo in un Dio crudel (from Otello) (Verdi) - Cruda, funesta smania (from Lucia Di Lammermoor) (Donizetti) - Dio di Giuda! (from Nabucco) (Verdi) - Di Provenza il mar, il suol (from La Traviata) (Verdi) - Eccomi solo alfine... O vecchio cor, che batti (from I Due Foscari) (Verdi) - Eri tu che macchiavi quell'anima (from Un Ballo In Maschera) (Verdi) - Gran Dio!... Oh de' verd'anni miei (from Ernani) (Verdi) - Il balen del suo sorriso (from Il Trovatore) (Verdi) - Il cavallo scalpita (from Cavalleria Rusticana) (Mascagni) - Largo al factotum (from Il Barbiere Di Siviglia) (Rossini) - Ma de' malvagi/Vien Leonora, a' piedi tuoi (from La Favorita) (Donizetti) - Morir!... Tremenda cosa!.../ Urna fatale del mio destino (from La Forza Del Destino) (Verdi) - O Carlo ascolta... Io morrò (from Don Carlo) (Verdi) - O! Du mein holder Abendstern (from Tannhauser) (Wagner) - Pari siamo (from Rigoletto) (Verdi) - Pescator, affonda l'esca (from La Gioconda) (Ponchielli) - Pietà, rispetto, amore (from Macbeth) (Verdi) - Resta immobile (from Guglielmo Tell) (Rossini) - Si può'... Un nido di memorie (from I Pagliacci) (Leoncavallo) - Tre sbirri... Una carrozza... (from Tosca) (Puccini) - Udite, udite, o rustici (from L'Elisir D'Amore) (Donizetti) - Votre toast, je peux vous le rendre (from Carmen) (Bizet)