Puritani

Référence unique par son ISBN 9790040416855 cette partition musique de Bellini Vincenzo n'est autre que PURITANI qui a été composée pour Voix Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Ricordi. La référence catalogue de cette oeuvre est CP04168505. / Voix Et Piano / Partition

Ed. Critica F. Della Seta - Riduzione Per Canto E Pianoforte - Softcover, 2 Volumi. Par BELLINI VINCENZO. I Puritani is the last work of Vincenzo Bellini: composed in nine months, from April 1834 to January 1835 (a gestation unusually long for that time), was performed for the first time in Paris, Théâtre Italien, 24 January 1835. During this period, the dramatic structure suffered radical transformations: initially structured in two acts, the work was divided into three acts just before the premiere, but on the eve of the first performance, and immediately after that, the excessive length of the title imposed the cut of three pieces and other minor sections. Simultaneously with the release for Paris, Bellini prepared a version designed for a planned exhibition for Naples at Teatro S. Carlo, whose protagonist had to be Maria Malibran and in which the part of Riccardo had to be supported by a tenor. The exhibition did not take place, as the score came late in Naples: the Neapolitan version was rediscovered and performed only in the eighties of the twentieth century. The new Critical Edition is based on the autograph, on the libretto of the first performance and on four manuscript copies produced in the context of the Théâtre Italien in the first months of life of the work, three of which contain autograph interventions (these sources are now kept at the Biblioteca Comunale in Palermo, at the Museo Civico Belliniano in Catania, at the Archivio Storico Ricordi in Milano and at the Staatsbibliothek zur Preussischer Kulturbesitz in Berlin). This Edition presents for the first time all the music composed by Bellini, it restores the sections deleted before or after the first performance in Paris, and returns the modified sections of the Naples version- it consists of three-score volumes - introduced by a detailed reconstruction of the historical context - and of a 'Apparati” volume with a description of the Sources and the Critical Commentary to the musical text. / Niveau : Intermédiaire à Avancé / Répertoire / Chant et Piano

Volume I: Mad Scenes-Contents: Il dolce suono mi colp di sua voce! (Lucia di Lammermoor) £ O rendetemi la speme (I Puritani) £ A vos jeux mes amis (Hamlet).

Study Score-After themes of Vincenzo Bellini from La Sonnambula I Puritani I Capuletti ed I Montecchi.

Ces transcriptions originales de cinquante mélodies d'opéra populaires pour piano solo constituent environ la moitié du répertoire de la performance actuelle. De Aïda de Turandot et plus, la collection comprend des contributions de presque tous les grands compositeurs. Introductions individuels offrent un bref résumé de l'opéra de la source, et des images d'archives placer chaque pièce dans son contexte plus large. Convient aux pianistes de niveau intermédiaire, les sélections comprennent des pièces de Amahl et les visiteurs de nuit, Le Barbier de Séville, La Fiancée vendue, Carmen, Cavalleria Rusticana, Die Fledermaus, Der Rosenkavalier, Die Meistersinger von Nürnberg, Don Giovanni, Eugène Onéguine, Faust, Hansel et Gretel, I Pagliacci, I Puritani, Il Trovatore, La Bohème, L'Africaine, Lakmé, La Traviata, Lohengrin, Lucia di Lammermoor, Madama Butterfly, La Flûte enchantée, Martha, Le Prince Igor, Rinaldo, Samson et Dalila, Tales Hoffmann, Tannhäuser, Thaïs, Tosca, Tristan und Isolde et plus. / Piano

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