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SKU: HL.14048290
6.75x10.0x0.116 inches. English.
Pawel Lukaszewski's Beati for SSAATTBB choir unaccompanied. Commissioned by YL Male Voice Choir, Ylioppilaskunnan Laulajat, Finland.
SKU: CA.5039919
ISBN 9790007138493. Key: G major / c major. Language: Latin.
Contains: solo aria O coelitum beati (G major); chorus Alleluja (C major). Score and parts available separately - see item CA.5039900.
SKU: MN.56-0022
UPC: 688670220272. Latin. Luke 10:33; Isaiah 66:13.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSA voices, cello, organ, and synthesizer, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. This is piece is a Latin setting of Luke 10:33 (“A certain Samaritan being on his journey came near himâ€) and Isaiah 66:13 (“As one whom the mother caresses, I will comfort youâ€). Quick, florid, and leaping passages begin in the solo voice as the chorus comments and then repeats those passages. After that the piece is basically a duet structure with only two measures where the sopranos divide. Duration 4:44
SKU: MN.56-0032
UPC: 688670220371. Latin. Isaiah 4:6; Psalms 31:7.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSAA chorus, organ, cello, synthesizer, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. This movement begins with the soloist singing in English (“Blessed are the stateless; blessed are the homelessâ€). Next the chorus sings Latin settings of Isaiah 4:6 (“And there shall be a tabernacleâ€) and Psalms 31:7 (“Thou art my refugeâ€). The Latin is set in a sort of mantra-like declamatory style, moving through unison into two-part and finally three. All voice return to the opening theme in English originally sung by the soloist. Then the two concepts are overlaid, the solo motif with the declamatory Latin. The choral voices recap the unison-through-three part declamatory section, the soloist briefly returns to the opening theme. Duration 7:25
SKU: MN.56-0031
UPC: 688670220364. Latin. Genesis 20:13; Numbers 11:17.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For Solo and SS divisi, a cappella, the music has a light, ethereal feeling. ââ¬ÅBeatiâ⠬ can be taken as a sort of ââ¬ÅBlessed are theyââ¬Â prefix for the movements which are not direct quotes from the Beatitudes. This movement is a unison, chant-like setting of the Latin texts for Genesis 20:13 (ââ¬ÅThou shalt do me this kindnessââ¬Â¦Ã â¬Â) and Numbers 11:17 (ââ¬ÅAnd I will take of thy spiritââ¬Â). The soloist begins and sometimes takes over from the choral voices. Mostly unison except for about ten measures (out of the 69) in two-part texture and four measures in three parts. Duration 4:39
SKU: MN.56-0021
UPC: 688670220265. Latin. Lamentations 1:2; John 14:18.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and women’s chorus (mostly SSA but with a few SSAA passages), organ, cello, synthesizer, and handbells, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. In this case the only English text is at the beginning and end, sung by the soprano soloist. The rest is a Latin setting of Lamentations 1:2 (“Weeping, she hath wept in the nightâ€) and John 14:18 (“I will not leave you orphansâ€). Duration 7:12
SKU: CA.741420
ISBN 9790007160333. Language: Latin.
SKU: HL.49044698
ISBN 9790001201902. UPC: 841886023932. 7.5x10.75 inches. Russian.
Beati is dedicated to the more than two thousand victims of National Socialist euthanasia killings at the hospital and sanatorium of Kaufbeuren-Irsee. The piece is characterized by speech rhythms and improvisation and also includes the audience. In Russian.
SKU: CA.4063411
ISBN 9790007074975. Key: B flat major. Language: Latin.
Score available separately - see item CA.4063400.
SKU: CA.4063413
ISBN 9790007074999. Key: B flat major. Language: Latin.
SKU: CA.4063412
ISBN 9790007074982. Key: B flat major. Language: Latin.
SKU: HL.14042903
UPC: 888680701642. 6.75x10.5x0.019 inches.
The Beatitudes was composed by Paul Mealor in 2013, for SATB Choir. St Machar's Cathedral, Aberdeen commissioned The Beatitudes for Remembrance Sunday 2013. Mealor was catapulted to international attention when 2.5 billion people heard his motet, Ubi caritas , performed at the Royal Wedding Ceremony of His Royal Highness Prince William and Catherine Middleton at Westminster Abbey, 29th April 2011.
SKU: MN.56-0029
UPC: 688670220340. Latin. Matthew 5:3-11.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For solo and unison voices, cello, and organ, the music has a light, ethereal feeling. The text is in Latin. Appropriately for the title, this movement has the simplest construction of any of the Beatitude pieces. An angular but comfortable vocal line is sung first by the soloist and then by an increasing number of voices. The organ and muted cello accompany with a sustained, almost cantus-firmus-like line. Peaceful, legato, and sublime. Duration 4:30
SKU: MN.56-0023
UPC: 688670220289. Latin. Matthew 5:3-11.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For two soprano soloists and SA treble chorus (marked Soprano I and Soprano II in the score), cello, organ, and synthesizer, the music has a light, ethereal feeling. The Beatitudes text is set here entirely in Latin. Beginning in a meditative chant-like style, the music moves to a sort of dialogue duet, sometimes between the two soprano sections and sometimes between the two soloists. The music is sweet, lyrical, and calm. Duration 4:10
SKU: MN.56-0026
UPC: 688670220319. Latin. Matthew 5:3-11.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SS chorus, organ, cello, and handbells, the music has a light, ethereal feeling. The text is entirely in Latin and begins with a chant-like melody in unison. The cello begins to dialogue with this melody offset by a measure. The soloist is heard next in music that also dialogues with the cello, both a bit more complex than the beginning. All voices take up the solo passage, the cello commenting. The voices go into canon at the half measure, the cello continues with its own melody. The piece returns to unison and ends quietly. Duration 7:10
SKU: MN.56-0027
UPC: 688670220326. Latin. Matthew 5:3-11.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SS chorus (there are two measures of SSA divisi), organ, and handbells, the music has a light, ethereal feeling. The cello begins on a chant-like melody which the soloist repeats. Then all voices take up the melody. The length of the perhaps unfamiliar Latin text is offset by the simplicity of the beautiful vocal line. Duration 6:04
SKU: MN.56-0030
UPC: 688670220357. Latin. Matthew 5:3-11.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soloist, SS chorus (divisi), organ, cello, and handbells, the music has a light, ethereal feeling. A unison chant-line begins the piece unaccompanied. The organ enters with a drone as the chant continues. At the text “vocabuntur (called)†the voices split into three parts in a beautiful moment of radiance. There is a cello solo (13 measures) which restates the chant melody. The voice enter wordlessly as the cello continues. Finally, the chant melody reappears in the voices, in canon, as the music ends. Duration 5:58
SKU: MN.56-0025
UPC: 688670220302. Latin. Matthew 5:3-11.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For two-part treble chorus, cello, organ, and handbells, the music has a light, ethereal feeling. The piece begins in unison on a lyrical theme, which the cello echoes next in a 30-measure solo. The voices enter again with the theme, expanded to two parts. After brief restatement in the cello, the piece returns to a quiet, unison ending. Duration 5:02
SKU: MN.56-0024
UPC: 688670220296. Latin. Matthew 5:3-11.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For two soloists and treble chorus (SS,) organ, cello, synthesizer, and handbells, the music has a light, ethereal feeling. The text is set entirely in Latin in a chant-like style, first by the soloist with all voices joining as the piece progresses. Marked by rhapsodic melismas, the music is meditative but joyful. Duration 6:43
SKU: MN.56-0028
UPC: 688670220333. Latin. Matthew 5:3-11.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For SS chorus, organ, cello, and handbells, the music has a light, ethereal feeling. Set entirely in Latin, the music is a flowing, melismatic chant melody sung largely in unison. Two-thirds of the way through, the vocal texture goes into two parts, the cello doubling the lower vocal line at first. The vocal parts return to unison for the final melisma. Duration 3:09
SKU: OU.9780193950207
ISBN 9780193950207. 10 x 7 inches.
For SATTB and organ continuo. Sweelinck's setting of the Beatitudes is suitable for any Saint's day or the commemoration of the faithful departed. For the words 'Blessed are they which are persecuted for righteousness' sake', Sweelinck used a powerful chain of suspensions over a rising bass.
SKU: BA.BA03401
ISBN 9790006433964. 27.5 x 19.5 cm inches.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.4049920
ISBN 9790007070731. Language: Latin.
Score available separately - see item CA.4049900.