Trio Sonata In B Flat

Piano Trios. Par SCHUBERT FRANZ. Les deux trios avec piano de Schubert peuvent indubitablement être comptés au nombre de ses oeuvres les meilleures. Composés tous les deux en 1827, c’est-à-dire un an avant sa mort, ce sont des oeuvres caractéristiques de sa maturité, riches d’une grande invention mélodique alliée à une forte puissance créatrice formelle et une profonde expressivité. Si le trio en Mi bé-mol majeur op. 100 D 929 fut vendu à l’éditeur de Leipzig Probst (il ne parut cependant que juste après la mort de Schubert), le trio en Si bémol majeur op. 99 D 898 ne fut pas imprimé du vivant du compositeur. L’adagio en Mi bémol majeur op. post. 148 D 897 reproduit en annexe et connu plus tard sous letitre de Notturno fut conçu à l’origine comme mouvement lent du trio en Si bémol majeur. Schubert pourrait l’avoir considéré comme impropre à la publication du fait de son caractère sombre et expressif jusqu’au désespoir. Il ne parut d’ailleurs qu’en 1846. En annexe de ce recueil figure également le premier essai dans le genre du trio composé par Schubert à l’été 1812, alors qu’il était âgé de 15 ans. / Partition brochée / Répertoire / Trio avec Piano

Urtext Edition. Par SCHUBERT FRANZ. Les deux trios avec piano de Schubert peuvent indubitablement être comptés au nombre de ses oeuvres les meilleures. Composés tous les deux en 1827, c’est-à-dire un an avant sa mort, ce sont des oeuvres caractéristiques de sa maturité, riches d’une grande invention mélodique alliée à une forte puissance créatrice formelle et une profonde expressivité. Si le trio en Mi bé-mol majeur op. 100 D 929 fut vendu à l’éditeur de Leipzig Probst (il ne parut cependant que juste après la mort de Schubert), le trio en Si bémol majeur op. 99 D 898 ne fut pas imprimé du vivant du compositeur. L’adagio en Mi bémol majeur op. post. 148 D 897 reproduit en annexe et connu plus tard sous letitre de Notturno fut conçu à l’origine comme mouvement lent du trio en Si bémol majeur. Schubert pourrait l’avoir considéré comme impropre à la publication du fait de son caractère sombre et expressif jusqu’au désespoir. Il ne parut d’ailleurs qu’en 1846. En annexe de ce recueil figure également le premier essai dans le genre du trio composé par Schubert à l’été 1812, alors qu’il était âgé de 15 ans. / Partition brochée / Répertoire / Trio avec Piano

Church Sonatas in Three Parts, Op. I [Sonate da Chiesa a trè] (ded. to Queen Christina of Sweden)
Sonata No. 1 in F Major
Sonata No. 2 E Minor
Sonata No. 3 in A Major
Sonata No. 4 in A Minor
Sonata No. 5 in B-flat Major
Sonata No. 6 in B Minor
Sonata No. 7 in C Major
Sonata No. 8 in C Minor
Sonata No. 9 in G Major
Sonata No. 10 in G Minor
Sonata No. 11 in D Minor
Sonata No. 12 in D Major
Chamber Sonatas in Three Parts, Op. 2 [Sonate da Camera a trè] (ded. To Cardinal Benedetto Pamphili)
Sonata No. 1 in D Major
Sonata No. 2 in D Minor
Sonata No. 3 in C Major
Sonata No. 4 in E Minor
Sonata No. 5 in B-flat Major
Sonata No. 6 in G Minor
Sonata No. 7 in F Major
Sonata No. 8 in B Minor
Sonata No. 9 in F-sharp Minor
Sonata No. 10 in E Major
Sonata No. 11 in E-flat Major
Sonata No. 12 in G Major (Chaconne)
Church Sonatas in Three Parts, Op. 3 [Sonate da Chiesa a trè] (ded. to Duke Francesco II of Modena)
Sonata No. 1 in F Major
Sonata No. 2 in D Major
Sonata No. 3 in B-flat Major
Sonata No. 4 in B Minor
Sonata No. 5 in D Minor
Sonata No. 6 in G Major
Sonata No. 7 in E Minor
Sonata No. 8 in C Major
Sonata No. 9 in F Minor
Sonata No. 10 in A Minor
Sonata No. 11 in G Minor
Sonata No. 12 in A Major
Chamber Sonatas in Three Parts, Op. 4 [Sonate da Camera a trè] (ded. to Cardinal Pietro Ottoboni)
Sonata No. 1 in C Major
Sonata No. 2 in G Minor
Sonata No. 3 in A Major
Sonata No. 4 in D Major
Sonata No. 5 in A Minor
Sonata No. 6 in E Major
Sonata No. 7 in F Major
Sonata No. 8 in D Minor
Sonata No. 9 in B-flat Major
Sonata No. 10 in G Major
Sonata No. 11 in C Minor
Sonata No. 12 in B Minor
Six Violin Sonatas, Op. 5, Part 1 [VI Sonate a Violino Solo] (ded. to Electress Sophie Charlotte of Brandenburg)
Sonata No. 1 in D Major
Sonata No. 2 in B-flat Major
Sonata No. 3 in C Major
Sonata No. 4 in F Major
Sonata No. 5 in G Minor
Sonata No. 6 in A Major
Preludes, Allemandes, Correntes, Gigues, Sarabandes, Gavottes and Follia, Op. 5, Part 2 [Preludii, Allemande, Correnti, Gighe, Sarabande, Gavotte, e Follia] (ded. To Electress Sophie Charlotte of Brandenburg)
Sonata No. 7 in D Minor
Sonata No. 8 in E Minor
Sonata No. 9 in A Major
Sonata No. 10 in F
Sonata No. 11 in E Major
Follia in D Minor (Sonata No. 12)

'It is the spirit which holds together noble and better men on this earth that is now addressed to you?, Beethoven wrote thus to the dedicatee of the Sonata op. 109, the nineteen-year-old Maximiliane Brentano in 1821. Beethoven had already composed a little piano trio (B flat major WoO 39) for her in 1812. And now she was receiving a very different kind of work - the first of the heavyweight last three piano sonatas. It remains astounding that Beethoven initially wrote the first movement as a piano work in its own right, only later deciding to expand it into a complete sonata, which today appears to have been hewn from one piece of stone. / Piano

Wunderkind-Sonatas Volume II K. 10-15 Editor: Wolf-Dieter Seiffert Fingering: Ariane Haering In 1764 the eight-year-old Mozart wrote the Sonatas K. 10-15 in London. Leopold Mozart was only able to understand his son's musical genius in terms of it being a God-given wonder: That my boy [...] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it. According to the title page the six sonatas can either be played as piano trios, violin sonatas or simply piano solo. As we have already published them in the form of piano trios and violin sonatas (HN 1078), we are now presenting them in an Urtext edition for piano solo. Piano Sonata (Wunderkind) B flat major KV 10 Piano Sonata (Wunderkind) G major KV 11 Piano Sonata (Wunderkind) A major KV 12 Piano Sonata (Wunderkind) F major KV 13 Piano Sonata (Wunderkind) C major KV 14 Piano Sonata (Wunderkind) B flat major KV 15

Wunderkind Sonatas Volume II for Piano and Violin K. 10-15 Editor: Wolf-Dieter Seiffert Fingering and bowing for Violin: Benjamin Schmid Fingering Piano: Ariane Haering Leopold Mozart was only able to understand his son's musical genius in terms of it being a God-given wonder: That my boy [...] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it. In 1764 Wolfgang composed six sonatas in London - possibly after the model of Johann Christian Bach's Opus 2 - that can either be played as piano trios, as violin sonatas or simply on the piano. Royal sources were consulted for the edition: the copy in the British Library bears the handwritten note: This Volume belongs to the Queen 1788. Violin Sonata (Wunderkind) B flat major KV 10 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) G major KV 11 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) A major KV 12 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) F major KV 13 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) C major KV 14 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) B flat major KV 15