Matériel : Feuillet
Cette édition séparée de la première Suite pour violoncelle solo de Johann Sebastian Bach contient le texte musical de l'édition de Wiener Urtext réputé avec tous les six suites violoncelles de Bach par Ulrich Leisinger. Grâce à nouvelles découvertes, Leisinger géré de réévaluer les sources qui n'ont pas quitté la structure du texte musical et le problème délicat associé des insultes intacte. Sa réévaluation a motivé une liberté plus forte de la copie manuscrite de Anna Magdalena Bach, qui avait toujours citée comme source principale jusqu'alors malgré qu'il soit très peu fiable à l'articulation - donc la nouvelle édition mène à des solutions plus convaincantes. Cette édition séparée est le point de départ idéal pour l'étude des suites -s Bach
SKU: AP.K04412
ISBN 9780769257563. UPC: 029156189230. 9x12 inches. English.
Six Suites for Cello Solo, written by Johann Sebastian Bach.
SKU: PR.ZM19800
SKU: FH.VC6
ISBN 978-1-55440-542-8.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Concertos:< br>Concerto No. 4 in G Major, op. 65 - Goltermann, Georg arr. Leo Schulz- First Movement: AllegroConcertino No. 1 in C Major, op. 7 - Klengel, Julius- First Movement: AllegroConcerto No. 1 in A Minor, RV 422 - Vivaldi, Antonio arr. Eberhard Wenzel- Second Movement: Largo cantabileSonatas and Suites:Sonata in D Minor, op. 8, no. 9 - De Fesch, Willem arr. Jason Noble- First Movement: Siciliano- Second Movement: AllemandeSonata in G Minor, RV 42 - Vivaldi, Antonio- First Movement: Preludio- Second Movement: AllemandaSinfonia in F Major - Pergolesi, Giovanni Battista arr. Joseph Schmid- Third Movement: Adagio- Fourth Movement: PrestoConcert Repertoire:Lied ohne Worte, op. 109 - Mendelssohn, FelixCantillation - Ethridge, JeanSupplication - Bloch, ErnestRomanze - Reger, MaxLa Provencale - Marais, Marin arr. May MukleGavotte, op. 67, no. 2 - Popper, DavidSerenade espagnole, op. 20, no. 2 - Glazunov, Aleksandr arr. M.P. BelaieffAndaluza (Playera) - Granados, Enrique arr. Manuel CalvoApparition - Rathburn, EldonSiciliana - Piazzolla, AstorUnaccompanied Repertoire:Suite No. 5 in C Minor, BWV 1011 - Bach, Johann Sebastian- Seventh Movement: GigueSuite No. 2 in D Minor, BWV 1008 - Bach, Johann Sebastian- Third Movement: CouranteSuite No. 1 in G Major, BWV 1007 - Bach, Johann Sebastian- First Movement: PreludeI Dropped My Ice Cream Cone - Laut, EdwardBallad - Laut, Edward.
SKU: FH.VC4
ISBN 978-1-55440-540-4.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Concertos, Sonatas, and Suites:Sonata in D Major - Caldara, Antonio arr. Gyoergy Orban- First Movement: Adagio- Second Movement: AllegroSonatina in D Minor, WoO 43a - Beethoven, Ludwig vanSonatina in G Minor - Matz, Rudolf- Second MovementSonata in F Major, op. 1, no. 1 - Marcello, Benedetto- Third Movement: Largo- Fourth Movement: AllegroConcertino No. 3 in A Major - Breval, Jean-Baptiste arr. L.-R. FeuillardConcert Repertoire:The Easy Winners - Joplin, Scott arr. Forrest KinneyOrientale, op. 50, no. 9 - Cui, CesarBonjour tristesse - Hart, PaulHip Hip Bourree - Jacobson, JulianElfentanz - Jenkinson, Ezra arr. Carey CheneyChanson de matin, op. 15, no. 2 - Elgar, EdwardCello Sonata in G Minor, op. 65 - Chopin, Frederic- Third Movement: LargoThe Swan Sees his Reflection - Forsyth, MalcolmSpanish Dance - Adorian, AndrewBaby Blackbird, Fly Now - Silverman, Adam B.Unaccompanied Repertoire:Suite for Violoncello (Lights and Shadows) - Matz, Rudolf- Second Movement: Cantabile- Eighth Movement: Finale giocosoRicercar No. 1 - Gabrielli, DomenicoSuite NO. 1 in G Major, BWV 1007 - Bach, Johann Sebastian- Seventh Movement: Gigue.
SKU: FV.FUE-10077
ISBN 979-0-50182-077-1.
Within this work Heller already establishes herself as a composer who possesses and demonstrates a clear sense of form, as well as a feel for creating arcs of tension and contrasts. The work is pianistically challenging, even though it fits the hands well. It requires, in particular, careful listening with regard to the structures and harmonic sequences. This thoroughly entertaining piece of music is set to benefit both up-and-coming musicians and concert pianists, and deserves to be included in the standard repertoire. The piano suite composed in 1956 by the 20 year-old Barbara Heller is a major accomplishment. Within this work Heller already establishes herself as a composer who possesses and demonstrates a clear sense of form, as well as a feel for creating arcs of tension and contrasts. Stylistically, the work belongs to the moderate modernist trend, which arose sometime after Hindemith. However, this piano suite has charms of its own; at times it is the emphatic shaping of phrases, which bring about moments of dissonance and occasionally, it is the harsh and unwilling gestures. The charm of this piece also lies within its deep-rooted earnestness and its frequent seasoning of humour.
SKU: HL.50498707
9.0x12.0x0.028 inches.
Prelude from Suite for Violoncello BWV1007' in G-Major. Arranged for piano solo.