Andalucia Suite, No. 6: Malaguena

Par LECUONA ERNESTO. Un ' Malaguena ' est une femme vivant dans la ville de port espagnol de Malaga, sur la côte sud de l'Espagne, dans la province de Andalucia. Malaguena du Lecuona était à l'origine le mouvement sixième de sa ' Andalucia Suite ' et a été effectuée dans de nombreuses versions d'artistes tels que Connie Francis, orchestre de Stan Kenton Bill Haley et les comètes ainsi et mettant en vedette dans le cadre de la comédie musicale intitulée ' Blast! '. Cet arrangement brass band a été déposée par Mark Freeh./ Répertoire / Brass Band

Includes arrangements of six classic pieces by the legendary Lecuona: Alhambra · Andaluca · Crdoba · Gitaneras · Guadalquivir · Malaguea. Features notes and tablature.

Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.

Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.

50 indémodables de la variété internationale d'hier et d'aujourd'hui en transcription guitare solfège et tablature facile avec les diagrammes d'accords et les paroles complètes. Titres : About A Girl - Against The Wind - Barely Breathing - Boulevard Of Broken Dreams - Breaking The Girl - Bye Bye Love - Champagne Supernova - Crazy Little Thing Called Love - Daughters - Every Rose Has Its Thorn - Falling Slowly (from the Motion Picture ONCE) - Fast Car - Free Fallin' - Have You Ever Seen The Rain? - Hey There Delilah - Ho Hey - A Horse With No Name - I Won't Give Up - Into The Mystic - Layla - Let Her Go - Malaguena (from the Spanish Suite ANDALUCIA) - Me and Julio Down By The Schoolyard - Mean - Melissa - More Than A Feeling - More Than Words - Nothing Else Matters - One - Patience - Peaceful Easy Feeling - Redemption Song - Ring Of Fire - Run Around - Signs - Silent Lucidity - Stairway To Heaven - Take Me Home, Country Roads - Tangled Up In Blue - Tequila Sunrise - Trouble - Truckin' - Wagon Wheel - Wake Up Little Susie - We Can Work It Out - What I Got - Wild World - Wish You Were Here - Yellow - Yesterday / Guitare