Matériel : Partition
SKU: HL.14042686
Full Score For John Tavener'S Three Hymns Of George Herbert For Satb Chorus, Percussion And Strings. Commissioned By The Legatum Institute [Www.Li.Com] As Part Of Its British And American Notions Of Liberty Programme, In The Year Of The Diamond Jubilee Of Her Majesty Queen Elizabeth Ii. First Performance On 21St April 2013 In Washington National Cathedral, By The City Choir Of Washington Conducted By Robert Shafer. The Three Hymns Of George Herbert Were Written After A Long Illness, And Represent For Me A Hymn Of Thanksgiving To God For A Relative Return To Health. They Are Intended To Be Sung In A Large, Resonant Acoustic, With The Main Choir And String Orchestra At One EndOf The Building, And An Echo Choir And String Quartet At The Other. The Percussion (Tubular Bells, Gongs And Tam-Tams) Should Sound From A Gallery Or Other Raised Position. The Hymns Were Inspired By The Transparent Poetry Of George Herbert, And Are Dedicated In Gratitude And Love To The Memory Of Mother Thekla, Former Abbess Of The Orthodox Monastery Of The Assumption, Normanby, Near Whitby, Who Died In 2011. - John Tavener.
SKU: HL.14011955
Danish.
Springti me in Funen is scored for mixed chorus, and soprano, tenor, and baritone soloists, a children's chorus, and a small orchestra. The moderate resource requirements, coupled with the fact that the work is reasonably accessible, make this work ideal for a well developed amateur chorus to perform.
SKU: HL.14042691
8.25x11.5x0.145 inches.
Vocal Score For John Tavener'S Three Hymns Of George Herbert For Satb Chorus, Percussion And Strings. Commissioned By The Legatum Institute [Www.Li.Com] As Part Of Its British And American Notions Of Liberty Programme, In The Year Of The Diamond Jubilee Of Her Majesty Queen Elizabeth Ii. First Performance On 21St April 2013 In Washington National Cathedral, By The City Choir Of Washington Conducted By Robert Shafer. The Three Hymns Of George Herbert Were Written After A Long Illness, And Represent For Me A Hymn Of Thanksgiving To God For A Relative Return To Health. They Are Intended To Be Sung In A Large, Resonant Acoustic, With The Main Choir And String Orchestra At One EndOf The Building, And An Echo Choir And String Quartet At The Other. The Percussion (Tubular Bells, Gongs And Tam-Tams) Should Sound From A Gallery Or Other Raised Position. The Hymns Were Inspired By The Transparent Poetry Of George Herbert, And Are Dedicated In Gratitude And Love To The Memory Of Mother Thekla, Former Abbess Of The Orthodox Monastery Of The Assumption, Normanby, Near Whitby, Who Died In 2011. - John Tavener.
SKU: GI.G-CD-434
Five suites of early American hymns in new settings for a cappella mixed chorus. As modes of worship developed in early America, so too did their song. With Sweet Manna, gifted composer, conductor, and teacher Alice Parker gives us a glimpse into the past with new settings of early American shape-note songs found in songbooks published between 1790 and 1830. From cheerful gathering songs like My God, the Spring of All My Joy and reflective pieces such as From Deep Distress and Troubled Thoughts, to the joyous march of My Soul, Triumphant in the Lord and the familiar strains of Brethren, We Have Met to Worship (HOLY MANNA), Sweet Manna echoes the lives and the faith of early settlers.All songs in this collection keep the original combination of tune and text found in the sourcebooks, and are beautifully arranged by Alice Parker. The majority of texts are hymns of Issac Watts, while tunes are mostly from anonymous sources. Sweet Manna, however, is best described in Alice Parker's own words, Barn dances and laments, love songs and lullabies, [these songs] speak directly to us over the intervening centuries, telling us once again to 'fill our tongues with praise.' .
