Brazilian Rhythms Bossa And Samba 2 Cd's

Un guide approfondi aux origines, contexte culturel et les instruments de la Samba, y compris les techniques et les modèles authentiques et appuyée par deux CD des exemples et des exercices. Un des livres plus complètes du genre, rythmes brésiliens pour surdos The regorge de fonctionnalités notamment : des centaines de Samba des rainures une large gamme de Samba et de pannes de variations, les hybrides et les sous-genres de Bossa Nova de parties de percussions individuels dans un ensemble de Samba comment Samba au drumkit capturer un authentique sentiment pratique trucs et techniques pour jouer réussie comment utiliser les rainures de Samba créative dans d'autres styles de musique Samba jeune et embellishing des rainures sur le drumkit À l'aide de compteurs inhabituels / Batterie / 156 pages / niveau : Débutant/Intermédiaire / Partition + Cd

Dans l'île de Vera Cruz, le batteur brésilien renommée mondiale Vera Figueiredo et l'équipe Daniel Oliveira et place avec de la musique de Hudson pour présenter un package complète play-ainsi que des enquêtes de la musique variée du Brésil, qui assure des interprétations musicales originales et les explications pédagogiques de divers styles brésilien tambour traditionnel et contemporain. Ce produit, la première en son genre, explique les rythmes brésiliens de surdos non seulement, mais les met immédiatement en contexte avec des chansons incroyables de Vera, donc vous pouvez voir comment les rythmes de travail musicalement. Les styles brésiliens, dont certaines sont étant expliqués dans l'imprimé pour la première fois dans cette pochette, y compris : Maracatu, Samba, Samba Jazz, Samba dans 2/4 et 3/4, Samba-Reggae, Samba Escola de Samba, Bossa Nova, Baiao, Choro et chamane. En plus de ces styles, chansons de Vera traitent également afro-cubains et Forro mélangé avec des rythmes rock et surdos duos. Vera Cruz Island (le titre est un nom ancestral du Brésil) contient deux CD : la co... / Batterie

The latest publication in this award-winning series. This unique collaboration between two of the UK's top pianist/educators offers intermediate pianists a detailed introduction to the highly rhythmic music of Latin America and Spain, featuring a wide range of styles from many countries, including:



' Cuba ' son, montuno, mambo, cha-cha-chá, bolero, danzón

' Brazil ' bossa nova, samba, baion, afoxé, frevo, chorinho

' Argentina and Uruguay ' tango, milonga, zamba, chacarera, candombe

' Venezuela ' joropo, vals

' Colombia ' cumbia

' Dominica ' merengue

' Spain ' flamenco, rumba, buleria



Over 50 pieces to play, including Oye Cómo Va, Bésame Mucho, Sò Danço Samba, El Manicero (The Peanut Vendor), Mambo No 5, Mambo Influenciado, Mas Que Nada, Berimbau, The Girl from Ipanema, Manhã de Carnaval, Upa Neguinho, A Media Luz, Vals Venezolano #2 and Alfonsina y El Mar.



Original compositions by the authors feature copious assignments to help with syncopation and coordination, and key rhythms such as clave, montuno and partido alto are given in-depth treatment. All pieces are included on the two accompanying CDs, which contain authentic rhythm section tracks and invaluable play-along opportunities / Partition 2 CDs /

Learn how to play Latin jazz Piano based on traditional Latin music from Cuba and Brazil. Latin Jazz Piano addresses the three roles that the jazz pianist typically plays: as a member of an accompanying rhythm section, as a lead instrument within an ensemble and as a solo instrument. The CD features many examples in the book and combo tracks with which to play along.The book is divided into three sections. The first covers Afro-Cuban (Afro-Caribbean) jazz, the second section deals with Brazilian influenced jazz - Bossa Nova and Samba, and the third contains lead sheets of the tunes and instructions for the play-along CD.The Afro-Cuban section contains a chapter on some basic concepts of traditional Afro-Cuban music, including the clave, tumbao, and montuno. Also, there is a chapter on typical piano voicing used in Afro-Cuban music Latin jazz in general.Next is a chapter on typical comping patterns used in various Afro-Cuban styles such as Mambo, Cha-cha, etc. The last chapter in this section features tunes written in these various styles and arranged for lead instrument, piano and bass, piano lead, and piano solo. The next section on Brazilian-related jazz begins with a chapter on the many varied rhythms typically used in comping for Bossa Novas and Sambas, and concludes with a chapter featuring tunes arranged in the same ways as the first section.The third section contains lead sheets of all the tunes so the reader can play and improvise on them along with the accompanying CD. The reader is encouraged to continually change the way he or she plays these tunes and apply the principles found in this book to other tunes in the Latin jazz repertoire. / Piano

Embark on a voyage of discovery with this stunning collection of 14 original Latin Preludes from the creator of Microjazz inspired by the musical styles and rhythms of Latin America.Soak up the vibrant Brazilian carnival atmosphere with the Samba and the Bossa Nova step into the clubs and dancehalls of Cuba to take in the pulsating rhythms of the Mambo and the sultry Rumba and unwind to the relaxed sound of the Caribbean Beguine in these characteristically innovative Latin-America- inspired compositions by Christopher Norton. Ideal for intermediate to advanced-level keyboard players these pieces are perfect for the concert platform as well as providingexcellent teaching material.An accompanying CD features newly-recorded stylish demonstration performances by Iain Farrington.