Aebersold 42 Blues In All Keys

E-Flat Edition. Par NIEHAUS. Intermediate level. These hip, swinging etudes in the swing/bop style are a great source for blues and bebop licks and fun to play! Lennie wrote these specifically to be played with the tracks from Jameys Vol. 42 'Blues In All Keys. ' There is onecomplete solo (etude) for each of the 12 keys and 12 tracks. This book of solos is also great jazz sight reading material, since it contains all of the most-used jazz rhythms and syncopation youll ever encounter. Perfect for Learning your way aroundThe Blues - even in the tough keys! Students and teachers alike will enjoy playing these musical, lyrical jazz solos with or without the exhilarating accompaniment of the Vol. 42Play-A-Long. The CD incudes complete performances of each solo byLennie with a piano, bass, drum rhythm section (from the Volume 42 'Blues In All Keys' Play-a-long)so that you can absorb and internalize proper jazz sound and feel. Designed for use with Jamey Aebersold Volume 42 Blues in All Keys. Solos for Eb saxophone in each key written by this leading saxophonist. Intermediate level. Great for sight-reading and jazz study. / Niveau : Débutant à Intermédiaire / Méthode en anglais / Méthode / Instruments en Mib

transcribed by Greg Lui. Finally! Piano Comping transcribed from our best-selling Volume 42 - Blues in All Keys! See how soulful jazz master James Williams negotiates the blues in all twelve keys, and you'll be ready for anything! Of course, the blues and ii-V7 voicings presented here are applicable to all other standards, as well. Those of you who already have the Vol. 42 Blues in All Keys CD will enjoy playing along with the bass and drums by turning off the right channel.

Here?s a great way to expand your blues playing in every key. And, it?s real fun, too! These are slow tempos and are for all levels of ability. Try playing some of the tougher keys without looking at the music and see just how fast your ear takes over. You?ll find yourself gaining confidence very quickly and that confidence will greatly improve your soloing. Charlie Parker learned the Blues in all 12 keys before he learned anything else. Transposed for all instruments. Each key contains a different blues melody and two compatible chord/scale progressions. It?s enjoyable and it?s sure to make you a better blues player. Get started now with this great addition to the series. The outstanding rhythm section is James Williams, piano Bob Cranshaw, bass Mickey Roker, drums.

Troisième édition, révisée. Suggested Prerequisites: Volume 24, 1, 21.The Blues have had the very essence of the jazz sound since the 1920?s. A player who masters the sound and feel of the Blues will play other jazz tunes in a manner that will inspire the listener. The rhythm section on this recording really grooves and makes this set fun to play with. Contains 11 different Blues and is a natural follow-up to Volume 1 or Volume 21. The tempos are not fast. The Blues are presented in various keys and with a variety of moods from slow to rock. Chords and scales are written in the staff for each recorded track. Rhythm section is Dan Haerle, piano Mike Hyman, drums and Rufus Reid, bass.Mr. Super Hip - Horizontal (C Blues) - 6/8 Modal Blues - Slow Blues in G - Slow Blues in F - Fast Blues in F - Fast Blues in Bb - Minor Blues in C - Bird Blues - Home Stretch - Long-meter Jazz/Rock