Matériel : Partition
SKU: HL.1333447
ISBN 9781884883460. UPC: 196288191261. 8.25x10.75x0.759 inches.
The Guide gathers input from 35 of the world's foremost expert dealers, each of whom brings decades of experience in the business. That's one of the many reasons it's the most-trusted source for values! Partering with 35 of the top guitar dealers in the industry, Vintage Guitar is proud to provide the most accurate values on thousands of models of electrics, acoustics, basses, amplifiers, effects, lap steels, mandolins, and Banjos! The Guide includes a useful directory/geographical guide featuring dealers, manufacturers and tech/repair companies AND contact info! Knowledge and information are vital in the dynamic world of collectible guitars and gear, and no source provides it better than The Official Vintage Guitar Price Guide 2024. Whether your instrument is an investment or a piece that you simply enjoy riffing on, it's always nice to know its worth. Checking out a guitar at the local shop and want to know its value before you hand over the cash? The Guide is your source for all the details! Conveniently available in both print and digital editions – no matter where you go, you will have The Guide right at your fingertips. Digital edition redemption code ships with the print edition, but only when purchased directly from Vintage Guitar. For many musicians, instruments are investments. And, they've been good investments; the typical vintage guitar is today worth almost four times what it was in 1991. Vintage Guitar developed its 42 Guitar Index to help readers and enthusiasts track the value of their instruments. The easy-to-understand graphic can be found in the introduction. The table of contents shows the major sections and each is organized in alphabetical order by brand, then by model. The Guide has excellent brand histories and in most cases the guitar section has the most detailed information for each brand. When possible, The Guide lists each model's years of availability and any design changes that affect values.
SKU: HL.1152371
ISBN 9781884883453. UPC: 196288119432. 8.0x10.75x0.923 inches.
The Guide gathers input from 35 of the world's foremost expert dealers, each of whom brings decades of experience in the business. That's one of the many reasons it's the most-trusted source for values! Partnering with 35 of the top guitar dealers in the industry, Vintage Guitar is proud to provide the most accurate values on thousands of models of electrics, acoustics, basses, amplifiers, effects, lap steels, mandolins, and Banjos! The Guide includes a useful directory/geographical guide featuring dealers, manufacturers and tech/repair companiesAND contact info! Knowledge and information are vital in the dynamic world of collectible guitars and gear, and no source provides it better than The Official Vintage Guitar Price Guide 2023. Whether your instrument is an investment or a piece that you simply enjoy riffing on, it's always nice to know its worth. Checking out a guitar at the local shop and want to know its value before you hand over the cash? The Guide is your source for all the details! For many musicians, instruments are investments. And, they've been good investments: the typical vintage guitar is today worth almost four times what it was in 1991. Vintage Guitar developed its 42 Guitar Index to help readers and enthusiasts track the value of their instruments. The easy-to-understand graphic can be found in the introduction. The table of contents shows the major sections and each is organized in alphabetical order by brand, then by model. The Guide has excellent brand histories and in most cases the guitar section has the most detailed information for each brand. When possible, The Guide lists each model's years of availability and any design changes that affect values.
SKU: MB.99960M
ISBN 9780786689972. 8.75 x 11.75 inches.
Players of all kinds of instruments including flute, fiddle, mandolin, recorder, whistle, guitar, harp and more can use this collection of music which is popular at modern renaissance festivals. The music is presented simply, with melody lines and chord symbols, allowing for a wide range of interpretation. In addition to many period dance tunes, the book contains a selection of vocal numbers with lyrics included. Each selection is accompanied by text to suggest ideas for performance, place the music in a modern festival context and provide useful information to those interested in studying historical sources of early music. Cantigas arrangements of some of the tunes in this book can be heard on the companion recording. They are played at a listening tempo by the ensemble: Wooden flute or recorder, fiddle, cello, harp and percussion. Includes access to online audio.
SKU: CF.CM9768
ISBN 9781491160343. UPC: 680160923298. Key: G major. English.
About the WorkThe text of this work is most often attributed to Ralph Waldo Emerson, although it doesn't mirror his style, and no research credits an essay, book or letter with its source. Other individuals are occasionally suggested as possible authors, but equally unsubstantiated. Even whether the textis a poem or a quote seems unclear. But there is one thing that is without question: that this beloved text has inspired countless people and contributed toward a view of the world through eyes of hope, resilience, courage, beauty, and joy. Music for this text flowed more easily than about any text I have ever set. It has an emotional connection that is mystical, and after I read it for the first time, I immediately sat down and wrote this work without stop.Rehearsal NotesIn many cases, art is more expressive and reaches a wider range of human emotions when multiple artistic fields are fused together. Such is the case with choral music: the intertwining of literature, music, and very often dance, visual arts, and more. The story in choral music is often quite specific, much like film scoring. At times, the music is the picture frame (score) around the picture (text), while at others the music is the leading dramatic/emotional impetus.In the present case (My Farewell Wish), the text is sincere, innocent, heartfelt, and earnest. By all accounts, the message is altruistic, expressing selfless desire for another's present/future happiness. Capturing this message has a strong reliance on the performers to not only carry the emotional intent of the moment (a phrase of text or a measure), but the the energy and continuance of the message throughout.The use of the [o] vowel functions almost as instrumental interludes or underpinning of strings. The conductor may use the [o] as indicated in the score, or a [u] vowel, a hum (with [o] as the vowel inside the mouth), or all three at different times for different reasons. In an acoustical performance (no mic), the soloist and the ensemble are a reflection of each other's natural sound. And, even gentle, warm solo voices should have no trouble projecting.Two final thoughts: 1) the obbligato or added voice or two on high passages (m. 66) or a single note (final chord) will be best delivered by lyrical, pure voices with demonstrated control; and 2) the metronome marking of 80 bpm (mm. 1–81) was strongly considered and should be followed.About the ComposerZ. Randall Stroope is an American composer and conductor. His composition teachers were Normand Lockwood and Cecil Effinger, both students of the Nadia Boulanger, the famous French teacher (and student of Gabriel FaureÌ). Randall is the artistic director of two international summer music festivals, is an Honorary Board Member of the NationalAssociation of Italian Choral Directors, and has conducted in 25 countries. He has directed over 40 times at Carnegie Hall, and is a frequent conductor at other prestigious concert venues. Randall has 190 published works, and his music can be heard on Spotify, YouTube and other platforms, including his website (www.zrstroope.com).
SKU: M7.PPV-227563
ISBN 9783932275630. English.
In 'Microphone Practice', Norbert Pawera, a qualified sound engineer and microphone specialist, explains in clear and simple language the difference between the various types of microphone, filling in the scientific background and examining the interaction between instruments, room acoustics and microphones. The emphasis of the book is upon the choice and positioning of microphones in the studio and on stage, whether for classical music, jazz or rock. The author offers practical solutions to a whole range of commonly encountered problems - from the miking of lead vocals to the recording of whole choirs, from the spot-miking of individual instruments to stereo recording techniques for the entire orchestra - as well as reaching deep into his bag of tricks for ideas that should give even the experienced recording engineer food for thought. At the back, there's an overview of today's microphone market, designed to guide the consumer through the myriad of available solutions. 'Microphone Practice' spares performers and sound engineers alike the time-consuming and costly hazards of trial-and-error. With its practical approach and clear layout, 'Microphone Practice' is designed not just as a textbook but also as a quick source of reference for the sound check or the studio.
SKU: BR.EB-9411
ISBN 9790004188859. 0 x 0 inches. German.
In preparing arrangements for conducting ensembles, for schools and music schools, you don't need the tricks of the pros, but specific arranging strategies tailored to your own ensemble, your own group. So, although the vast majority of arrangements are educationally motivated, lacking so far has been a reference book on educational arranging. Sounds Good, combining decades of didactic experience on the part of composer Felix Janosa and music educator Jorg Sommerfeld, is the first standard work on the technique and strategy of pedagogical arranging: a compendium, both inspiring with its compact as well as comprehensive approach, while also valuably time-saving with its well-developed systematic working methods and efficient working techniques. Numerous examples for duos, trios, class music-making, for inclusive ensembles, school orchestras, big bands, choirs, combos, intercultural ensembles and many more application fields offer a huge fund of practical ideas. A compact educational instrument guide describes which skills and abilities can be expected from beginners and at which point in time. Also covered is the topic of arranging without notes or with computers and electronics.Sounds Good contains over 200 music examples, most of them also accessible as digital files. It further offers 30 practice projects with sample solutions; numerous tables and overviews serve as a useful resource for the everyday, teaching-staff arrangers. And, last but not least, Sounds Good is an exciting foray into the most diverse fields of music education.It's hard to imagine what I might have become if this work had existed earlier. But it's never too late.... Gotz AlsmannArranging for your students: in school and music school - methodical and practice-orientedsonorous and impressive - profound instrumental didacticsinternally differentiated - from duo through to orchestrawith acoustic and electronic instrumentsin all genres30 practicing projects with sampling solutionsdigital supplemental material (XML)tables and overviews as sources for the everyday arranging routine.
SKU: FG.55011-830-0
ISBN 9790550118300.
Juha ni Nuorvala, described as an “electro-acoustic urban minimalist, seeks inspiration from widely varied sources. With the enthusiasm of an explorer, he has delved into microtonality, French spectral music, techno and rock. It all becomes organically fused into his own idiom, often characterised by a frenzied rhythmic drive. Prélude non retouché (2012) for organ in ¼ comma meantone tuning with C# Eb F# G# Bb celebrates these features with light-hearted and easy-going mood, with attractive roughness due to tuning system.
