SKU: BA.BA02190
ISBN 9790006418374. Language: German.
Print on demand (POD).
SKU: BA.BA02191
ISBN 9790006418381. Language: German.
SKU: CA.627000
ISBN 9790007012175.
SKU: CA.608400
ISBN 9790007010393.
SKU: HL.48023805
UPC: 888680626457. 9.0x12.0x0.038 inches.
Written in 1873, Evening Song is one of the best-known choral works of Josef Rheinberger (1839-1901), German composer, organist and teacher. Displaying an exceptional lyric quality and utilizing a full range of dynamic contrast, Shelley Hanson's arrangement is specifically designed with flexible instrumentation to be performed in a variety of ways. This piece is equally effective whether performed by a traditional concert band or by a smaller chamber ensemble. Dur: 2:50.
SKU: HL.1301248
ISBN 9798350107586. UPC: 196288171768. 6.75x10.5x0.019 inches.
Delicate, peaceful, shimmering with classical refinement ... all these qualities and more are apparent in this beautiful adaptation of Robert Schumann's setting of the classic German poem “Der Abendstern.” The piece can be sung with the original German text, or with an equally expressive English text by arranger Audrey Snyder. Approachable yet elegant vocal parts meld with polished piano support to create a distinguished concert-worthy presentation.
SKU: ST.C502
ISBN 9790570815029.
Abendlied (Evening Song) is an album of twelve beautiful nineteenth century songs, arranged for Bassoon and Piano by Martin Gatt.Contents listed below.Grades 5–8.
SKU: DB.01-00406
ISBN 9790012193036.
Klav ierschule - Piano MethodDetektiv (4ms ad lib.) / Detective - Wiegenlied (4ms ad lib.) / Lullaby - Ein sonniger Tag (4ms ad lib.) / A Sunny Day - Walzer (4ms ad lib.) / Waltz - O When the Saints (4ms) - Au Clair de la Lune - Herbst / Autumn - Bourree - Chicago - Greensleeves - Piano Rock - When Israel Was In Egypt's Land (4ms) - Kristall / Crystal - Was soll das bedeuten? / What does it mean? - Schmetterlinge / Butterflies - In der Halle des Bergkonigs (4ms) / In the Hall of the Mountain King - Plattfussmarsch / Flatfooted March - Geisterstunde / The Witching Hour - Melodie / Melody - Praludium / Prelude - Karawane / Caravan - Musette / Musette - Der Regen / Rain - Flug der Elfen / Flight of the Elves - Neapolitanisches Lied / Neapolitan Air - Blues - Ganoven-Tango / Gangster-Tango - Das Standchen (4ms) / Serenade - Lied der Eisbaren / Song of the Polar Bears - Mazurka - Abendlied / Evening Song - Krabbentanz / Dance of the Crabs - Le Coucou - Menuett / Minuet - Altfranzosisches Lied / Old French Song - Maxi'.
SKU: CA.628300
ISBN 9790007012281.
SKU: FG.55009-590-8
ISBN 979-0-55009-590-8.
Illat (The Evenings) is a song cycle for soprano and piano. Joonas Kokkonen composed it in 1955 to three poems by Katri Vala (1. Hiljainen, surullinen ilta / Ein stiller, trauriger Abend, 2. Ihana, surullinen ilta / Ein wunderbarer, trauriger Abend, 3. Kevatilta / Fruhlingsabend). The texts are in Finnish and in German translation.
SKU: HL.49013528
ISBN 9783795757779. UPC: 841886004719. 6.25x9.5x0.204 inches. German - English - French.
A collection of the most beautiful international evening songs and lullabies in atmospheric arrangements for mixed choir (SATB). Apart from classical pieces in German, the present new and modern arrangements comprise Spanish, Swedish, Scottish, French, and Indian tunes, among others. The pieces are suited for concerts, services, celebrations, or as encore pieces.
SKU: CA.3100609
ISBN 9790007041724. Key: C minor / g minor. Language: German/English.
Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and parts available separately - see item CA.3100600.
SKU: M7.DOHR-12698
ISBN 9790202026984.
Ob zum Abschluss einer abendlichen Veranstaltung in Gemeinde oder Gruppe oder kleinem Konzert: Es ist ein guter Brauch, hierfür ein Abendlied vorzusehen. Die hier vorgelegten Liedvariationen für Sopran und Tasteninstrument dienen diesem Anliegen. Gerade weil die volkstümlichen Melodien weithin bekannt sind, entsteht so genügend Raum für die Meditation. Der Satz ist deshalb ganz bewusst einfach gehalten. Im Vordergrund steht nicht die Virtuosität, sondern Nachdenklichkeit, wie sie besonders Matthias Claudius in seinem wohl schönsten Gedicht Der Mond ist aufgegangen zu vollkommenem Ausdruck gebracht hat.
SKU: CA.1901100
ISBN 9790007094522.
SKU: CF.CAS117
ISBN 9781491153291. UPC: 680160910793. 9 x 12 inches. Key: A major.
Abendstern, composed by Lauren Bernofsky,?evokes an image of a sunset over the tree-covered hills of the Bavarian countryside with the Abendstern, or evening star, shining brightly over the scene. A hauntingly beautiful theme in falling thirds?evokes the treetops as they become darker and murkier. This piece is a wonderful addition to any concert program and can be used as a touching?tribute at a memorial service.One summer night during a visit to Bavaria in southern Germany, I stood outside on a balcony overlooking the hills of the Bavarian forest, watching the beautiful early-evening sky. It was still light out, but I could make out one solitary star in the sky. As the sun slowly went down, the landscape became more and more dark and indistinct, and the star shone brighter and brighter. My mother-in-law stood there with me. I asked her the name of the star, and she answered, Abendstern (or Evening Star.) I was so moved by what I saw, I went inside and took out my manuscript paper and started to write down this piece. The tree-covered hills and tranquility of the evening are evoked by the theme, whose contour (with little bumps) mirrors the contour of the treetops on the hills. The star is represented by the sustained note E; at the beginning of the piece, it can be heard in a low register in the violas, and over the course of the piece, it is heard in higher and higher octaves, as the star shines ever more brightly. By the end, the landscape has disappeared into the darkness, and now all we see is the star, shining its brightest, and played by the upper strings, now harmonized to convey its brilliant light..One summer night during a visit to Bavaria in southern Germany, I stood outside on a balcony overlooking the hills of the Bavarian forest, watching the beautiful early-evening sky. It was still light out, but I could make out one solitary star in the sky. As the sun slowly went down, the landscape became more and more dark and indistinct, and the star shone brighter and brighter. My mother-in-law stood there with me. I asked her the name of the star, and she answered, Abendstern (or Evening Star.) I was so moved by what I saw, I went inside and took out my manuscript paper and started to write down this piece. The tree-covered hills and tranquility of the evening are evoked by the theme, whose contour (with little bumps) mirrors the contour of the treetops on the hills. The star is represented by the sustained note E; at the beginning of the piece, it can be heard in a low register in the violas, and over the course of the piece, it is heard in higher and higher octaves, as the star shines ever more brightly. By the end, the landscape has disappeared into the darkness, and now all we see is the star, shining its brightest, and played by the upper strings, now harmonized to convey its brilliant light..One summer night during a visit to Bavaria in southern Germany, I stood outside on a balcony overlooking the hills of the Bavarian forest, watching the beautiful early-evening sky. It was still light out, but I could make out one solitary star in the sky. As the sun slowly went down, the landscape became more and more dark and indistinct, and the star shone brighter and brighter. My mother-in-law stood there with me. I asked her the name of the star, and she answered, Abendstern (or Evening Star.) I was so moved by what I saw, I went inside and took out my manuscript paper and started to write down this piece. The tree-covered hills and tranquility of the evening are evoked by the theme, whose contour (with little bumps) mirrors the contour of the treetops on the hills. The star is represented by the sustained note E; at the beginning of the piece, it can be heard in a low register in the violas, and over the course of the piece, it is heard in higher and higher octaves, as the star shines ever more brightly. By the end, the landscape has disappeared into the darkness, and now all we see is the star, shining its brightest, and played by the upper strings, now harmonized to convey its brilliant light.
About Carl Fischer Concert String Orchestra Series
Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: CF.CAS117F
ISBN 9781491153307. UPC: 680160910809. 9 x 12 inches.
SKU: CA.1805220
ISBN 9790007100223.
Scor e available separately - see item CA.1805200.
SKU: HL.49045286
ISBN 9790001195584. German.
This edition contains pieces of two almost forgotten composers, Bernd Lehmann's 'Abendsegen' and Felix Woyrsch's 'Bleibe bei uns', and is completed by a choral arrangement for mixed choir of Max Reger's 'Am Abend' from '12 Spiritual Songs' Op. 137.
SKU: CA.3100613
ISBN 9790007041755. Key: C minor / g minor. Language: German/English.
Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.
SKU: CA.3100614
ISBN 9790007041762. Key: C minor / g minor. Language: German/English.
SKU: CA.3100611
ISBN 9790007041731. Key: C minor / g minor. Language: German/English.
SKU: CA.3100612
ISBN 9790007041748. Key: C minor / g minor. Language: German/English.