SKU: HL.49015300
ISBN 9783795717940. German.
Diese Abhandlung bildet einen Beitrag zur Geschichte des noch wenig behandelten Oratoriums im deutschsprachigen Raum und eroffnet den analytischen Zugang zur Musik eines bemerkenswerten Komponisten; Jan Dismas Zelenka.Die Vita des Komponisten, Contrabassist und Compositeur der Koniglich-Polnischen und Kurfurstlich-Sachsischen Kapelle, der zumeist im Schatten anderer stand, erschliesst sich nicht leicht. Umfangreiche Sichtung und sorgfaltige Auswertung der Dokumente und Zeitzeugnisse sowie der alteren, vornehmlich lexigraphischen Literatur munden in eine ausfuhrliche Biographie; die Kenntnisse uber Zelenkas Lebensweg werden damit auf einen aktuellen Stand gebracht.Ein vermischter Geschmack, dem wir neben franzosischen und italienischen auch musikalische Elemente aus der bohmischen Heimat des Komponisten anmerken, charakterisiert Zelenkas in den dreissiger Jahren des 18. Jahrhunderts entstandene italienische Oratorien. Zelenkas musikalische Handschrift, etwa die pragnante Rhythmik oder seine Neigung zu feinnerviger Instrumentalbehandlung, wird in detaillierten Untersuchungen ebenso vorgestellt wie seine Mittel der Affektdarstellung, sein Gebrauch der musikalisch-rhetorischen Figuren, die formalen und die satztechnischen Vorstosse.
SKU: BR.PB-5594
The Miserere in C minor ZWV 57 is one of the late works of the Bohemian composer Jan Dismas Zelenka, it was the only one to be reprised in Dresden's Hofkirche after his death.
ISBN 9790004214046. 10 x 12.5 inches.
Very Expressive, Please! Jan Dismas Zelenka's musical setting of Psalm 50, Miserere mei Deus, was presumably intended for the 1738 Holy Week. Thus, the composition is situated chronologically between the Missa Sanctissimae Trinitatis (1736)* and the Missa votiva (1739), two compositions from the cycle of Zelenka's five late masses, considered the culmination of his sacred-music work. Strong contrasts are a conspicuous stylistic feature of the Miserere c-moll, which Zelenka moderates by embedding them within the entire work's cyclic arch form. The score and parts of this new edition are based on volume 108 of the series Das Erbe deutscher Musik, which was comprehensively revised by Wolfgang Horn in 2018, especially the preface and the critical report. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).
SKU: BR.OB-5565-11
ISBN 9790004342695. 12.5 x 10 inches.
Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multipartite Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. What remains to be answered is whether Zelenka had originally planned a complete mass composition.The full score and the piano vocal score are based on volume 100 of the Denkmaler edition Das Erbe deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).
SKU: BR.OB-5565-30
ISBN 9790004342763. 10 x 12.5 inches.
SKU: BR.OB-5565-15
ISBN 9790004342718. 10 x 12.5 inches.
SKU: BR.PB-5565
ISBN 9790004213759. 10 x 12.5 inches.
SKU: BR.OB-5565-27
ISBN 9790004342756. 10 x 12.5 inches.
SKU: BR.OB-5565-19
ISBN 9790004342732. 10 x 12.5 inches.
SKU: BR.OB-5565-23
ISBN 9790004342749. 10 x 12.5 inches.
SKU: BR.OB-5565-12
ISBN 9790004342701. 10 x 12.5 inches.
SKU: BR.OB-5565-16
ISBN 9790004342725. 10 x 12.5 inches.
SKU: BR.OB-5589-11
ISBN 9790004344170. 10 x 12.5 inches.
Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).
SKU: BR.OB-5589-16
ISBN 9790004344200. 10 x 12.5 inches.
SKU: BR.OB-5589-27
ISBN 9790004344231. 10 x 12.5 inches.
SKU: BR.OB-5589-12
ISBN 9790004344187. 10 x 12.5 inches.
SKU: BR.OB-5589-30
ISBN 9790004344248. 10 x 12.5 inches.
SKU: BR.OB-5589-15
ISBN 9790004344194. 10 x 12.5 inches.
SKU: BR.PB-5589
ISBN 9790004213995. 10 x 12.5 inches.
SKU: BR.OB-5589-23
ISBN 9790004344224. 10 x 12.5 inches.
SKU: BR.OB-5589-19
ISBN 9790004344217. 10 x 12.5 inches.
SKU: BR.EB-8909
ISBN 9790004185759. 7.5 x 10.5 inches.
Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive. Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung) Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).
SKU: BR.OB-5556-27
ISBN 9790004342893. 10 x 12.5 inches.
The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the composer himself designated as Missae ultimae.The musical text of the present conductor's score is based on that of Volume 93 of the Denkmaler edition Das Erbe deutscher Musik. The new piano vocal score has been edited by the reputable expert Andreas Kohs. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).
SKU: BR.EB-8051
The Missa Dei Patris is the first of three transmitted Missae ultimae. The piano vocal score is based on the score published by Reinhold Kubik in volume 93 of the series Das Erbe deutscher Musik, now available as PB 5556.
ISBN 9790004185070. 7.5 x 10.5 inches.
The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the composer himself designated as Missae ultimae. The musical text of the present conductor's score is based on that of Volume 93 of the Denkmaler edition Das Erbe deutscher Musik . The new piano vocal score has been edited by the reputable expert Andreas Kohs. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung) Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt)The Missa Dei Patris is the first of three transmitted Missae ultimae.
SKU: BR.OB-5556-23
ISBN 9790004342886. 10 x 12.5 inches.
SKU: BR.OB-5556-11
ISBN 9790004342831. 12.5 x 10 inches.
SKU: BR.OB-5556-30
ISBN 9790004342909. 10 x 12.5 inches.
SKU: BR.PB-5556
ISBN 9790004213667. 10 x 12.5 inches.