150 Hot Jazz Licks in Tab

Par UMBLE JAY. Exposition à nouveau matériau et la relative de ce matériel propre approche sont des compétences extrêmement importants pour le guitariste de jazz. Thésaurus du guitariste Jazz constitue un manuel d'excellente ressource pour les idées de l'improvisation jazz linéaire et illustre de nombreux concepts pour aider à élargir les compétences improvisation. Ce livre offre un vocabulaire expansif de licks, les phrases et les terminaisons en cinq sections harmoniques : 7b5 Major, Minor, Dominant, altéré dominante et mineur. Grâce à des dizaines de 3 à 8 - exemples de mesure accompagnées de commentaires pertinents, l'auteur a méthodiquement renforce la compréhension de l'improvisation comme ce qui a trait à la théorie de la musique et l'idéogramme. Dans l'ensemble, les étudiants sont encouragés à développer leurs propres compétences analytiques et des explorations pratiques. Tous les exemples sont présentés dans la tablature et notation standard. / Niveau : Intermédiaire / Jazz - Licks and Phrases / Tablatures / Guitare Tablatures Flatpick et Plectre

Compilation. Par SHNEIDMAN JACK. Ce livre présente 1 001 gems mélodiques a joué plus de dizaines des plus importantes progressions de corde entendues dans le jazz. C'est le livre idéal pour les débutants qui cherchent une Encyclopédie bien organisée, facile à suivre de vocabulaire jazz, ainsi que les professionnels qui désirent améliorer leur connaissance de la langue jazz vers de nouveaux sommets. / Niveau : Débutant / Méthode en anglais / Méthode / Instruments en Do

Par CHRISTIANSEN COREY. Wes Montgomery took jazz guitar to a new level when he came to the public's attention in the late 1950's. Known for his fluid lines and his big jazz guitar sound, Wes influenced thousands of guitarists in the styles of jazz, blues, and rock. This book will present some of the soloing techniques that Wes used as well has present many melodic ideas (lines) similar to the way he played over the chord progression in many jazz standards. Because the major and minor ii-V-I progression are the most widely used chord progression in jazz standards, the lines in this text will work over these progressions. The accompanying CD contains many play-along tracks (vamps of one chord and vamps around the circle of fourths) that the student should use to practice the material in one key and then master it in all twelve keys. By learning the techniques used by Wes Montgomery, guitarists will add to their own improvising arsenal. As improvising musicians add to their collection of musical ideas, their ability to express themselves completely increases. Have fun studying these ideas and applying them in improvised solos. Also available in Japanese from ATN, Inc. / Niveau : Intermédiaire / Jazz - Licks and Phrases / Recueil / Guitare

Play and Learn is an exciting method to learn the art of jazz improvisation -- for individual study or classroom use with an entire jazz ensemble. Through the use of recorded jazz tracks (70 on the CDs included), sequenced concepts involving exercises, licks and mini-charts, plus structured lessons, a student can acquire improvisation skills.

Par SID JACOBS. An important addition to the improvising jazz guitarist's library, this thoughtful blend of text and musical examples focuses on the vocabulary of modern jazz and some of the applications of modern harmony. With examples written in standard notation and tablature, Jacobs offers instruction on bebop style phrases, playing fourths, inside-outside playing, pentatonic, whole-tone and symmetrical scales, slash chords, polychords, hip lines, fingerings and much more. The companion CD presents the material in the text played with chord accompaniment. / Niveau : Débutant / Jazz - Licks and Phrases / Tablatures / Guitare Tablatures

Par DIORIO JOE. Joe Diorio est un guitariste accompli et compositeur ainsi qu'un pédagogue respecté. Dans ce livre, il combine ses compétences de présenter ' intervalles conceptions innovantes ' pour la guitare. Ecrit en onglet et notation standard, ces études aromatisés linéaires, souvent 12-ton reflètent du Diorio jazz roots et maîtrise compositionnelle. En raison de l'ambiguïté harmonique de ces lignes, l'auteur préconise une approche expérimentale dans l'application de ces exemples dans divers milieux mélodique et harmonique. Le CD stéréo compagnon comporte des performances du Diorio de chacune des 96 études dans le livre. / Niveau : Intermédiaire / Jazz - Licks and Phrases / Tablatures / Guitare Tablatures Flatpick et Plectre

Swing est toujours la chose et cette mélodie de saut classique, récemment en vedette dans le film 'Chicken Run,' est remplie de licks chauds et beaucoup de lecteur. / Jazz Band

This is one of the hardest driving rock tunes ever recorded and its now one of the hottest jazz ensemble rock charts in years with this arrangement by Paul Jennings. It's full of the great brass licks that made the original soexciting and the one chord solo secction (optional) is lots of fun no matter how experienced your players are.

Par VIGNOLA FRANK. In this book, Frank Vignola presents 2-measure riffs to use over specific keys in major, minor, dominant 7th and blues groupings. Each section includes 60 2-bar riffs, five riffs for each of the twelve keys. Use these as fills, solo material, or as melodic ideas to create your own riffs/solos. / Niveau : Intermédiaire / Jazz - Licks and Phrases / Recueil / Guitare Flatpick et Plectre

Originally recorded by Otis Redding in 1968 this hard-drving R&B classic has become a mainstay of pop culture covered by a wide range of artists including The Black Crowes King Floyd and The Grateful Dead. John Wassons updated version features thesignature horn licks powerful scoring and solo for tenor sax.

from THE POLAR EXPRESS-Recorded by Steven Tyler (of Aerosmith fame) for the movie The Polar Express here is a lively jump swing tune that is clearly over the top! The tempo is frantic and the brass licks are blistering. Sounds like fun! This one worksfor the holidays or for normal occasions as well.

Bon vieux cousin Jeff doit avoir été certains relative funky ! Cette Les Hooper original comporte un tempo modéré et axée sur l'attitude funky 2-beat qu'elle produit rapidement grâce à un piano d'ouverture, poignarde mélodie et laiton de sax. L'espace pour ténor solo, est aussi inclus et certains ensemble épicée licks près de la fin. / Scores

With its 200 licks and phrases conceived by the most famous guitarists this coursebook is a veritable Jazz-cyclopedia imperative for everyone working on Jazz. The licks in this coursebook are thematically classified into: Blues licks licks over Maj7 chords and min7 chords licks over dom7 chords and alt7 chords licks over major II-V-I and minor II-V-I progressions. This classification will allow you to easily assimilate them and subsequently enable you to use them in other contexts (keys or chord progressions) so you can begin to develop your own ideas. To make your learning more enjoyable each lick comes with a corresponding video recording on the DVD and one or moreapplications on the CD. By helping you to appropriate the vocabulary and rhetoric of Jazz this coursebook will develop your musical prowess and your improvisational skills. With its 200 licks and phrases conceived by the most famous guitarists this coursebook is a veritable Jazz-cyclopedia imperative for everyone working on Jazz. The licks in this coursebook are thematically classified into: Blues licks licks over Maj7 chords and min7 chords licks over dom7 chords and alt7 chords licks over major II-V-I and minor II-V-I progressions. This classification will allow you to easily assimilate them and subsequently enable you to use them in other contexts (keys or chord progressions) so you can begin to develop your own ideas. To make your learning more enjoyable each lick comes with a corresponding video recording onthe DVD and one or more applications on the CD. By helping you to appropriate the vocabulary and rhetoric of Jazz this coursebook will develop your musical prowess and your improvisational skills.

Flatpicking Guitar has taken an interesting journey since its inception first with Maybelle Carter then Don Reno Doc Watson and Clarence White. Younger players who began by listening to the original masters have melded thoseinfluences with other styles including blues swing classical and even various world music styles.When first listening to Doc Watson and Clarence White Barry Solomon was particularly attracted to their use of swing andjazz licks and phrasing and their choices of songs straight from the Tin Pan Alley and Great American Songbook.Tunes like Limehouse Blues All of Me and Honeysuckle Rose were exciting challenges toexplore after becoming comfortable with bluegrass and fiddle tunes. Barry always thought that bluegrass and jazz were a wonderful combination and the most gratifying challenge has been to create arrangements that meld both stylesin a tasteful and exciting manner.Titles presented in Volume 2 include: The Way You Look Tonight All of Me Oh Baby and Limehouse Blues. Accompanying audio tuition is included.