Matériel : CD d'accompagnement
Voir toutes les partitions de Mark Schultz
SKU: HL.49035723
SKU: HL.14021531
9.0x12.0x0.154 inches. French.
Les caracteristiques de la guitare sont telles qu'il existe un nombre quasi-illimite de possibilites (positions, doigtes, techniques de liaison) pour jouer une meme phrase melodique. Cet ouvrage a donc pour but de donner quelques exemples de phrases et d'arrangements des Standards du Jazz issus de repertoire Swing et Be-Bop a l'aide d'un CD d'accompagnement. Vous trouverez dans cette methode deux types de themes et d'arrangements: * Les themes Be-Bop: Ils sont arranges pour deux guitares, une basse et une batterie. * Les themes Swing: Ils sont arranges pour guitare, basse et batterie. La guitare joue les accords et la melodie simultanement. The guitar idioms give an endless comnbination of fingerings, neck positions and legato techniques to play one single musical line. The purpose of this book is to provide examples of phrasing and arranging of swing and be-bop standards. You will find two types of tunes * Be-Bop tunes: These tunes are arranged for two guitars, a bass and drums. * Swing tunes: These are arranged for guitar, bass and drums. The theme and chords are played by one guitar only.
SKU: HL.14016954
9.0x12.0x0.161 inches.
Les titres de ce recueil sont issus du grand repertoire des Standards de Jazz. Chaque titre est presente sous deux formes. La premiere version est un arrangement pour piano entierment doigte et chiffre de l'oeuvre. La seconde version represente le theme simple accompagne de son chiffrage harmonique d'origine, en quelque sorte la matiere premiere a partir de laquelle toute forme d'arrangement peut etre elabore. An vu de ces deux versions, les pianistes pourront analyser les ameliorations melodiques et harmoniques apportees a l'arrangement pour piano et s'exercer a l'improvisation sur ces themes. Les professeurs trouveront aussi dans ce volume un bon repertoire de base pour initier leurs eleves a l'etude du jazz. Afin d'apporter un cote ludique a ce recueil, les midi-files contenus dans leCD mixte (CD audio and CD rom) offrent la possibilite d'ecouter les titres en MIDI au moyen de la carte son d'un ordinateur. De plus, avec un material approprie (sequenceur, editeur de partitions et autres), il est possible de changer les sons et les tempi, de jouer facilement des passages en boucles ainsi que toute autre possibilite offerte par les differents logiciels actuels. Nous vous souhaitons donc un excellent voyage au pays du jazz et esperons vous apporter un reel plaisir pianistique The titles in this collection are abstracts from the great repertory of the Standards of Jazz. Each title is presented in two ways. The first version of the work arrangement for piano with all fingering and figuring included. The second version present the elementary theme along with the origianl harmonic figuring which is the 'raw material' used for composing all arrangements. By using these two versions, pianists will be able to analyze the melodic and harmonic improvements added to the piano arrangement, as well as practice their own improvisations on the themes. Piano teachers will also find in this volume a good basic repertory to introduce Jazz to their students. The playful aspect is added to this anthology by way of the midi-files which accompany the mixed CD (CD audio and CD rom) offering the possibility to listen to the pieces in midi by using the sound card of a computer. In addition, it is possible to change the sounds and teh tempo with appropriate equipement.
SKU: GI.G-CD-1000
UPC: 785147000020.
Teach ing Music through Performance in Jazz for Beginning Ensembles pairs practicle perspectives from world-class jazz educators and performers—who specialize in working with beginning ensembles—together with Teacher Resource Guides for more than 60 of the best jazz charts published for beginning ensembles. Teaching Music through Performance in Jazz for Beginning Ensembles is truly a significant resource for both beginning jazz educators and their students, and an invaluable contribution to the field. This companion 2-CD set contains premier recordings of 29 of the most significant works for beginning jazz band that were ever composed. For more information about each piece, as well as conducting insights, refer to the book Teaching Music through Performance in Jazz for Beginning Ensembles (GIA Publications, Inc., G-9022), compiled and edited by Richard Miles, with additional contributions from Ronald Carter, Roosevelt Griffin, Ben Huntoon, Brian Logan, Rob Parton, Willis Rapp, and Dean Sorenson. Performed by the Bryan Carter Big Band—Bryan Carter, Director.
SKU: BR.PB-5591
ISBN 9790004214015. 0 x 0 inches.
A rewarding extension to the repertoire Friedrich Schneider, remembered in the music world almost entirely through his oratorio Das Weltgericht (The Last Judgment), bequeathed at his death in 1853 an oeuvre of over 1000 works, among them 23 symphonies. Breitkopf & Hartel, whose association with Schneider began as early as 1805, is now publishing for the first time an edition of his Symphony No. 16. The symphony composed in 1818 is impressive proof that outside of Vienna the romantic symphony was also developing then. To this day Schneider's extensive symphonic works are almost completely unknown. Inviting us to rediscover him, the work offers a welcome and valuable repertoire extension in the realm of the early romantic symphony.A contemporary of Beethoven, Schneider's soundworld is not a million miles away from the great man's. He is on frisky form in his 16th symphony. (Jeremy Pound, BBC Music Magazine).
SKU: HL.275430
ISBN 9781616777098. UPC: 888680743987. 6.0x9.0x0.253 inches. Suzanne W. Guy with Tonya M. Holland.
In this delightful book of reflections, Suzanne Guy shares witty sayings and wise truths gathered over 45 years of teaching piano. From daily chuckles to profound thoughts, the rich imagery and concepts presented here sparkle like musical gems, offering the perfect dose of inspiration. About the Author: Suzanne Guy has presented workshops and master classes at colleges, conventions, and professional organizations throughout the United States. Guy holds the MTNA Master Teacher Certificate and was also selected to be a Mobil Ambassador teacher at the ninth Van Cliburn Competition. Guy holds a degree in piano performance from Agnes Scott College and taught piano pedagogy at both Peabody Conservatory and George Mason University.
About Basic Piano Adventures
Piano Adventures has set a new standard for a new century of piano teaching. It is fast becoming the method of choice at leading university pedagogy programs and major teaching studios around the world. But more importantly, Piano Adventures is bringing smiles to the faces of thousands of piano students. It can do the same for your students.