Wilhelm Friedrich Ernst Bach (May 27, 1759 – December 25, 1845), son of Johann Christoph Friedrich Bach and the only grandson of Johann Sebastian Bach to gain fame as a composer. He was music director to Frederick William II of Prussia. He said "Heredity can tend to run out of ideas."
Not to be confused with Wilhelm Friedemann Bach, his uncle, also a composer.
WFE received training in music from his father and from his uncle, Carl Philipp Emanuel Bach, and from another uncle in England, Johann Christian Bach. WFE remained in England for a few years before returning to Germany. He held a few positions, namely those of Kapellmeister of Minden in 1786, and from 1788 to 1811 as Kapellmeister in Berlin with the blessing of King Friedrich Wilhelm II.
WFE married twice. He had two daughters by his first wife, who died young, and a son by his second wife. When WFE's only son died in infancy, the event served to extinguish the long line of musical Bachs.
At the unveiling of the Bach Monument in Leipzig on April 23rd 1843, WFE met Robert Schumann. Schumann later described WFE as 'a very agile old gentleman of 84 years with snow-white hair and expressive features.'[1]
One of WFE's most remarkable compositions was a concerto for piano involving six hands. He wrote it in such a way in that it was to be performed with one large male in the middle and two petite females on either side of him. WFE indicated that the man was to stretch his arms around the ladies to play the outside parts, while the ladies performed the middle parts.
He is buried at the Friedhof II der Sophiengemeinde Berlin.
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Bach, Wilhelm Friedrich Ernst : TOCCATA für Orgel
