/ Partitions classique / Ensemble et orchestre / Orchestre / BOTE AND BOCK
SKU: HL.35009229
UPC: 888680940713. 8.5x11.0x0.064 inches.
Chosen as the 2009 recipient of the George Washington Medal of Honor awarded by the Freedoms Foundation of Valley Forge, this composition is the only musical setting of the inscription on the Tomb of the Unknot Soldier in Arlington Cemetery. Here Rests in Honored Glory exemplifies the essence of the National Awards by promoting an understanding and appreciation for our country's rich heritage and unique freedoms. Beginning in 2010, according to the Curator of the Normandy France Museum, a CD of the work is played each June 6th in honor of D-Day. On December 28, 2018, Governor Andrew Cuomo signed into law a bill making Here Rests in Honored Glory the Official New York State Hymn of Remembrance for all American Veterans.
SKU: BR.OB-5142-16
ISBN 9790004329528. 10 x 12.5 inches.
Despite the numbering, the overture Leonore No. 2 was Beethoven's first effort to precede his only opera with an adequate introduction. It had been composed last minute and in between the rehearsals for the premiere of the opera Leonore oder Der Triumph der ehelichen Liebe (Leonore, or The Triumph of Marital Love) on 20 November 1805 at the Theater an der Wien. This comprehensive, programmatic work was met with incomprehension at first performances just like the opera itself. Beethoven felt compelled to re-write Leonore completely and presented it under its new title Fidelio. In 1806 he revised the overture to such an extent that a symphonic sonata movement emerged; with another incorrect numbering, Leonore No. 3 has gone down in music history and above all it has achieved a regular place in concert repertory. And in order to complete the confusion: written in 1806/07, only Overture No. 1 is Beethoven's chronologically last effort to write an overture for Leonore, before he - many years later - put an end to this infinite subject with the so-called Fidelio overture for the third version of the opera. After all, thanks to the search after a dramaturgically convincing beginning of the opera, the music world has been enriched by four quite different orchestra scores.The music text of the present score is based on Volume 11 of the Supplements to the Complete Edition. The performance material of the Fidelio and Leonore No. 3 overtures is available in Breitkopf Urtext editions..
SKU: BR.OB-5142-27
ISBN 9790004329559. 10 x 12.5 inches.
SKU: BR.PB-5142
ISBN 9790004208878. 10 x 12.5 inches.
SKU: BR.OB-5142-19
ISBN 9790004329535. 10 x 12.5 inches.
SKU: BR.OB-5142-30
ISBN 9790004329566. 10 x 12.5 inches.
SKU: BR.OB-5142-15
ISBN 9790004329511. 10 x 12.5 inches.
SKU: BR.OB-5142-23
ISBN 9790004329542. 10 x 12.5 inches.
SKU: HL.51484331
ISBN 9790201843315. UPC: 888680733285. 10x12.5 inches.
Beethovens einzige Oper 'Fidelio' (1814) ist die zweite Umarbeitung seiner Oper 'Leonore'. Der Band enthalt die 3 Leonoren Ouverturen, die jeweils fur eigene Auffuhrungen der Oper Leonore vorgesehen waren, 1805 'Leonore II', 1806 'Leonore III' und zusatzlich fur eine nicht zustande gekommene Auffuhrung in Prag 'Leonore I'.
SKU: HL.51484332
ISBN 9790201843322. UPC: 888680733247. 10x12.5 inches.
SKU: BT.DHP-1084489-010
9x12 inches. English-German-French-Dutch.
Il Signore Fagotto begint met een briljante orkestrale introductie. Dan introduceert de fagot het hoofdthema van het werk. De uitgebreide toepassing van een onregelmatige maatsoort (7/8) geeft de fagot de mogelijkheid om zijncharmante en schalkse kenmerken te onderstrepen. Dit spreekt tot onze verbeelding: we stellen ons voor hoe het beschreven karakter (Il Signore Fagotto) ondeugende streken levert. Kortom: een bijzonder boeiende compositie voor harmonieorkest,met als basis een prachtige hoofdrol voor de fagot!Die Vielseitigkeit des Fagotts erkannten schon viele große Komponisten, wie z.B. Vivaldi oder Rimski-Korsakow. Es kann von melancholisch, klagend bis hin zu komisch und grotesk klingen. Letztere Eigenschaft war der Grund, warum in der commedia dell’arte im Italien der 1550er Jahre eine Figur namens Signor Fagotto, die das Fagott verkörperte, eine der wichtigsten komischen Rollen spielte. Maxime Aulio benannte nach ihm dieses Werk, in dem das Fagott seine schalkhafte, charmante Seite voll ausleben und auch das übrige Blasorchester brillieren kann.Nicola Rimski-Korsakov disait du basson qu’il était « sénile et fourbe en Majeur, souffrant et triste en mineur ». Dans le grave et en staccato, il est indéniablement comique, grotesque et bouffon. Cette diversité de caractère avait déj inspiré la Commedia dell’arte qui confia Signor Fagotto l’un des rôles comiques essentiels. Au XVIIIe siècle, selon l’usage de l’opéra-comique italien (opera buffa), la voix était doublée par un instrument vent. De Signor Fagotto au basson, l’instrument qui allait le seconder, il n’y avait qu’un pas. C’est aussi cette époque que le basson devient un instrument soliste part entière. Vivaldi lui consacrera près de40 concertos. Sans doute a-t-il été conquis par sa personnalité généreuse, comme bien d’autres compositeurs dont Maxime Aulio. Il Signore Fagotto débute avec une introduction orchestrale brillante. Le soliste expose ensuite le thème premier de l’œuvre. L’utilisation presque constante d’un chiffrage de mesure irrégulier (7/8) permet au basson d’accentuer son caractère espiègle et charmant, tout en laissant l’auditeur un espace de liberté suffisant pour imaginer les facéties du personnage. Il Signore Fagotto est une œuvre captivante pour l’accompagnement orchestral et qui offre au basson une superbe partie soliste.Il Signore Fagotto a été donné en création mondiale le 24 avril 2002 par Laurent Le Chenadec (basson) accompagné de l’Orchestre d’Harmonie du Conservatoire National de Région de Toulouse.
SKU: BT.DHP-1084489-140
SKU: BR.OB-5512-16
For his new edition of the Leonore Overture, which is still wrongly labeled as No. 3 to this day, Christian Rudolf Riedel based himself for the first time on the Prague copy of the score that was rediscovered in 1977.
ISBN 9790004339015. 10 x 12.5 inches.
Urtext virgin territory: the overture Leonore No. 3 To this day, the two major Fidelio overtures are still performed from music texts that go back to the imprecise and corrupted first editions of the parts. In the meantime, however, the state of the sources for both works has significantly improved through many new findings. For his new edition of the Leonore Overture, which is still wrongly labeled as No. 3 to this day, Christian Rudolf Riedel based himself for the first time on the Prague copy of the score that was rediscovered in 1977. This score was most likely used by the conductor in 1806, and it helps clear up the previously unresolved textual problems of the work, such as, for example, the famous Presto passage in m. 514.For his new edition of the Leonore Overture, which is still wrongly labeled as No. 3 to this day, Christian Rudolf Riedel based himself for the first time on the Prague copy of the score that was rediscovered in 1977.
SKU: BR.OB-5512-27
ISBN 9790004339046. 10 x 12.5 inches.
SKU: BR.OB-5512-15
ISBN 9790004339008. 10 x 12.5 inches.
SKU: BR.OB-5512-19
ISBN 9790004339022. 10 x 12.5 inches.
SKU: BR.OB-5512-30
ISBN 9790004339053. 10 x 12.5 inches.