Format : Sheet music + CD
SKU: GI.G-CD-1001
UPC: 785147100126.
Teaching Music through Performance in Jazz, Volume 2 is a major contribution for jazz educators and leaders. This much anticipated successor to the acclaimed first book in this series provides insights of today's top jazz educators and performers as well as invaluable analyses of the best repertoire published for jazz ensembles, from developing to advanced levels. This companion 3-CD set contains premier recordings of 31 of the most significant works for developing, intermediate, and advanced jazz band that were ever composed. For more information about each piece, as well as conducting insights, refer to the book Teaching Music through Performance in Jazz, Volume 2 (GIA Publications, Inc., G-9031), compiled and edited by Richard Miles, selections by Ronald Carter, with additional contributions from Randy Brecker, Robert Knatt, Thara Memory, and Rodney Whitaker.
SKU: SU.91409192
Modernism Forever Volume One - Fulkerson, Carter, Davies Disc 1 1. The Childermass (Live) Christopher Fulkerson & The Composers Chamber Players - 14:16 2. E Io Etterno Duro (And Eternal I Endure) [Live] (Dante) for solo male sextet Christopher Fulkerson & Chanticleer - 6:48 3. Double Blizzard First Michelangelo Fantasy for violin and bass Christopher Fulkerson - 7:27 4. Clothes Another's Hand (Live) 2nd Michelangelo Fantasy for string trio Christopher Fulkerson & Friends of CF - 9:04 5. With Its Billowing Hair (Live) 4th Michelangelo Fantasy for violin and string John Casten, Christopher Fulkerson & Friends - 13:03 6. Scritti Di Leonardo (Live) for tenor, SATB soli, & five players Christopher Fulkerson, Patrick Neve, Ariel & The SFCMP - 18:23 7. Concerto for Harpsichord (Live) and seven instruments Christopher Fulkerson, Jonathan Shiff, Eric Hansen & the Intercampus Cultural Exchange - 9:04 Disc 2 1. Astraea in the Field of Stars for guitar and string quartet Christopher Fulkerson - 9:01 2. Echoes of Hart Crane (Live) for vocal ensemble SSAATTBB Christopher Fulkerson & Ariel - 3:03 3. The Sweep of Their Lyre Echoes of Our Bards I for instrument sextet Christopher Fulkerson - 7:25 4. The Rush of Their Verse Echoes of Our Bards II for eleven instruments Christopher Fulkerson 5. Mere Magic Music (Live) Part One of the Magic Cycle for eight antiphonal voices Christopher Fulkerson & The Virtuose - 6:42 6. Pour Jean-Louis for solo harp Christopher Fulkerson - 0:31 7. Tomb of Taillevant for alto flute and guitar Christopher Fulkerson - 1:41 8. Syringa (Live) by Elliott Carter for mezzo, baritone, guitar & ensemble Christopher Fulkerson & The Composers Chamber Players - 19:36 9. Westerlings (Live) by Peter Maxwell Davies Christopher Fulkerson & Ariel.
SKU: IM.3871
For Cello (with Cello II accompaniment ad libitum). These studies progress from lower left hand positions to thumb position, while introducing various bowing techniques. Newly composed second cello accompaniment by Carter Enyeart.
SKU: GI.G-317204
ISBN 9781574631111. UPC: 884088515560.
This latest work in the Meredith Music master class series presents a comprehensive, interpretive analysis and performance guide of three legendary compositions for timpani and percussion. Together, Morris Lang, Charles Dowd, and Anthony J. Cirone have put a lifetime of performance and study experience into an extensive volume featuring Eight Pieces for Four Timpani by Elliott Carter, Concertino for Percussion and Small Orchestra by Darius Milhaud and l'Histoire du Soldat by Igor Stravinsky. This in-depth, one-of-a-kind publication includes: corrections of wrong notes, rhythms, phrasings, and dynamics, far-reaching suggestions on interpretation, revised notation when original music was difficult to read, suggested muffling to enhance interpretation, additional articulations when appropriate, suggested sticking to increase musical phrasing, historical references.
SKU: GI.G-003049
Includes: “Unto Us a Boy Is Born”, “How Brightly Beams the Morning Star”, “O Come, Little Children”, “It Came Upon a Midnight Clear”, “Joseph Dearest, Joseph Mine”, and “O Little Town of Bethlehem.”.
SKU: GI.G-317228
ISBN 9781574631203. UPC: 884088625177.
This text is the fifth in a five-volume series on major contemporary composers and their works for wind band. Included in this volume are rare, 'behind-the-notes' perspectives acquired from personal interviews with composers William Bolcom, Andrew Boysen, Jr., Steven Bryant, David Dzubay, Chen Qian, Adam Gorb, Jennifer Higdon, John Mackey, Jonathan Newman, Carter Pann, Christopher Rouse, and Rolf Rudin. An excellent resource for conductor, composer or enthusiast interested in acquiring a richer musical understanding of the composers' training, compositional approach, musical influences, and interpretative ideas.
SKU: IM.3726
This newly edited Volume IV features virtuosic pieces which prepare the cellist for concerto-style playing. Includes rapid arpeggios over multiple octaves, double-stops all over the fingerboard, cadenzas, etc.
SKU: GI.G-003059
A delightful piano book for intermediate-level pianists. Here you will find six arrangements of Christmas carols arranged with extended harmonics in a jazz-like style. Arrangements include “Lo, How a Rose E’er Blooming,” “Good Christian, Friends Rejoice”, “Still, Still, Still”, “Angels We Have Heard on High”, “Silent Night”, and a new take on Paul Tate’s “Christmas Hymn.” Ideal for preludes during Advent and Christmas. .
SKU: HL.14029674
ISBN 9780853606208. 8.5x11.75x0.44 inches.
A selection of collected Folk Songs arranged by Cecil Sharp and Ralph Vaughan Williams.
SKU: CA.221100
ISBN 9790007170639.
Melodious evening songs lend themselves to a quiet ending or an imaginatively accented concert. This choral collection is a selection with about 40 English, German and international lullabies and evening songs of stylistic diversity, with easily singable settings for a mixed choir, some of which include piano accompaniments. The repertoire ranges from Baroque and Romantic works to contemporary works, with settings newly-composed for the collection and well-known lullabies and evening songs. The conductor's volume includes a CD with recordings of selected pieces. The songs chosen are largely from the German and English repertoire, but also include pieces in Spanish, French, and Russian. With well-known compositions by composers such as J. S. Bach, Brahms, Elgar, Mendelssohn Bartholdy, Rheinberger, Scholefield, Stanford, and Sullivan. Ten of the songs have been newly-arranged specially for this collection by leading composers (Ludwig Bohme, Daniel Carter, Ian McDougal, Gunther Martin Gottsche, Reijo Kekkonen, Clifford W. King, Andrej Makor, Giacomo Mezzalira, Christoph Muller, and Peter Schindler). Easy to medium difficulty. Mainly for (S)SATB choir a cappella, a few settings with piano accompaniment. A CD with selected songs is included with the conductor's volume. The choral collection is published as Conductor's volume with CD and editionchor (budget edition for choral singers).
SKU: PR.114418770
ISBN 9781491112700. UPC: 680160667642.
GIANTESS was commissioned by the Flute New Music Consortium for simultaneous copremieresby many consortium members in early March 2018. The composer has written,The flute presents a far-reaching melody that seemingly never ends and explores the entirerange of the instrument at all times. It is this quality of the melodic line that inspired the titleof the work... the image of a larger-than-life gigantic performer who has the ability to makethe flute expand in range, timbre, and volume, breaking the bounds well beyond its humblesize. The phantasmagoric 9-minute work is cast in one rhapsodic movement.Giantess was written on commission from the Flute New Music Consortium, an organization comprised of professional flutists throughout the United States. The flute presents a far-reaching melody that seemingly never ends, and that explores the entire range of the instrument at all times. It is this quality of the melodic line that inspired the title of the work — the image of a larger-than-life gigantic performer who has the ability to make the flute expand in range, timbre, and volume, breaking the bounds well beyond its humble size.
