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Violin Sonatas, Vol. 3, Urtext
$39.95
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Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Karl Marguerre. Arranged by Karl Marguerre. With Standard notation. Wiener Urtext/Vienna Urtext #UT50034. Published by Wiener Urtext/Vienna Urtext
Instrumentation :
Violin
Publisher :
Vienna Urtext
Sheet music extract
Violin Sonatas, Vol. 3, Urtext
$ 39.95
Sheet music extract
Violin Sonatas, Vol. 3, Urtext
$ 39.95
Song List
:
Sonata B flat major K 454
Sonata E flat major K 481
Sonata A major K 526
Sonata F major K 547
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Sheetmusicplus
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With Basso continuo Part, realized by S. Gerlach. By Bohemian Violin Sonatas. Edited by Zdenka Pilkova. Figured bass by Sonja Gerlach. Violin. Pages: Score = IX and 45 * Vl Part = 23 * BC Part = 16. Urtext edition-paper bound. Published by G. Henle.
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Mozart : Violin Sonatas, Vol. 2, Urtext
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Sonatas for Piano and Violin, Vol. 2 composed by Wolfgang Amadeus Mozart (1756-1...
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Sonatas for Piano and Violin, Vol. 2 composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Karl Marguerre. Arranged by Karl Marguerre. For Sonatas for Piano and Violin, Vol 2. Standard notation. Published by Wiener Urtext/Vienna Urtext
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Mozart : Violin Sonatas, Vol. 1, Urtext
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Sonatas for Piano and Violin, Vol. 1 composed by Wolfgang Amadeus Mozart (1756-1...
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Wunderkind Sonatas, Volume 2, K. 10-15
Piano solo
G. Henle
(Wolfgang Amadeus Mozart - Wunderkind Sonatas, Volume 2, K. 10-1). Composed by W...
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(Wolfgang Amadeus Mozart - Wunderkind Sonatas, Volume 2, K. 10-1). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Wolf-Dieter Seiffert. For Piano. Henle Music Folios. Softcover. G. Henle #HN1095. Published by G. Henle
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Bohemian Violin Sonatas: volume II
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Violin and Piano. By Various. Edited by Zdenka Pilkova. This edition: HN335. Vio...
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Sonatas for Violin and Piano - Volume 1 by Robert Schumann. Edited by Ute Baer. ...
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Sonata no. 1 for Violin and Piano in D minor, op. 75
Violin and Piano
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Intermediate/advanced
Barenreiter
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Johannes Brahms : Sonata for Piano and Violin in G Major, Op. 78 (Piano / Violin)
Violin and Piano
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G. Henle
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Sonata no. 2 for Violin and Piano in E-flat major, op. 102
Violin and Piano
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Intermediate/advanced
Barenreiter
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Johann Sebastian Bach: 6 Violin Sonatas, Volume 2 (IV-VI)
Violin and Piano
[Set of Parts]
Barenreiter
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Violin and Piano
Peters
(Urtext Edition). By George Frideric Handel (1685-1759). Edited by Burrows. For ...
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2 Violins and Basso
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Ludwig van Beethoven: Sonatas for Piano and Violin, volume I/II
Violin and Piano
[Score]
G. Henle
All Violin Sonatas in ONE Book - for Violin and Piano. By Ludwig van Beethoven. ...
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All Violin Sonatas in ONE Book - for Violin and Piano. By Ludwig van Beethoven. Edited by S. Brandenburg. Violin. Pages: Score = 283 * Violin Part (also clothbound) = 88. Urtext edition-cloth bound. Published by G. Henle.
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Wolfgang Amadeus Mozart - Wunderkind Sonatas, Volume 3, K. 26-31
Piano solo
G. Henle
(Edition for Piano Solo). Composed by Wolfgang Amadeus Mozart (1756-1791). Edite...
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By Robert Schumann. For violin and piano. Romantic. Level: 8. Full score and par...
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By Robert Schumann. For violin and piano. Romantic. Level: 8. Full score and part. 152 pages. Published by Wiener Urtext Edition.
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Complete Sonatas, Volume 2
Violin and Piano
Peters
By Wolfgang Amadeus Mozart. Edited by Cliff Eisen. For violin, piano. This editi...
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By Wolfgang Amadeus Mozart. Edited by Cliff Eisen. For violin, piano. This edition: Urtext edition. Contains the sonatas K296 and K376-380, and the incomplete works (both here completed by Stadler) the Andante and Fugue K402 and the sonata K403. Score and part. 136 p. (score); 50 p. (part) pages. Published by C.F. Peters.
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Violin Sonatas Complete in 2 volumes Volume 2
Violin and Piano
Peters
By George Frideric Handel. Edited by Davisson, Ramin(Urtext). For violin (record...
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By George Frideric Handel. Edited by Davisson, Ramin(Urtext). For violin (recorder), piano (violoncello ad lib). Nos.3-6(D,A,E). Published by C.F. Peters.
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Ludwig van Beethoven: Sonatas for Piano and Violin volume I
Violin and Piano
[Sheet music]
G. Henle
Composed by Ludwig van Beethoven (1770-1827), edited by Sieghard Brandenburg. Co...
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Composed by Ludwig van Beethoven (1770-1827), edited by Sieghard Brandenburg. Collection and set of performance parts for Violin and piano. With bowings and fingerings. Urtext edition-paper bound. 159 pages. Published by G. Henle.
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Ludwig van Beethoven: Violin Sonatas - Volume 2: Violin: Instrumental Album
Violin and Piano
G. Henle
Violin Sonatas Volume II-Volume II of Ludwig van Beethoven’s Sonatas for ...
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Violin Sonatas Volume II-Volume II of Ludwig van Beethoven’s Sonatas for Piano and Violin includes Violin sonatas No. 6-10 - Beethoven wrote 10 sonatas for Violin and Piano in total (No. 1-5 can be found inVolume I of this edition). Out of these 5 sonatas Violin Sonata No. 9 (commonly known as the ‘Kreutzer Sonata’) is the most widely known because of its demanding Violin part unusual length of slightlyless than 40 minutes (with the other four averaging at ca. 23 minutes) and emotional scope - while the first movement is predominantly furious the second is meditative and the third joyous and exuberant. This Urtextedition provides you with a clear and accurate representation of the composer's original intentions. Two copies of the Violin score are included as separate inserts as well as a preface in German English and French.
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Wolfgang Amadeus Mozart: Violin Sonatas Volume 3: Violin: Instrumental Album
Violin and Piano
[Sheet music]
-
Intermediate/advanced
Peters
The Edition Peters urtext edition of Mozart's Violin Sonatas Volume 3. Contains...
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The Edition Peters urtext edition of Mozart's Violin Sonatas Volume 3. Contains K454 K481 K526 K547 and Variations from K359 and K360. Edited by Cliff Eisen. For Piano and Violin.
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Ludwig van Beethoven: Sonata For Violin And Piano Volume 1: Violin: Instrumental
Violin and Piano
G. Henle
Violin Sonatas Volume I-The Sonaten Fur Klavier Und Violine (Sonatas For Piano ...
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Violin Sonatas Volume I-The Sonaten Fur Klavier Und Violine (Sonatas For Piano And Violin) Volume 1 is a beautiful collection of works for Violin and Piano composed by Beethoven. These sonatas provide a wonderful addition to the repertoireand will present an enjoyable challenge to the violinist and pianist alike.This Urtext edition provides you with a clear and accurate representation of the composer's original intentions. The solo violin part is alsoincluded on a separate insert.
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Robert Schumann: Sonatas Vol. 1: Violin: Instrumental Work
Violin
Wiener Urtext
Schumann’s Violin Sonatas were taken up with enthusiasm very soon after th...
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Schumann’s Violin Sonatas were taken up with enthusiasm very soon after they were first performed. The Second Sonata was described at the time as 'Second only to Beethoven's Sonata in A'. Sonatas Op. 105 and Op. 121 are now presented in the first volume of this Wiener Urtext edition. It is based on the score in the new complete Schumann edition which draws not only upon the authorised first editions of both works but also upon Schumann’s working manuscripts and – in the case of the 2nd Sonata – the score used by the engravers and extensive correspondence between the composer and the originalpublishers. Meticulous comparison of these original documents has made it possible to determine numerous details regarding dynamics and articulation. Schumann’s autograph manuscript has been of significant help in this respect. The edition is part of the ABRSM syllabus (grade 8).
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Wolfgang Amadeus Mozart: Sonatas Vol. 1: Violin: Instrumental Work
Violin
Wiener Urtext
Wolfgang Amadeus Mozart's Sonatas. Volume 1 for Violin with Piano accompaniment.
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Wolfgang Amadeus Mozart: Sonatas Vol. 2: Violin: Instrumental Work
Violin
Wiener Urtext
Wolfgang Amadeus Mozart's Sonatas. Volume 2 for Violin with Piano accompaniment....
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Wolfgang Amadeus Mozart's Sonatas. Volume 2 for Violin with Piano accompaniment.  The contents includes the following:-  Foreword Notes on Interpretation Sonata I F-Dur KV 374d (376) Sonata II C-Dur KV 296 Sonata III F-Dur KV 374e (377) Sonata IV B-Dur KV 317d (378) Sonata V G-Dur KV 373a (379) Sonata VI Es-Dur KV 374f (380) Critical Comments
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Johann Sebastian Bach: 6 Sonatas Volume 1 BWV 1014-1016: Violin: Instrumental
Violin
Wiener Urtext
Kehr/Neumeyer Urtext -Johann Sebastian Bach's 6 Sonatas. Volume 1 BWV 1014-1016.
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Georg Friedrich Händel: Violin Sonatas Volume 1: Violin: Instrumental Album
Violin and Piano
[Sheet music]
Peters
Peters Urtext editions of Handel's Violin Sonatas in G Minor D Minor A D Mino...
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Peters Urtext editions of Handel's Violin Sonatas in G Minor D Minor A D Minor A and E.
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Johann Sebastian Bach: 6 Sonatas Volume 2 BWV 1017-1019: Violin: Instrumental
Violin
Wiener Urtext
Johann Sebastian Bach's 6 Sonatas. Volume 2 BWV 1017-1019.
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Violin Sonatas Op. 5 Bd. 1+2 Kplt.
Violin and Piano
Wiener Urtext
Ces sonates sont parmi les oeuvres epoch-making du répertoire pour violon et au...
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Ces sonates sont parmi les oeuvres epoch-making du répertoire pour violon et aujourd'hui figure dans le répertoire standard de tous les violonistes. Il est d'autant plus surprenant, donc, que jusqu'à présent il n'y a pas eu édition Urtext de ces travaux importants.Le score est basé sur une première édition supervisée par Corelli lui-même. D'après ce que nous savons de la performance en temps de Corelli, cependant, était plusattend de la violoniste qu'une lecture musicale de la partition imprimée: il était d'usage d'ajouter des ornements à la limite de l'improvisation, avec l'embellissement et 'variations' comme vous le souhaitez. La partition originale est doncprésenté ici avec le plus documenté l'ornementation d'une réimpression publiée par Roger à Amsterdam en 1708. Cette ornementation n'est pas destiné à être servilement imité, mais de stimuler le lecteur à trouver leur propre interprétation créative et stylistiquement confiant de la partition. Comme Roger n'a pas précisé les ornements pour les sonates dans le deuxième volume, les 'variations que désiré' utilisé par l'élève de Corelli Geminiani ont été reproduites avec la Sonate neuvième exemple. Conseils sur les performances est donnée par la Cologne baroque spécialiste Reinhard Goebel. Ce conseil ne s'applique pas seulement à l'ornementation, mais aussi de l'articulation, coups d'archet et d'autres choses encore, appelant à des marquages ??spécifiques dans la partie de violon séparée.La réalisation de la partie de continuo fait écho à la mode de l'époque. Ici aussi, des conseils sur la performance vise à stimuler la libre interprétation par le joueur de continuo. Une partie basse chiffrée est inclus pour le joueur qui préfère lire l'accompagnement des chiffres. / Violon Et Piano
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Wolfgang Amadeus Mozart: Violin Sonatas - Fragments: Violin: Instrumental Album
Violin and Piano
G. Henle
Violin Sonatas Fragments-This Urtext edition contains rewarding discoveries for...
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Violin Sonatas Fragments-This Urtext edition contains rewarding discoveries for all lovers of Mozart.Mozart left behind a total of eight unfinished works for Piano and Violin predominantly discontinued sonata movements. Themusic is so wonderful that Henle have published a separate volume with this group of works all of which (aside from a fragment in the appendix of this edition) have been completed so that they can be performed.They notonly include the familiar completed versions by Maximilian Stadler but also new ones by Robert D. Levin. He has contributed five each of which is full of Mozartian spirit. A preface with a critical report presents the facts indetail and incorporates the most recent scholarly findings. Benjamin Schmid and Ariane Haering have provided fingerings for this edition that is in every sense unique.
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Johann Sebastian Bach: 2 Sonatas For Violin G Bwv 1021 E Min Bwv 1023:
Violin, Basso continuo
[Sheet music]
Barenreiter
About Sonatas in G major E-minor Fugue in G minor(BWV 1021 BWV 1023 BWV 1026...
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About Sonatas in G major E-minor Fugue in G minor(BWV 1021 BWV 1023 BWV 1026) By Johann Sebastian Bach (1685-1750) arranged by Meniker Zvi edited by Andrew Manze Peter Wollny. Score; Set of Parts; Urtext Edition for violin and basso continuo. Published by Baerenreiter-Ausgaben (German import). (BA.BA5167) ISBN M006466214. Baroque. 9x12 inches. First critical edition of a work firmly attributed to Bach: the G minor Fugue BWV 1026 Figured bass realization by Zvi Meniker Two violin parts: an Urtext part and a part marked with fingering and bowing suggestions by Andrew Manze Continuo part with bass figures This new edition supersedes the earlier performance edition ofsonatas BWV 1021 and 1023 published in the New Bach Edition. Like other volumes recently issued in revised editions - Sonatas and Partitas for Violin (BA 5116) Partita for Flute (BA 5187) and Six Sonatas for Violin and Obbligato Harpsichord in one volume (BA 5240) and in two volumes (BA 5118-19) - these two sonatas have been re-evaluated on the basis of newly unearthed sources. The Fugue BWV 1026 long considered spurious appears here for the first time in a scholarly-critical edition that places Bach's authorship above reproach
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Wolfgang Amadeus Mozart: Violin Sonatas - Volume 2: Violin: Instrumental Album
Violin and Piano
G. Henle
(Aurnhammer) Urtextausgabe mit einer bezeichneten und einer unbezeichneten Stre...
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(Aurnhammer) Urtextausgabe mit einer bezeichneten und einer unbezeichneten Streicherstimme-This is the second volume of Mozart’s Complete Sonatas for Piano and Violin and contains fully revised versions of his six sonatas for Piano and Violin K.296 and K.376-80 also known as the Aurnhammer SonatasOp.2.This authoritative Henle Urtext edition has been carefully edited by Wolf-Dieter Seiffert with fingerings by Walther Lampe and Karl Rohrig and provides you with the most accurate realisation of thecomposer’s original intentions with thoroughly comprehensive and detailed editorial markings and suggestions.
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Wolfgang Amadeus Mozart: Violin Sonatas - Volume 3: Violin: Instrumental Album
Violin and Piano
G. Henle
(Spätere Wiener) Urtextausgabe mit einer bezeichneten und einer unbezeichneten ...
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(Spätere Wiener) Urtextausgabe mit einer bezeichneten und einer unbezeichneten Streicherstimme-This is the third volume of Mozart’s Complete Sonatas for Piano and Violin and contains fully revised versions of his five sonatas for Piano and Violin K.454 K.481 K.526 and K.547 also known as Die spateren WienerSonatas and also includes the Violin Sonata In B Flat K.570.This authoritative Henle Urtext edition has been carefully edited by Wolf-Dieter Seiffert with fingerings by Walther Lampe and Karl Rohrig and provides you with the most accurate realisation of the composer’s original intentions with thoroughly comprehensive and detailed editorial markings and suggestions.
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Mozart Wofgang Amadeus - Violin Sonatas Vol.3 - Violin And Piano
Violin and Piano
Peters
Instrumentation: Vln—Pf Editor: Cliff Eisen Format: Sheet Music ...
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Instrumentation: Vln—Pf Editor: Cliff Eisen Format: Sheet Music Details: This projected complete edition of the MozartSonatas for Keyboard and Violin has been researched and prepared by Cliff Eisen, one of the most distinguished Mozart scholars of our time. Professor Eisen recognises that many of the apparent inconsistencies and idiosyncrasies of Mozart's notation are perfectly deliberate, and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can be misguided. As he writes in the preface: '…the notion that the classical style represents a model of symmetry, balanceand clarity is for the most part a 19th-century fiction…it has little to do withMozart's actual practice, which is based primarily on variety of both content and articulation. So in this new edition, alternative readings found in parallel passages are preserved, rather than being sterilised by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition, as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisen is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterised by changes – sometimes substantial changes – in the musical text'. It is the achievement of this edition to indicate how far this freedom of musical expression can extend, andas such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces. Contents: K454, K481, K526, K547 & Variations K359, K360
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Mozart Wolfgang Amadeus - Violin Sonatas Vol.2 - Violin And Piano
Violin and Piano
Peters
Instrumentation: Vln—Pf Editor: Eisen ISMN: M-57708-560-9 Format:...
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Instrumentation: Vln—Pf Editor: Eisen ISMN: M-57708-560-9 Format: Sheet Music Details: Contents: Sonatas K296, K376-K380; Andante and Fugue K402 (completed by Stadler); Sonata K403 (completed by Stadler). Contents: This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen, one of the mostdistinguished Mozart scholars of our time. Professor Eisen recognizes that many of the apparent inconsistencies and idiosynchrasiesof Mozart's notation are perfectly deliberate, and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can bemisguided. As he writes in the preface, '...the notion that the classical style represents a model of symmetry, balance and clarity is for the most part an 19th-centuryfiction...it has little to do with Mozart's actual practice, which is based primarily onvariety of both content and articulation.' So in this new edition, alternative readingsfound in parallel passages are preserved, rather than being sterilized by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respectedin the new edition, as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisenis conscious that there is no single 'Urtext' for this music. On the contrary, hebelieves that 'there is compelling evidence that Mozart's later performances of his works were characterized by changes--sometimes substantial changes--in the musical text.' It is the achievement of thisedition to indicate how far this freedom of musical expression can extend, and as such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces.
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Wolfgang Amadeus Mozart: Violin Sonatas - Volume 1: Violin: Instrumental Work
Violin and Piano
G. Henle
(Kurfürstin) Urtextausgabe mit einer bezeichneten und einer unbezeichneten Stre...
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(Kurfürstin) Urtextausgabe mit einer bezeichneten und einer unbezeichneten Streicherstimme-This is the first volume of Mozart’s Complete Sonatas for Piano and Violin and contains fully revised versions of his six sonatas for Piano and Violin K.301-306 also known as the Kurfustin Sonatas Op.1. This authoritative Henle Urtext edition has been carefully edited by Wolf-Dieter Seiffert with fingerings by Walther Lampe and Karl Rohrig and provides you with the most accurate realisation of the composer’soriginal intentions with thoroughly comprehensive and detailed editorial markings and suggestions.
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Mozart W.a. - Wunderkind Sonatas Vol. Iii K. 26-31 - Piano Et Violon
G. Henle
Wunderkind Sonatas Volume III for Piano and Violin K. 26-31 Editor: Wolf-Dieter...
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Wunderkind Sonatas Volume III for Piano and Violin K. 26-31 Editor: Wolf-Dieter Seiffert Fingering and bowing for Violin: Benjamin Schmid Fingering Piano: Ariane Haering In autumn 1765 Mozart's family was in Holland, not least at the request of Princess Caroline von Nassau-Weilburg. The fame of the prodigy Wolfgang Amadeus had already reached her so that she had an extraordinary desire to see this child (according to Leopold Mozart). The Sonatas for Piano K. 26-31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were naturally dedicated to the princess. An early copy which has nothing to do with Mozart was consulted by the New Mozart Edition as a primary source alongside the first edition. Our Urtext edition revises the musical text, deleting the misleading additions from this source. Violin Sonata (Wunderkind) E flat major KV 26 Level of difficulty (Violin): medium (Level 4) Violin Sonata (Wunderkind) G major KV 27 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) C major KV 28 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) D major KV 29 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) F major KV 30 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) B flat major KV 31 Level of difficulty (Violin): easy (Level 2)
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Mozart W.a. - Wunderkind-sonatas Vol. I K. 6-9 - Piano
G. Henle
Wunderkind-Sonatas Volume I K. 6-9 Editor: Wolf-Dieter Seiffert Fingering: Aria...
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Wunderkind-Sonatas Volume I K. 6-9 Editor: Wolf-Dieter Seiffert Fingering: Ariane Haering As astonishing as it might sound, Mozart was already composing piano sonatas (K. 6-9) at the age of seven. It is wonderfully fresh and varied music. We have already published Urtext editions of these four sonatas in the version for piano and violin (HN 1077). As far as we are aware they have never been published solely as piano sonatas, even though Mozart described them thus in the title and they were assuredly played as such. Whilst the added violin provides tonal enrichment, it can be omitted without loss. A true treasure trove of easier, unknown original music by Mozart. Piano Sonata (Wunderkind) C major KV 6 Piano Sonata (Wunderkind) D major KV 7 Piano Sonata (Wunderkind) B flat major KV 8 Piano Sonata (Wunderkind) G major KV 9
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Robert Schumann: Sonatas - F.A.E.Sonata And Sonata No.3 WoO 2: Violin:
Wiener Urtext
In Vol. 2 of the Violin Sonatas by Robert Schumann the Wiener Urtext Edition pr...
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In Vol. 2 of the Violin Sonatas by Robert Schumann the Wiener Urtext Edition presents the F.A.E. sonata jointly composed by Schumann Brahms and Albert Dietrich as well as the edited version with the movements of Brahms and Dietrich being replaced as third Violin sonata of Robert Schumann. The present edition is based on the edition published in 2002 in the New Schumann Complete Edition and thus on the latest musicological findings. In the case of the F.A.E. sonata this is mainly a matter of slight changes in the fields of dynamics and articulation. In the case of Schumann's third Violin sonata the present edition differs moresignificantly from the first edition published in 1956 and the slightly revised new edition of 1988. The order of the middle movements the accuracy of which could not be clearly determined up to now has been changed compared to the earlier editions because of newly found documents. In addition the repetition of the first section of the middle part notated in the first edition before the last 13 bars yet not intended by Schumann has been omitted. The repetition demanded by the composer however of the first eight bars before the beginning of the coda which is missing in hitherto publications has been added. Moreover in contrast to the first edition the new edition contains a variant for bar 100 in the first movement which was not written out in full by Schumann.
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Wolfgang Amadeus Mozart: Violin Sonatas Volume 2: Violin: Instrumental Album
Violin and Piano
[Sheet music]
Peters
This complete edition of the Mozart sonatas for violin and keyboard has been res...
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This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen one of the most distinguished Mozart scholars of our time. Professor Eisen recognizes that many of the apparent inconsistencies and idiosynchrasies of Mozart's notation are perfectly deliberate and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can bemisguided. As he writes in the preface '...the notion that the classical style represents a model of symmetry balance and clarity is for the most part an 19th-century fiction...it has little to do with Mozart's actual practice which is basedprimarily on variety of both content and articulation.' So in this new edition alternative readings found in parallel passages are preserved rather than being sterilized by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisenis is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterized by changes--sometimes substantial changes--in the musical text.' It is the achievement of this edition to indicate how far this freedom of musical expression can extend and as such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces.Contents: Sonatas K296 K376-K380; Andante and Fugue K402 (completed by Stadler); Sonata K403 (completed by Stadler).
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Wolfgang Amadeus Mozart: Complete Church Sonatas Book 1: String Ensemble:
2 Violins (duet)
Barenreiter
About Complete Church Sonatas. Volume 1Nine Sonatas for two Violins Organ and V...
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About Complete Church Sonatas. Volume 1Nine Sonatas for two Violins Organ and Violoncello/Bass. By Wolfgang Amadeus Mozart. Edited by Minos E. Dounias. For Organ Violin 1 Violin 2 Violoncello/Contrabass. Playing Score; Set of Parts; Urtext Edition. Published by Baerenreiter-Ausgaben (German import). (BA4731) ISBN M006454488. Contents:KV 67 (41h) Es-dur /2`KV 68 (41i) /4`KV 69 (41k) /3`KV 144 (124a) D-dur /4`KV 145 (124b) F-dur /3`KV 212 B-dur /4`KV 224 (241a) F-dur /5`KV 225 (241b) A-dur /5`KV 241 G-dur /3`
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Sonatas For Violin And Piano Band 2
Violin and Piano
Wiener Urtext
En Vol. 2 de la sonates pour violon, par Robert Schumann, le Wiener Urtext édit...
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En Vol. 2 de la sonates pour violon, par Robert Schumann, le Wiener Urtext édition présente la Sonate F.A.E. composée conjointement par Schumann, Brahms et Albert Dietrich, ainsi que la version éditée, avec les mouvements de Brahms et de Dietrich remplacé, comme troisième Sonate de violon de Robert Schumann. La présente édition est basée sur l'édition publiée en 2002 dans la nouvelle édition complète de Schumann et donc sur les plus récentes conclusions musicologiques. Dans le cas de la Sonate F.A.E., c'est surtout une question de légers changements dans les domaines de la dynamique et l'articulation. Dans le cas du troisième Sonate de violon de Schumann, la présente édition diffère plus significativement la première édition, publiée en 1956 et la nouvelle édition légèrement révisée de 1988. L'ordre des mouvements moyens dont l'exactitude ne peut être clairement déterminée jusqu'à maintenant a été modifiée, par rapport aux éditions précédentes, en raison des documents nouvellement trouvées. En outre, la répétition de la première section de la partie moyenne noter... / Violon Et Piano
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Sonata No 2 for Violin and Piano (SAINT-SAENS CAMILLE)
Violin and Piano
[Sheet music]
Barenreiter
In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th cen...
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In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months by the composer in Egypt: he began the main themes of all four movements as well as the canonic trio in Luxor and Aswan. The sonata was then completed on the Nile journey back to Cairo. That same year the sonata was premiered by Saint-Saëns and Pablo Sarasate in a concert celebrating the composer?s fiftieth stage anniversary. Astoundingly, he had first appeared on stage when he was only ten years old. This performing edition edited by Fabien Guilloux and François de Médicis is based on ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4. It reflects the most up-to-date state of research on this work which the edition presents in a spacious engraving. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-08/ Répertoire / Violon et Piano
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Violin Sonatas Vol.1 (MOZART WOLFGANG AMADEUS)
Violin and Piano
Peters
Par MOZART WOLFGANG AMADEUS. Cette projection édition complète les sonates de ...
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Par MOZART WOLFGANG AMADEUS. Cette projection édition complète les sonates de Mozart pour clavier et violon a été l'objet de recherches et préparé par Cliff Eisen, un des plus éminents spécialistes Mozart de notre temps. Professeur Eisen reconnaît que les contradictions apparentes et particularités de la notation de Mozart sont parfaitement délibérées, et que les tentatives dans de nombreuses autres éditions d'imposer l'uniformité sur des expressions similaires ou paragraphes musicales peuvent être erronées. Comme il l'écrit dans la préface: ' …la notion que le ' style classique ' représente un modèle de symétrie, équilibre et la clarté est en grande partie une fiction…it du XIXe siècle a peu à voir avec la pratique de Mozart, qui repose principalement sur la variété de contenu et d'articulation '. Donc dans cette nouvelle édition, lectures alternatives dans les passages parallèles sont préservés, plutôt que d'être stérilisés par une quête fallacieuse de conformité. Naturellement, toutes ces instances sont notés dans le commentaire critique. L'accroche hautement individuels au sein de le Mozar... / Urtext / Répertoire / Violon et Piano
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Carl Philipp Emanuel Bach: Sonatas Band 1: Violin: Instrumental Work
Violin
Wiener Urtext
Sonatas Wq 71-74 BWV 1036 Violinsonaten nach den Trios Wq 143-147-Carl Philipp...
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Sonatas Wq 71-74 BWV 1036 Violinsonaten nach den Trios Wq 143-147-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].
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