Format : Score and Parts
SKU: AY.FRD58
ISBN 9790302115434.
Prior to 2018, the Trio Sonata of John La Montaine might as well have not existed. When ALRY Publications became the sole representative for Fredonia Press, this work was not mentioned in the catalogs, nor was any score or manuscript included in the Fredonia archives. Suddenly it resurfaced, a paper copy, bearing a handwritten inscription to Doriot Anthony Dwyer, with the subtitle for 3 Flutes or 30 Flutes or 300 Flutes. The new and freshly re-engraved edition, featuring a full score and parts, consists of three movements: Questioning (a trio version of the opening movement of his Sonata for Solo Flute), Song and Scherzo.
SKU: CY.CC2793
Purcell's Trio Sonatas of 1683 are a blend or hybrid of French and Italian Baroque 17th Century musical styles. The six Sonatas of Volume 2 alternate between major and minor keys. Each work consists of several short movements, ranging between melancholy and joyous. Volume 2 is a continuation of the six sonatas from volume one, with more surprises and enjoyment for performers and listeners alike.Especially delightful are the dissonances that the composer intersperses throughout each work.Each Sonata is about 6-7 minutes in length and they are an absolute delight to perform.For advanced performers.
SKU: CY.CC2784
Purcell's Trio Sonatas of 1683 are a blend or hybrid of French and Italian Baroque 17th Century musical styles. The six Sonatas of Volume 1 alternate between major and minor keys. Each work consists of several short movements, ranging between melancholy and joyous.Especially delightful are the dissonances that the composer intersperses throughout each work. Each Sonata is about 6-7 minutes in length and they are an absolute delight to perform.For advanced performers.
SKU: BR.KM-2296
ISBN 9790004502891. 9 x 12 inches.
An original by Bach Sr. and Jr. Klaus Hofmann has retraced the path to the ur-sonata! With convincing arguments, he has shown that two well-known Bach works were originally based on one and the same model that is no longer extant. He believes that both the Trio Sonata in G major BWV 1038 and the Violin Sonata in F major BWV 1022 are concealing an original work for violin, viola and basso continuo a work that can easily be reconstructed by a Bach expert. Hofmann has already given ample proof of his unerring sense of style and authenticity in the two B flat major Trio Sonatas (KM 2277 and M 2287). He diplomatically attributes the authorship of the newly recovered sonata to both Johann Sebastian and his son Carl Philipp Emanuel to equal extents. This should preclude any posthumous family arguments, and lovers of Baroque chamber music will be delighted with this rare example of an original Bach piece for viola!
